Taking up questions and issues in early chant studies, this volume of essays addresses some of the topics raised in James McKinnon's The Advent Project: The Later Seventh-Century Creation of the Roman Mass, the last book before his untimely death in February 1999. A distinguished group of chant scholars examine the formation of the liturgy, issues of theory and notation, and Carolingian and post-Carolingian chant. Special studies include the origins of musical notations, nuances of early chant performance (with accompanying CD), musical style and liturgical structure in the early Divine Office, and new sources for Old-Roman chant. Western Plainchant in the First Millenium offers new information and new insights about a period of crucial importance in the growth of the liturgy and music of the Western Church.

This history of early Christian creeds contains an up-to-date account of their origin and development from the credal texts in the New Testament to the fully fledged classical formulae of the 4th century. It includes the creeds’ use and alteration in subsequent periods until the time of Charlemagne and the beginnings of the filioque controversy. In addition, the author provides a scholarly commentary on the most common ancient confessions: the Nicene Creed and the Apostles’ Creed. Going beyond previous studies, the book contains chapters dedicated to the use of creeds in law, art, music, everyday life and even magic. Recently discovered source texts, such as a new Ethiopic version of the Roman Creed and a short recension of the Creed of Nicaea-Constantinople, receive extensive treatment. Credal developments in the eastern churches beyond the borders of the Roman Empire complete this comprehensive overview. This volume is intended both as a textbook for advanced students of theology and cognate disciplines and as a reference book on the creeds in a wide range of contexts. All source texts are accompanied by modern English translations. Winner of the Alberigo Award 2024 awarded by the European Academy of Religion.

The Psalms have resulted in controversies between Jews and Christians over the centuries and it is only from the mid twentieth century onwards that the two traditions have worked side by side in the academy at least. This is one of the very few volumes on the psalms to incorporate scholarship from both these traditions for nearly a century, and the result is a rich celebration of these extraordinary ancient songs. This innovative essay collection draws together internationally renowned Jewish and Christian scholars of the Psalms, with one tradition responding to the other, in areas as diverse as Qumran studies, Medieval Jewish interpretation, Reception History, Liturgical Psalters and Chagall's Church Windows and more recent Literary Studies of the Psalter as a Book. The range of topics chosen will be of interest not only to those specializing in the Psalms but also to others interested more generally in biblical studies. Several musical and artistic representations of selected psalms are also included and the book includes a colour plate section which illustrates several of the chapters.

Contains reviews, abstracts, and bibliography of the most recent theological and philosophical literature.