Wide-ranging survey of the criticism devoted to Theodor Fontane, with particular emphasis on more recent theoretical trends. This study of the literary scholarship on Fontane's narrative works is the first to present a systematic review of the ever-growing body of criticism on Germany's major realist novelist. Significant developments in Fontane criticism are traced in historical context, from their beginnings in contemporary commentary to the present day. The author places special emphasis on scholarship since 1980, analysing the influence of new literary critical trends in this period; she also considers the effect upon traditional literary criticism of feminism, psychoanalysis, and comparatist approaches, and the fresh developments in reception history, translation, and media studies.

"In his new book, Walker offers a radical reassessment of the German realist novel in the nineteenth century. Especially in the English- speaking world, German narrative realism has persistently been interpreted as the literary expression of an ideology of the aesthetic. The German realist novel is alleged to reflect philosophical idealism: to reject the prose of modern society in favour of the poetry of the inner aesthetic life. This book challenges that received view. Walker argues that German narrative realism should be read not only in relation to, but in crucial respects against, the dominant philosophical idiom of nineteenth century Germany. German narrative realism often functions as a critique of the idea and ideology of inwardness in nineteenth century German culture. To understand this, the author argues, we must reread German realist novels above all as narratives, not as the supposed reflection of philosophical categories. The core of the book is therefore the close reading of eight of the best known realist novels in German by Keller, Raabe and Fontane. This reading shows how the German realist novel, far from transposing the assumptions of aesthetic idealism into narrative form, exposes the real consequences of those assumptions in the culture and society of its time. John Walker is Head of the School of Languages, Linguistics and Culture at Birkbeck, University of London."

This book explores the history, the reality, and the complex fantasy of American and European Chinatowns and traces the patterns of transnational travel and traffic between China, South East Asia, Europe, and the United States which informed the development of these urban sites. Despite obvious structural or architectural similarities and overlaps, Chinatowns differ markedly depending on their location. European versions of Chinatowns can certainly not be considered mere replications of the American model. Paying close attention to regional specificities and overarching similarities, Chinatowns thus discloses the important European backdrop to a phenomenon commonly associated with North America. It starts from the assumption that the historical and modern Chinatown needs to be seen as complicatedly involved in a web of cultural memory, public and private narratives, ideologies, and political imperatives. Most of the contributors to this volume have multidisciplinary and multilingual backgrounds and are familiar with several different instances of the Chinese diasporic experience. With its triangular approach to the developments between China and the urban Chinese diasporas of North America and Europe, Chinatowns reveals connections and interlinkages which have not been addressed before.

On the centenary of Fontane’s death and at the turn of the century these essays take a new look at this supreme chronicler of Prussia and of the Germany that emerges after 1871. Written by scholars from different countries and disciplines, they focus on novels and theatre reviews from the perspectives of philosophy, sociology, comparative literature and translation theory, and in the contexts of topography and painting. Connections and crosscurrents emerge to reveal new aspects of Fontane’s poetics and to produce contrasting but complementary readings of his novels. He appears in the company of predecessors and contemporaries, such as Scott, Thackeray, Saar, Ibsen, Turgenev, but also in that of writers he has rarely, if ever, been seen beside, such as E.T.A. Hoffmann, Stendhal, Trollope, Henry James and Edith Wharton, Beckett and Faulkner. The historical novel and the social position of women are each a recurring focus of interest. Fontane emerges as receptive to other voices, as a precursor of developments in modern narrative, and confirmed as the novelist who brings the nineteenth-century German novel closest to the broad traditions of European realism.

Kathryn Ambrose offers a new approach to the Woman Question in mid- to late-nineteenth-century English, German and Russian literature. Using a methodological framework based on feminist theory and post-structuralism, she provides a re-vision of canonical texts (such as Jane Eyre, Wuthering Heights, Middlemarch, Effi Briest, Fathers and Children and Anna Karenina) alongside lesser-known works by Emily and Charlotte Brontë, George Eliot, Theodor Storm, Theodor Fontane, Ivan Turgenev and Leo Tolstoy. Her exploration of the semiotics of barriers – as opposed to the established approach of the semiotics of space – makes for a rewarding reading of this period of literature and establishes new cross-cultural and literary connections between the three countries.

The Encyclopedia of the Novel is the first reference book that focuses on the development of the novel throughout the world. Entries on individual writers assess the place of that writer within the development of the novel form, explaining why and in exactly what ways that writer is importnant. Similarly, an entry on an individual novel discusses the importance of that novel not only form, analyzing the particular innovations that novel has introduced and the ways in which it has influenced the subsequent course of the genre. A wide range of topic entries explore the history, criticism, theory, production, dissemination and reception of the novel. A very important component of the Encyclopedia of the Novel is its long surveys of development of the novel in various regions of the world.

Literary and Cultural Images of a Nation without a State applies Benedict Anderson's theory about the coherence of imagined communities by tracing how Galicia, the heart of Polish culture in the nineteenth-century - which would never be an independent nation-state - emerged as a historical and cultural touchstone with present-day significance for the people of Europe. After the Three Partitions and Poland's complete disappearance from Europe's political map, images of Poland arose to replace the lost kingdom with a national identity grounded in culture and tradition rather than in politics. This book examines the circumstances leading to Galicia's emergence as the imagined and representative center of Polish culture, juxtaposing the era's political realities with its literary texts to provide evidence of the cultural community that existed among ethnic Germans and Poles. Collectively, these images reflect a dialogue about Polish identity, and in consequence about the rise of a new European identity that did not correspond to ethnic nation-states but rather to a shared culture, history, and community that Galicia came to represent until its division between Poland and the Ukraine following World War I.