Come Into the Light is an illustrated handbook for understanding the architecture of a church and the arrangement of its interior for the celebration of the liturgy. It offers great practical wisdom to all Christian communities as they reflect on their liturgy and on the buildings in which God is made present daily in ritual and symbol. This book aims to build an understanding of the constituent features of church buildings, the role they have in worship and the spirit with which they are imbued, so that all who enter today’s sacred spaces may find the authentic presence of the living God. Those who read, preach, preside or in any way take part in worship will find great practical inspiration here. This volume includes articles that have appeared over the last five years in the regular Parish Practice feature in 'The Tablet' magazine.

This collection of twenty-three essays by Duncan Stroik shows the development and consistency of his architectural vision. Packed with informative essays and over 170 photographs, this collection clearly articulates the Church’s architectural tradition.

The highly anticipated follow-up to Bishop Robert Barron's hugely successful Catholicism: A Journey to the Faith As secularism gains influence, and increasing numbers see religion as dull and backward, Robert Barron wants to illuminate how beautiful, intelligent, and relevant the Catholic faith is. In this compelling new book—drawn from conversations with and narrated by award-winning Vatican journalist John L. Allen, Jr.—Barron, founder of Word on Fire Catholic Ministries, proclaims in vivid language the goodness and truth of the Catholic tradition. Through Barron’s smart, practical, artistic, and theological observations as well as personal anecdotes—from engaging atheists on YouTube to discussing his days as a young diehard baseball fan from Chicago—To Light a Fire on the Earth covers prodigious ground. Touching on everything from Jesus to prayer, science, movies, atheism, the spiritual life, the fate of Church in modern times, beauty, art, and social media, Barron reveals why the Church matters today and how Catholics can intelligently engage a skeptical world.

The Castro Theatre, the Pacific Telephone and Telegraph Headquarters, 450 Sutter Medico-Dental Buildingthesemasterpieces of San Francisco's Art Deco heritage are the work of one man: Timothy Pflueger. An immigrant's sonwith only a grade-school education, Pflueger began practicing architecture after San Francisco's 1906 earthquake. While his contemporaries looked to Beaux-Arts traditions to rebuild the city, he brought exotic Mayan, Asian, and Egyptian forms to buildings ranging from simple cocktail lounges to the city's first skyscrapers. Pflueger was one of the city's most prolificarchitects during his 40-year career. He designed two major downtown skyscrapers, two stock exchanges, several neighborhood theaters, movie palaces for four smaller cities (including the beloved Paramount in Oakland), some ofthe city's biggest schools, and at least 50 homes. His works include the San Francisco Stock Exchange, the ever-popularTop of the Mark, the San Francisco-Oakland Bay Bridge, and the San Francisco World's Fair. It is a testament to his talentthat many of his buildings still stand and many have been named landmarks. Therese Poletti tells the fascinating story of Pflueger's life and work in Art Deco San Francisco. In lively detail, she relates how Pflueger built extravagant compositions in metal, concrete, and glass. She also tells the story behind the architecture: Pflueger's commissioning and support of muralist Diego Rivera, his association with photographer Ansel Adams and sculptor Ralph Stackpole, and his childhood friendship turned to adulthood sponsorship with San Francisco Mayor James "Sunny" Rolph Jr. Beautiful archival photography mixes with stunning new photography in this collection of a truly Californian, but ultimately American, story.

T. S. Eliot's most famous drama, a retelling of the murder of the archbishop of Canterbury Murder in the Cathedral, written for the Canterbury Festival in 1935, was one of T. S. Eliot’s first dramatic achievements, and it remains one of the great plays of the century. It takes as its subject matter the martyrdom of Thomas Becket, Archbishop of Canterbury, depicting the events that led to his assassination, in his own cathedral church, by the knights of Henry II in 1170. Like Greek drama, the play’s theme and form are rooted in religion, ritual purgation and renewal, and it was this return to the earliest sources of drama that brought poetry triumphantly back to the English stage at the time. "The theatre is enriched by this poetic play of grave beauty and momentous decision." —The New York Times

In Spiritus Loci Bert Daelemans, who graduated as an architect and a theologian, provides an interdisciplinary method for the theological assessment of church architecture. Rather than a theory, this method is based on case studies of contemporary buildings (1995-2015), which are often criticized for lacking theological depth. In a threefold method, the author brings to light the ways in which architecture can be theology – or theotopy – by focusing on topoi (places) rather than logoi (words). Churches reveal our relationship with God by engaging our body, mind, and community. This method proves relevant not only for the way we perceive these buildings, but also for the way we use them, especially in our prophetic engagement for a better world.