The Cantor's Daughter is the compelling new collection from Oregon Book Award Winner and recipient of the GLCA's New Writers Award for 2005, Scott Nadelson. In his follow-up to Saving Stanley, these stories capture Jewish New Jersey suburbanites in moments of crucial transition, when they have the opportunity to connect with those closest to them or forever miss their chance for true intimacy. In "The Headhunter," two men develop an unlikely friendship at work, but after twenty years of mutually supporting each other's families and careers their friendship comes to an abrupt and surprising end. In the title story, Noa Nechemia and her father have immigrated from Israel following a tragic car accident her mother did not survive. In one stunning moment of insight following a disastrous prom night, Noa discovers her ability to transcend grief and determine the direction of her own life. And in "Half a Day in Halifax" Beth and Roger meet on a cruise ship where their shared lack of enthusiasm for their trip sparks the possibility of romance. Nadelson's stories are sympathetic, heartbreaking, and funny as they investigate the characters' fragile emotional bonds and the fears that often cause those bonds to falter or fail.

Sholom Aleichem (1859-1916) began writing his autobiography when he was 49 and was still working on it when he died at age 57. He considered From the Fair his greatest achievement, a book that combined the story of his life and a cultural and spiritual history of his times. Sholom Aleichem called it “my book of books, the Song of Songs of my soul.” In 1908, a Russian newspaper in Kiev asked for an autobiographical sketch, and Sholom Aleichem decided to use a third-person narrative voice for what became a memoir. From the Fair was published in short installments, serialized for newspaper readers. It takes us from the author’s childhood in a Pale of Settlement shtetl to his first love and his early attempts at writing fiction and drama. “I, Sholom Aleichem the writer, will tell the true story of Sholom Aleichem the man,” he writes, “informally and without adornments and embellishments, as if an absolute stranger were talking, yet one who accompanied him everywhere, even to the seven divisions of hell.” The result is essential background for Sholom Aleichem’s works of fiction. Curt Leviant is a prizewinning novelist, author of The Yemenite Girl and Passion in the Desert. His short stories and novellas have been published in many magazines and have been included in Best American Short Stories, Prize Stories and other anthologies. He has won the Wallant Prize, an O. Henry Award, and is a Fellow in Literature of the National Endowment for the Arts. A frequent lecturer on Yiddish and Hebrew literature, he has also translated three other Sholom Aleichem collections.

At once a thrilling whodunnit, a maddening romance, and an invigorating plunge into history, The Tsimbalist is a tale of Jews and Russians, depicting their complicated friendships, their dangerous enmities, and their illicit loves, all seen through the eyes of Avrom, a barber, musician, all-around mensch, and born detective. The year is 1871. The inhabitants of Balativke live in delicate balance -until a young Russian aristocrat is found murdered near the home of Koppel, a poor Jew. With the police unable to unravel the mystery of the aristocrat's murder, and blame falling upon Koppel amid a rising tide of anti-Jewish feeling, a desperate Avrom attempts to prevent disaster for his community by searching out the truth himself. Learning as much about the people he lives among as he does about the slain Arkady Olegovich, Avrom finds that few are who they seem. But could one of his neighbors really be a murderer?

Girls, jazz, politics, the golden dreams and black comedy of youth--these are the compelling ingredients of The Cowards. May 1945, a small town in Czechoslovakia. The Germans are withdrawing. The Red Army is advancing. And Danny Smiricky is being forced to grow up fast. Observing with contempt the antics of the town's citizens playing it safe, he adopts the role first of reluctant conscript, then of dashing partisan. The Cowards is the story of an uncomplicated, talented youth caught up in momentous historic events who refuses to be bored to death by politics--or to lie down and die without a fight. --

“An uproarious, sprawling masterpiece by a grand Yiddish storyteller.” —O, The Oprah Magazine Translated in full for the first time, one hundred years after its original publication, the acclaimed epic love story set in the colorful world of the Yiddish theater. Wandering Stars spans ten years and two continents, relating the adventures of Reizel and Leibel, young shtetl dwellers in late nineteenth-century Russia who fall under the spell of a traveling acting company. Together they run away from home to become entertainers themselves, and then tour separately around Europe, ultimately reuniting in New York. Wandering Stars is an engrossing romance, a great New York story, and an anthem for the magic of the theater.

A pioneering examination of the impact of new communications technologies and media practices on the religious life of American Jewry Engaging media has been an ongoing issue for American Jews, as it has been for other religious communities in the United States, for several generations. Shandler’s examples range from early recordings of cantorial music to Hasidic outreach on the Internet. In between he explores mid-twentieth-century ecumenical radio and television broadcasting, video documentation of life cycle rituals, museum displays and tourist practices as means for engaging the Holocaust as a moral touchstone, and the role of mass-produced material culture in Jews’ responses to the American celebration of Christmas. Shandler argues that the impact of these and other media on American Judaism is varied and extensive: they have challenged the role of clergy and transformed the nature of ritual; facilitated innovations in religious practice and scholarship, as well as efforts to maintain traditional observance and teachings; created venues for outreach, both to enhance relationships with non-Jewish neighbors and to promote greater religiosity among Jews; even redefined the notion of what might constitute a Jewish religious community or spiritual experience. As Jews, God, and Videotape demonstrates, American Jews’ experiences are emblematic of how religious communities’ engagements with new media have become central to defining religiosity in the modern age.