An ingenious thriller of murder, revenge, and mystery in remote wilderness, by the acclaimed author of The Firefly and Hunting Season When two lowlifes rob a gas station, murder the attendant, and then incinerate bystanders who are filling up their minivan, the Manceford County, North Carolina, police quickly arrest the killers at a nearby motel. But a stubborn judge throws out the case because the suspects were not read their rights, leaving Sheriff Bobby Lee Baggett and Lieutenant Cam Richter to face the anger of the victims' families. Soon thereafter, a mysterious e-mail arrives in the department: a link to a video of one of the murderers being executed in a homemade electric chair, ending with a voice announcing, "That's one." The shocking video spreads throughout the Internet, drawing the attention of local, state, and federal authorities and national media, and putting intense pressure on Bobby Lee and Cam to find the vigilante before he claims his second victim. Assigned to head the search, Cam finds himself resented by some of his fellow officers and subtly threatened by others. His job is further complicated by the fact that the offending judge is also his ex-wife and now---after years apart, and an uneasy reconciliation---his sometime lover. Cam's questions lead him to a remote mountain area in western North Carolina and a group of daredevils who call themselves "the cat dancers"---so named because they have tracked the last wild mountain lions in the region to their dens, where they have photographed the animals face-to-face, or died trying. Cam must hunt this group and the cats they seek, or become their next target.

In the city, windows light. How many cats will dance tonight? It's just a quiet evening in the city. Or is it? As the sun sets in the sky, dancing felines take to the streets and rooftops for a night on the town. Come along one night on Easy Street as a pair of cats start to groove to the beat. Count the cats by twos (and hunt for their number hidden on the page!) in this foot-tapping, finger-snapping counting book.

“Marvelously silly photographs . . . in addition to those hilarious images, [there is] much helpful instruction for aspiring dancers with cats.” —The New York Times Discover the mystery and magic of cat dancing with this cult classic, filled with scores of delightful and inspiring photographs of people and cats engaging in their favorite dance routines, as well as moving testimonies of the personal transformations brought about through this uniquely joyous form of human-animal connection. Dancing with Cats will have a new generation of cat lovers (and their cats) jumping for joy—and cutting a rug—in no time.

In the latest volume of the acclaimed adults-only graphic novel, Chuck struggles to go on without Omaha, while the beautiful cat dancer struts her stuff in a small Wisconsin town and the voluptuous CeeCee enters her life. These four classic episodes track the Mipple City gang through bedrooms, boardrooms and strip clubs as new relationships emerge and the mystery of who killed Senator Bonner deepens. Collects issues 14-17.

Although Rupert liked watching his owner Mandy dance during the day, he secretly enjoyed dancing at night while Mandy slept.

Instant New York Times bestselling series opener inspired by prima ballerina and author Misty Copeland's own early experiences in ballet. From prima ballerina and New York Times bestselling author Misty Copeland comes the story of a young Misty, who discovers her love of dance through the ballet Coppélia--a story about a toymaker who devises a villainous plan to bring a doll to life. Misty is so captivated by the tale and its heroine, Swanilda, she decides to audition for the role. But she's never danced ballet before; in fact, this is the very first day of her very first dance class! Though Misty is excited, she's also nervous. But as she learns from her fellow bunheads, she makes wonderful friends who encourage her to do her very best. Misty's nerves quickly fall away, and with a little teamwork, the bunheads put on a show to remember. Featuring the stunning artwork of newcomer Setor Fiadzigbey, Bunheads is an inspiring tale for anyone looking for the courage to try something new.

“Who am I? I’m a man; an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.” In this rich, expansive, spirited memoir, Jacques d’Amboise, one of America’s most celebrated classical dancers, and former principal dancer with the New York City Ballet for more than three decades, tells the extraordinary story of his life in dance, and of America’s most renowned and admired dance companies. He writes of his classical studies beginning at the age of eight at The School of American Ballet. At twelve he was asked to perform with Ballet Society; three years later he joined the New York City Ballet and made his European debut at London’s Covent Garden. As George Balanchine’s protégé, d’Amboise had more works choreographed on him by “the supreme Ballet Master” than any other dancer, among them Tchaikovsky Pas de Deux; Episodes; A Midsummer’s Night’s Dream; Jewels; Raymonda Variations. He writes of his boyhood—born Joseph Ahearn—in Dedham, Massachusetts; his mother (“the Boss”) moving the family to New York City’s Washington Heights; dragging her son and daughter to ballet class (paying the teacher $7.50 from hats she made and sold on street corners, and with chickens she cooked stuffed with chestnuts); his mother changing the family name from Ahearn to her maiden name, d’Amboise (“It’s aristocratic. It has the ‘d’ apostrophe. It sounds better for the ballet, and it’s a better name”). We see him. a neighborhood tough, in Catholic schools being taught by the nuns; on the streets, fighting with neighborhood gangs, and taking ten classes a week at the School of American Ballet . . . being taught professional class by Balanchine and by other teachers of great legend: Anatole Oboukhoff, premier danseur of the Maryinsky; and Pierre Vladimiroff, Pavlova’s partner. D’Amboise writes about Balanchine’s succession of ballerina muses who inspired him to near-obsessive passion and led him to create extraordinary ballets, dancers with whom d’Amboise partnered—Maria Tallchief; Tanaquil LeClercq, a stick-skinny teenager who blossomed into an exquisite, witty, sophisticated “angel” with her “long limbs and dramatic, mysterious elegance . . .”; the iridescent Allegra Kent; Melissa Hayden; Suzanne Farrell, who Balanchine called his “alabaster princess,” her every fiber, every movement imbued with passion and energy; Kay Mazzo; Kyra Nichols (“She’s perfect,” Balanchine said. “Uncomplicated—like fresh water”); and Karin von Aroldingen, to whom Balanchine left most of his ballets. D’Amboise writes about dancing with and courting one of the company’s members, who became his wife for fifty-three years, and the four children they had . . . On going to Hollywood to make Seven Brides for Seven Brothers and being offered a long-term contract at MGM (“If you’re not careful,” Balanchine warned, “you will have sold your soul for seven years”) . . . On Jerome Robbins (“Jerry could be charming and complimentary, and then, five minutes later, attack, and crush your spirit—all to see how it would influence the dance movements”). D’Amboise writes of the moment when he realizes his dancing career is over and he begins a new life and new dream teaching children all over the world about the arts through the magic of dance. A riveting, magical book, as transformative as dancing itself.