The nature writing of Gary Ferguson arises out of intimate experience. He trekked 500 miles through Yellowstone to write Walking Down the Wild and spent a season in the field at a wilderness therapy program for Shouting at the Sky. He journeyed 250 miles on foot for Hawks Rest and followed through the seasons the first fourteen wolves released into Yellowstone National Park for The Yellowstone Wolves. But nothing could prepare him for the experience he details in his new book. The Carry Home is both a moving celebration of the outdoor life shared between Ferguson and his wife Jane, who died tragically in a canoeing accident in northern Ontario in 2005, and a chronicle of the mending, uplifting power of nature. Confronting his unthinkable loss, Ferguson set out to fulfill Jane's final wish: the scattering of her ashes in five remote, wild locations they loved and shared. The act of the carry home allows Ferguson the opportunity to ruminate on their life together as well as explore deeply the impactful presence of nature in all of our lives. Theirs was a love borne of wild places, and The Carry Home offers a powerful glimpse into how the natural world can be a critical prompt for moving through cycles of immeasurable grief, how bereavement can turn to wonder, and how one man rediscovered himself in the process of saying goodbye.

Now with a new afterword, the Pulitzer Prize-winning dramatic account of the civil rights era’s climactic battle in Birmingham as the movement, led by Martin Luther King, Jr., brought down the institutions of segregation. "The Year of Birmingham," 1963, was a cataclysmic turning point in America’s long civil rights struggle. Child demonstrators faced down police dogs and fire hoses in huge nonviolent marches against segregation. Ku Klux Klansmen retaliated by bombing the Sixteenth Street Baptist Church, killing four young black girls. Diane McWhorter, daughter of a prominent Birmingham family, weaves together police and FBI records, archival documents, interviews with black activists and Klansmen, and personal memories into an extraordinary narrative of the personalities and events that brought about America’s second emancipation. In a new afterword—reporting last encounters with hero Reverend Fred Shuttlesworth and describing the current drastic anti-immigration laws in Alabama—the author demonstrates that Alabama remains a civil rights crucible.

“A poignant and powerful reminder that homelessness is not hopelessness.” —Kirby Larson, author of Newbery Honor book Hattie Big Sky “A beautiful, haunting story… It carried my heart away with it.” —Ann Braden, author of The Benefits of Being an Octopus “A story about falling through the cracks and finding the light inside that darkness…Absorbing, moving, and deeply truthful.” —Martha Brockenbrough, author of The Game of Love and Death Two sisters struggle to keep their father’s disappearance a secret in this tender middle grade novel that’s perfect for fans of Katherine Applegate and Lynda Mullaly Hunt. Twelve-year-old Lulu and her younger sister, Serena, have a secret. As Daddy always says, “it’s best if we keep it to ourselves,” and so they have. But hiding your past is one thing. Hiding where you live—and that your Daddy has gone missing—is harder. At first Lulu isn’t worried. Daddy has gone away once before and he came back. But as the days add up, with no sign of Daddy, Lulu struggles to take care of all the responsibilities they used to manage as a family. Lulu knows that all it takes is one slip-up for their secret to come spilling out, for Lulu and Serena to be separated, and for all the good things that have been happening in school to be lost. But family is all around us, and Lulu must learn to trust her new friends and community to save those she loves and to finally find her true home.

NEW YORK TIMES EDITORS’ CHOICE • A powerful, poetic memoir about what it means to exist as an Indigenous woman in America, told in snapshots of the author’s encounters with gun violence. Finalist for the Dayton Literary Peace Prize • Goop Book Club Pick • “Essential . . . We need more voices like Toni Jensen’s, more books like Carry.”—Tommy Orange, New York Times bestselling author of There There Toni Jensen grew up around guns: As a girl, she learned to shoot birds in rural Iowa with her father, a card-carrying member of the NRA. As an adult, she’s had guns waved in her face near Standing Rock, and felt their silent threat on the concealed-carry campus where she teaches. And she has always known that in this she is not alone. As a Métis woman, she is no stranger to the violence enacted on the bodies of Indigenous women, on Indigenous land, and the ways it is hidden, ignored, forgotten. In Carry, Jensen maps her personal experience onto the historical, exploring how history is lived in the body and redefining the language we use to speak about violence in America. In the title chapter, Jensen connects the trauma of school shootings with her own experiences of racism and sexual assault on college campuses. “The Worry Line” explores the gun and gang violence in her neighborhood the year her daughter was born. “At the Workshop” focuses on her graduate school years, during which a workshop classmate repeatedly killed off thinly veiled versions of her in his stories. In “Women in the Fracklands,” Jensen takes the reader inside Standing Rock during the Dakota Access Pipeline protests and bears witness to the peril faced by women in regions overcome by the fracking boom. In prose at once forensic and deeply emotional, Toni Jensen shows herself to be a brave new voice and a fearless witness to her own difficult history—as well as to the violent cultural landscape in which she finds her coordinates. With each chapter, Carry reminds us that surviving in one’s country is not the same as surviving one’s country.

In this powerful and poignant epic, Del Vecchio transports the soldiers of the Viet Nam experience to their final battlefield—the home front. High Meadow Farm, in the fertile hill country of central Pennsylvania, would be their salvation. In Viet Nam they had fought side by side, brothers in arms. Now in the face of personal tragedy and bureaucratic deception, they would create a more enduring allegiance, an alliance of the spirit and the soil. Carry Me Home is the remarkable story of their struggle to find each other and themselves, a saga spanning fifteen years—fifteen years lost in a wilderness called America. In its scope, breadth, and brilliance, Carry Me Home is much more than a novel about Viet Nam and Viet Nam veterans. It is a testament to history and hope, to hometowns and homecomings, to love and loss, to faith and family. It is a novel about two decades in our collective lives and the cleansing of our spirit—an inspiring and unforgettable novel about America itself. “In this...final installment of his trilogy about America's war in Southeast Asia (The 13th Valley; For the Sake of All Living Things), Del Vecchio focuses on veterans who returned home in the late '60s only to find themselves viewed largely as lepers...the overall purpose of his powerful proletarian art demands such detail to underscore his characters' pain and, for a few, uplifting recovery.” —Publishers Weekly “Carry Me Home completes a trilogy begun by The 13th Valley, and deals, much like James Jones' Some Came Running, with veterans trying to adapt to civilian life....in the end they gain a frightening power from Del Vecchio's accretion of utterly authentic detail. And Wapinski, at least, comes to a hard-earned redemption through the example of one fine old man and a beautiful, communitarian idea.” —Booklist “Arresting, searing and shattering...the most eloquent novel ever to examine the American Viet Nam veteran and his return home to a nation that had failed him.” —International Review

Nothing about Leroy Evans' family is typical and neither is his friendship with Woody, an elderly barber shop custodian who lives on the other side of the river. During the toughest part of his growing-up years, Leroy comes to rely on Woody. They develop a camaraderie that softens the burdens they both carry.

A little child imagines what it would be like to live inside a gingerbread house with this oversized, house-shaped board book featuring a colorful plastic handle that makes them convenient to carry along anywhere.