St. Paul is generally considered the first Christian hermit, and the monastery built around his cave in Egypt is one of the very oldest. This sumptuous volume grew out of a conservation project of the monastery's superb wall paintings, which were broadly produced in two phases in the 13th and 18th centuries.

The words of the 4th-century monastics who founded the Desert Rule

The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.

This landmark, interdisciplinary publication of the Red Monastery church, the most important Christian monument in Egypt's Nile Valley, highlights its remarkable and newly conserved paintings and architectural sculpture.

In The Cross in the Visual Culture of Late Antique Egypt Gillian Spalding-Stracey brings the design of crosses in monastic and ecclesiastical settings to the fore. Visual representations of the Holy Cross are often so ubiquitous in Christian art that they are often overlooked as artistic devices themselves. This volume offers an exploration of the variety of designs and associated imagery by which the Cross was expressed across the Egyptian landscape in late antiquity. A survey of locations and images leads to an analysis of artistic influences, possible symbolism, variance across time and place and the contextual use of the motif. Gillian Spalding-Stracey provides the reader with an art-historical perspective of the socio-cultural situation in Egypt at the time.

Presents a history of old Cairo, known by the Romans as Babylon, based on new archaeological evidence gathered between 2000 and 2006, revealing continuous occupation extending from the 6th century BC to the present day.

An authoritative account of the Coptic Papacy in Egypt from the coming of Islam to the onset of the Ottoman era, by a leading religious studies scholar, new in paperback In Volume 1 of this series, Stephen Davis contended that the themes of “apostolicity, martyrdom, monastic patronage, and theological resistance” were determinative for the cultural construction of Egyptian church leadership in late antiquity. This second volume shows that the medieval Coptic popes (641–1517 CE) were regularly portrayed as standing in continuity with their saintly predecessors; however, at the same time, they were active in creating something new, the Coptic Orthodox Church, a community that struggled to preserve a distinctive life and witness within the new Islamic world order. Building on recent advances in the study of sources for Coptic church history, the present volume aims to show how portrayals of the medieval popes provide a window into the religious and social life of their community.