Two powerful and interrelated transnational cultural expressions mark our epoch, Charismatic spirituality and global city. This book demonstrates how these two forces can be used to inform ethical design of cities and their common social lives to best support human flourishing, spirituality, and social and ecological wellbeing of their residents.

This book is a printed edition of the Special Issue "Current Trajectories in Global Pentecostalism: Culture, Social Engagement, and Change" that was published in Religions

Public Righteousness: The Performative Ethics of Human Flourishing is driven by the idea that part of what manifests as a disorderly display of virtue in public culture is underlined by the desire to see a more righteous society and an expression of the will to enact such an ideal world into reality. This book re-structures the ferment of such public displays and fashions an ethic that overturns the ostentatious signals of self-righteousness and the fierce contest of animating visions. This book engages the work of social ethicist Nimi Wariboko to explore an idea of public righteousness. In place of smug superiority and phony pieties, the performative ethics that inaugurate this public righteousness offer an intellectual and moral competence that establishes rectitude and culminates in human flourishing.

The Dialogical Spirit II is a second collection of essays that demonstrates the dialectical contours of Amos Yong’s critical pentecostal theology. It is a montage of constructive engagements with various thinkers and ideas in the promotion of theological plurality for the third millennium. With essays on Hegelian dialectics, Buddhist-Christian dialogue, pneumatic missiology, etc., voice is generated for the renewal of relationality and the revival of imagination. Free from the imposition of traditional boundaries, Yong makes his way across differing landscapes of truth in a global environment, gleaning from the activities of reflection and understanding therein. Providing snapshots of Yong’s theological development over decades of work, The Dialogical Spirit II further evidences the vitality of pentecostal theology to emerging conversations in constructive and comparative venues.

This volume brings 'America's theologian' and one of the fastest growing forms of Christianity into dialogue. Edwards is a fruitful source for Pentecostal investigation for historical and theological reasons. Edwards and Pentecostals descend from a common historical tradition-North American Evangelicalism. From revivalism and religious/charismatic experience to pneumatology they also share common theological interests. Though sharing a common history and core theological concerns, no critical conversation between Pentecostals and Edwards and their fields of scholarship has occurred. This is the first volume that provides Pentecostal readings of Edwards' theology that contribute to Pentecostal theology and Edwards scholarship. The contributing essays offer examination of affections and the Spirit, God and Salvation, Church and culture; and mission and witness.

Popular narratives cite religion as the driving force behind homophobia in Africa, portraying Christianity and LGBT expression as incompatible. Without denying Christianity’s contribution to the stigma, discrimination, and exclusion of same-sex-attracted and gender-variant people on the continent, Adriaan van Klinken presents an alternative narrative, foregrounding the ways in which religion also appears as a critical site of LGBT activism. Taking up the notion of “arts of resistance,” Kenyan, Christian, Queer presents four case studies of grassroots LGBT activism through artistic and creative expressions—including the literary and cultural work of Binyavanga Wainaina, the “Same Love” music video produced by gay gospel musician George Barasa, the Stories of Our Lives anthology project, and the LGBT-affirming Cosmopolitan Affirming Church. Through these case studies, Van Klinken demonstrates how Kenyan traditions, black African identities, and Christian beliefs and practices are being navigated, appropriated, and transformed in order to allow for queer Kenyan Christian imaginations. Transdisciplinary in scope and poignantly intimate in tone, Kenyan, Christian, Queer opens up critical avenues for rethinking the nature and future of the relationship between Christianity and queer activism in Kenya and elsewhere in Africa.