Front cover images: Bob Hawke, ACTU Congress, 15 September 1979 (Fairfax, © Michael Rayner); Gough Whitlam on the steps of Parliament House, 11 November 1975 (Australian Labor Party); Paul Keating, National Press Club, March 1996 Election Campaign (Newspix); John Curtin, wartime rally, 1942 (Fairfax).Graham Freudenberg, Australia's greatest speechwriter, says "the Australian Labor Party was built on speeches." This book brings together great Labor speeches which give voice to the party's enduring values and achievements, and place it and its principal figures at the centre of historic events.There are speeches that stir the imagination and inspire, speeches that appeal to humanity, speeches of sorrow and redemption, speeches that urge moderation and caution, speeches that call for courage in the face of adversity, speeches that seek to mute the trumpet sound of war, speeches that attack the forces of conservatism, and speeches which celebrate and mourn the party's fallen.Chris Watson articulates Labor's purpose as "a light upon a mountain" - four decades beforeBen Chifley's famed "light on the hill" speech John Curtin tells a hushed parliament that "a great naval battle is proceeding"Gough Whitlam declares "It's time" for a new Labor governmentBob Hawke's urges South Africa's apartheid leaders to listen to "the spirit of men and women yearning to be free"Paul Keating's belief in Labor as "the people who can dream the big dreams and do the big things"Kevin Rudd says "We are Sorry" to the stolen generations of Aboriginal AustraliansClip from the author, reproduced with permission from The Australian:http://video.theaustralian.com.au/2305217661/Labors-greatest-speeches

This book investigates the architectural, product design, and urban typology of the capsule which, beginning in the 1960s, broadened the concept of the basic building blocks of architecture to include a minimal living unit, called the "capsule." Here it is presented with regard to the continuity of the development of the Modern Movement, its revisionist criticism, pioneering examples, as well as contemporary examples and uses. The typology of the capsule allows us to consider this theme in terms of the architecture of resistance, with the potential to search for an "other" architecture that is embedded in our contemporaneity (manifested in small dwellings, composite structures, and container units; shelters and mobile homes in nature and the urban environment; technology transfer in high-tech designs; devices, additions, and extensions etc.). The concept of the capsule as a building element of architecture, as well as a spatial element, can therefore be regarded as having a generative potential for an architecture of personal space for the individual, forcing us to reflect on our existing living and dwelling conditions.

This book brings together a number of highly innovative and thought provoking contributions from European researchers in territorial governance-related fields such as human geography, planning studies, sociology, and management studies. The contributions share the ambition of highlighting troubling contemporary tendencies where spatial planning and territorial governance can be seen to circumscribe or subvert ‘due democratic practice’ and the democratic ethos. The book also functions as an introduction to some of the central strands of contemporary political philosophy, discussing their relevance for the wider field of planning studies and the development of new planning practices.

Despite the end of white minority rule and the transition to parliamentary democracy, Johannesburg remains haunted by its tortured history of racial segregation and burdened by enduring inequalities in income, opportunities for stable work, and access to decent housing. Under these circumstances, Johannesburg has become one of the most dangerous cities in the world, where the yawning gap between the 'haves' and 'have-nots' has fueled a turn toward redistribution through crime. While wealthy residents have retreated into heavily fortified gated communities and upscale security estates, the less affluent have sought refuge in retrofitting their private homes into safe houses, closing off public streets, and hiring the services of private security companies to protect their suburban neighborhoods. Panic City is an exploration of urban fear and its impact on the city's evolving siege architecture, the transformation of policing, and obsession with security that has fueled unprecedented private consumption of 'protection services.' Martin Murray analyzes the symbiotic relationship between public law enforcement agencies, private security companies, and neighborhood associations, wherein buyers and sellers of security have reinvented ways of maintaining outdated segregation practices that define the urban poor as suspects.

This book concerns the city and the 'devices' that define the urban environment by their presence, representation or interpretation. The texts offer an interdisciplinary discourse and critique of the complex systems, artifacts, interventions and evidences that can inform our understanding of urban territories; on surfaces, in the margins or within voids. The diverse media of arts practices as well as commercial branding are used to explore narratives that reveal latent characteristics of urban situations that conventional architectural inquiry is unable to do. The subjects covered are presented within a wider framework of urban theory into which are embedded case study examples that outline the practices, processes and interpretations of each theme. The chapters provide a contemporary reading of urban socio-cultural conditions using 'mapping' as a lens to explore and communicate the social phenomena and lived experiences of the dynamic and temporal city. Mapping is developed as a form of critical instrumentality to expose, record and contribute to the understanding of the singular essences of space, place and networks by thematic, cognitive and experiential modes of investigation.

Much of the South African government’s response to crime—especially in Johannesburg—has been to rely increasingly on technology. This includes the widespread use of video cameras, Artificial Intelligence, machine-learning, and automated systems, effectively replacing human watchers with machine watchers. The aggregate effect of such steps is to determine who is, and isn’t, allowed to be in public spaces—essentially another way to continue segregation. In The Infrastructures of Security, author Martin J. Murray concentrates on not only the turn toward technological solutions to managing the risk of crime through digital (and software-based) surveillance and automated information systems, but also the introduction of somewhat bizarre and fly-by-night experimental “answers” to perceived risk and danger. Digitalized surveillance is significant for two reasons: first, it enables monitoring to take place across wide "geographical distances with little time delay"; and second, it allows for the active sorting, identification, and "tracking of bodies, behaviors, and characteristics of subject populations on a continuous, real-time basis." These new software-based surveillance technologies represent monitoring, tracking, and information gathering without walls, towers, or guards.

Boredom is a ubiquitous feature of modern life. Endured by everyone, it is both cause and effect of modernity, and of situations, spaces and surroundings. As such, this book argues, boredom shares an intimate relationship with architecture-one that has been seldom explored in architectural history and theory. Boredom, Architecture, and Spatial Experience investigates that relationship, showing how an understanding of boredom affords us a new way of looking at and understanding the modern experience. It reconstructs a series of episodes in architectural history, from the 19th century to the present, to survey how boredom became a normalized component of the everyday, how it infiltrated into the production and reception of architecture, and how it serves to diagnose moments of crisis in the continuous transformations of the built environment. Erudite and innovative, the work moves deftly from architectural theory and philosophy to literature and psychology to make its case. Combining archival material, scholarly sources, and illuminating excerpts from conversations with practitioners and thinkers-including Charles Jencks, Rem Koolhaas, Sylvia Lavin, and Jorge Silvetti-it reveals the complexity and importance of boredom in architecture.