Nick Sharratt's fabulously funny d_but novel, THE CAT AND THE KING, tells the story of a gentle, unworldly King and his very clever cat, and is illustrated throughout in two colours with Nick's irresistible wit and humour. The cat and the King must find a new home after their castle burns down in an Unfortunate Incident with a dragon. They choose Number 37 Castle Close, and the cat introduces the King to all sorts of new experiences, from washing-up to shopping. Then danger looms when the pesky, fire-breathing dragon makes its return.

A cat may look at a king, says an old proverb. The king is the Sun King, Louis XIV of France, whose fabled court at Versailles was the wonder of Europe; the cat is the watchful chronicler, Louis de Rouvroy, second duc de Saint-Simon, author of the famous Memoirs which are the definitive record of Louis’ reign. Auchincloss has conceived his novel as an extension of the Memoirs, in which Saint-Simon reveals his own story—as well as a great deal about the private lives of the great and near-great that did not find its way into the published record. With his inimitable gift for characterization, Auchincloss portrays Saint-Simon, the meticulous, proud aristocrat of the old school who is at once fascinated and threatened by the powerful centralized monarchy Louis is building and by the king’s plot to bolster his position by marrying off his illegitimate children to princes of the blood. Elegant, crisp, and abounding in authentic detail, The Cat and the King shows us the factions, liaisons, intrigues and dalliances that made up daily life at Versailles as they might have been seen from Saint-Simon’s highly critical perspective. Auchincloss imagines the dominant figures of this greatest period in French history—the aging Louis; his pious morganatic spouse, Madame de Maintenon; Monsieur, the king’s homosexual brother; the great warrior and ladies’ man Conti; and many others—as wholly believable individuals with peculiar tics and foibles of their own; but none is stranger, more fascinating, or more believable than Saint-Simon himself. A remarkable portrait of a quintessential man of his time, a discerning study of the use and abuse of power, and an utterly convincing recreation of a turbulent age that bears no small resemblance to our own, The Cat and the King is a many-faceted jewel that represents a new dimension of achievement in Louis Auchincloss’ distinguished career as a novelist.

Lolcats. Salsa dancing. Unrequited love. Tom Crosshill's smart and witty debut teen novel treads a colorful coming-of-age journey from New York City to Havana that will appeal to fans of books by Matthew Quick and Junot Díaz. When Rick Gutiérrez—known as "That Cat Guy" at school—gets dumped on his sixteenth birthday for uploading cat videos from his bedroom instead of experiencing the real world, he realizes it's time for a change. So Rick joins a salsa class . . . because of a girl, of course. Ana Cabrera is smart, friendly, and smooth on the dance floor. He might be half Cuban, but Rick dances like a drunk hippo. Desperate to impress Ana, he invites her to spend the summer in Havana. The official reason: learning to dance. The hidden agenda: romance under the palm trees. Except Cuba isn't all sun, salsa, and music. As Rick and Ana meet his family and investigate the reason why his mother left Cuba decades ago, they learn that politics isn't just something that happens to other people. And when they find romance, it's got sharp edges.

One day, a large number of people suddenly disappeared in the royal capital. When young King Castio goes out to investigate this occurrence, he comes across the culprit... but the criminal puts a spell on him! To help him out, the king calls the wizard O'Feuille to his castle, along with Prince Volks and his loyal retainer Nios. Together, they're determined to solve this strange, fluffy mystery full of cats, swords and magic!

King's prize cat climbed a tree and though the king, queen and everbody else asked it to come down, it didn't. then it was decided that get the tree down and the cat cat will come down too. But before the axe touched the tree, a little boy cried that's not the way. Then what is it?

Bright, colorful photos support decodable text, guiding beginning readers to identify, recognize, and use the /k/ sound. Featuring high-frequency words, this authentic nonfiction text also gives emerging readers the opportunity to read for information while reinforcing basic phonemic sounds. Readers will enjoy the story of how a very special cat named Comet is rescued from the cold. This nonfiction phonics title is paired with the fiction phonics title Kayla Goes Camping: Practicing the Hard C / K Sound. The instructional guide on the inside front and back covers provides: * Word List with carefully selected grade-appropriate words featuring the /k/ sound found in the text * Teacher Talk that assists instructors in introducing the /k/ sound * Group Activity that guides students to identify the /k/ sound, decode the words that contain it, and use the words * Extended Activity that provides students with additional opportunities to think about, list, and use words containing the /k/ sound * Writing Activity that guides students to write the letters that make the /k/ sound

"Unvarnished. Punk."–The New York Times King-Cat Classix collects material from the first fifty issues of John Porcellino’s King-Cat Comics as they appeared in self-published, handmade zines throughout the 1990s. These strips span Porcellino’s dynamic evolution from saturated, punk drawings to his characteristic refined minimalism, revealing his work as nothing short of a catalyst that has inspired artists like Chris Ware in the emerging literary comics scene. In the inky drawings featuring beloved pets, awkward teenage one-night-stands, and everyday blunders, we see a nascent style steeped in truth and transparency—one that continues to ring true today. Porcellino’s mind is spread out on the page, with an uninhibited id running wildly about dreams and sexual fantasies, not unlike the gritty, stabbing pen strokes of Julie Doucet. He sketches fragmented moments and glimpses of interaction that seem to reflect the very manner in which we process memory: we are made up of a stream of consciousness, captured in fleeting mental images, and Porcellino externalizes that messy internal reality. Follow along the path of Porcellino’s dynamic evolution and relish in the inspirational power of this groundbreaking collection.