The first English translation of the book that reveals the Cathar stronghold at Montségur to be the repository of the Holy Grail • Presents the history of the Papal persecution of the Cathars that lies hidden in the medieval epic Parzival and in the poetry of the troubadours • Provides new insights into the life and death of this gifted and controversial author Crusade Against the Grail is the daring book that popularized the legend of the Cathars and the Holy Grail. The first edition appeared in Germany in 1933 and drew upon Rahn’s account of his explorations of the Pyrenean caves where the heretical Cathar sect sought refuge during the 13th century. Over the years the book has been translated into many languages and exerted a large influence on such authors as Trevor Ravenscroft and Jean-Michel Angebert, but it has never appeared in English until now. Much as German archaeologist Heinrich Schliemann used Homer’s Iliad to locate ancient Troy, Rahn believed that Wolfram von Eschenbach’s medieval epic Parzival held the keys to the mysteries of the Cathars and the secret location of the Holy Grail. Rahn saw Parzival not as a work of fiction, but as a historical account of the Cathars and the Knights Templar and their guardianship of the Grail, a “stone from the stars.” The Crusade that the Vatican led against the Cathars became a war pitting Roma (Rome) against Amor (love), in which the Church triumphed with flame and sword over the pure faith of the Cathars.

The great Gothic cathedrals of Europe are among the most astonishing achievements of Western culture. Evoking feelings of awe and humility, they make us want to understand what inspired the people who had the audacity to build them. This engrossing book surveys an era that has fired the historical imagination for centuries. In it Robert A. Scott explores why medieval people built Gothic cathedrals, how they built them, what conception of the divine lay behind their creation, and how religious and secular leaders used cathedrals for social and political purposes. As a traveler’s companion or a rich source of knowledge for the armchair enthusiast, The Gothic Enterprise helps us understand how ordinary people managed such tremendous feats of physical and creative energy at a time when technology was rudimentary, famine and disease were rampant, the climate was often harsh, and communal life was unstable and incessantly violent. While most books about Gothic cathedrals focus on a particular building or on the cathedrals of a specific region, The Gothic Enterprise considers the idea of the cathedral as a humanly created space. Scott discusses why an impoverished people would commit so many social and personal resources to building something so physically stupendous and what this says about their ideas of the sacred, especially the vital role they ascribed to the divine as a protector against the dangers of everyday life. Scott’s narrative offers a wealth of fascinating details concerning daily life during medieval times. The author describes the difficulties master-builders faced in scheduling construction that wouldn’t be completed during their own lifetimes, how they managed without adequate numeric systems or paper on which to make detailed drawings, and how climate, natural disasters, wars, variations in the hours of daylight throughout the year, and the celebration of holy days affected the pace and timing of work. Scott also explains such things as the role of relics, the quarrying and transporting of stone, and the incessant conflict cathedral-building projects caused within their communities. Finally, by drawing comparisons between Gothic cathedrals and other monumental building projects, such as Stonehenge, Scott expands our understanding of the human impulses that shape our landscape.

Few periods of history are more maligned and misunderstood than the Middle Ages—three-hundred years of division, shifting centers of power, and tensions both within the Church and also between the Church and the secular rulers of the time. In an engaging and easy-to-understand style, historian and author Steve Weidenkopf highlights some of our greatest saints—Francis, Dominic, Anselm, Aquinas, and Catherine of Siena—and dispels nine commonly accepted misconceptions about the era, which was an exciting period of enduring faith, reform, cultural achievement, as well as defeat and division. With vibrant accounts of pivotal events and inspiring stories of the people who shaped the Church during the eleventh through fourteenth centuries, Steve Weidenkopf provides a clearer picture of an era where critics used events such as the Crusades and the relocation of the papacy to France to undermine the Church. The period also provided the hallmarks of Christian civilization—universities, cathedrals, castles, and various religious orders. Weidenkopf also chronicles the development of Christian civilization in Europe and explores the contributions of St. Bruno, St. Anthony of Padua, and St. Bridget of Sweden. In The Church and the Middle Ages, you will learn that: Most Crusaders were motivated by piety and service, not greed. Heresy was both a church and civil issue and medieval inquisitors were focused on the eternal salvation of the accused. The Church preached against the mistreatment of Jews. Priestly celibacy was practiced long before the twelfth century. Serfs were never kept as slaves. Books in the Reclaiming Catholic History series, edited by Mike Aquilina and written by leading authors and historians, bring Church history to life, debunking the myths one era at a time.

In twelfth century Languedoc a subversive heresy of Eastern origin flourished to an extraordinary degree. The Albingenses believed that the world was created by an evil spirit, and that all worldly things - including the Church - were by nature sinful. Jonathan Sumption's acclaimed history examines the roots of the heresy, the uniquely rich culture of the region which nurtured it, and the crusade launched against it by the Church which resulted in one of the most savage of all medieval wars. '[Sumption] never fails to keep his narrative lively with the particular and the pertinent. He is excellent on the tactics and spirit of medieval warfare.' Frederic Raphael, Sunday Times

This is the second of a series of four volumes that are intended to present a complete corpus of all the church buildings, of both the western and the oriental rites, rebuilt or simply in use in the Crusader Kingdom of Jerusalem between the capture of Jerusalem for the First Crusade in 1099 and the loss of Acre in 1291. This volume completes the general topographical coverage begun in volume I, and will be followed by a third volume dealing specifically with the major cities of Jerusalem, Acre and Tyre (which are excluded from the preceding volumes). The project, of which this series represents the final, definitive publication, has been sponsored by the British School of Archaeology in Jerusalem. On completion the corpus will contain a topographical listing of all the 400 or more church buildings of the Kingdom that are attested by documentary or surviving archaeological evidence, and individual descriptions and discussion of them in terms of their identification, building history and architecture. Some of the buildings have been published before, but many others are published here for the first time.

Moore traces and re-interprets the significance of the architecture of the Christian Holy Land within changing religious and political contexts.