(Brass Ensemble). Contents: Broadway Baby * Comedy Tonight * Get Me to the Church on Time * Ol' Man River * Sunrise, Sunset.

Just how does a brass quintet from Toronto become the most traveled classical act on the scene today? The Canadian Brass, called The Marx Brothers of Brass by the New York Times, has been cheered in concerts around the world for over 20 years. Their nearly 30 albums define them as the most successful crossover group in history. This fascinating look into the makings of a musical institution is a story to be enjoyed by musicians and music lovers. Flavored with the whimsy that has become the trademark of the group, the book is an amusing romp through their career, featuring a revealing look into the recording industry, extensive interviews with each player, dozens of amusing anecdotes, and over a hundred photos.

(Brass). Trombone parts edited and recorded by Canadian Brass virtuoso Eugene Watts, piano parts recorded by Bill Casey. Arrangements by Bill Boyd. Companion audio includes full performances and accompaniments. Contents: Amazing Grace * Canadian Brass Blues * Carnival of Venice * The Cruel War is Raging * Doxology * Finlandia * Give My Regards to Broadway * I Gave My Love a Cherry (The Riddle Song) * Just a Closer Walk with Thee * Marine's Hymn * My Country, 'Tis of Thee (America) * Ode to Joy * The Skaters (Waltz) * Streets of Laredo * Take Me Out to the Ball Game * Volga Boat Song * Yankee Doodle. The audio is accessed online using the unique code inside each book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.

(Brass Ensemble). These exciting instrumental collections feature 15 easy arrangements for brass quartet or brass quintet, with flexible instrumentation and optional keyboard accompaniment. They make ideal accompaniments for congregational singing in churches or other groups, and are also great for performances by brass only. Every book includes two versions of each carol: the standard version found in hymnals in the common key, and a "variation verse," with a free and interesting arrangement. Includes: Angels We Have Heard on High * The First Noel * Go, Tell It on the Mountain * Hark! the Herald Angels Sing * Joy to the World * What Child Is This? * and more.

Brass Ensemble

(Rubank Book/Audio Products). This compilation of 11 trumpet solos from the legendary Rubank educational library now includes online access to: * Full-performance and accompaniment-only audio tracks * PDF piano accompaniment files * PLAYBACK+ A multi-functional audio player that allows you to adjust tempo without changing pitch, change keys, and create practice loops - available exclusively from Hal Leonard. Contents: (by VanderCook unless noted) Andante from Concerto in Eb (Haydn) * Ballade (Shelukov) * Bonita (Valse Brilliante) * Carnival of Venice (Davis) * The Cavalier (Shelukov) * Debonnaire * The Executant (Endresen) * Fanfare March (Shelukov) * Premier Solo de Coucours (Maniet) * Punchinello * The Technician (Endresen)

One of Off-Broadway's best-loved plays, originally directed by the author. The audience follows the lives of eight women. For this play, Maria Irene Fornes received one of her nine Obie awards. "A wonderful, important play." Susan Sontag "Fornes is America's truest poet of the theater." Erika Munk "An extraordinary play of uncommon insight and wit." Los Angeles Herald Examiner "One of the most powerful plays written about the mysteries and shared hallucinations of the female experience." L A Weekly "Though written in 1977, the message of FEFU AND HER FRIENDS remains ever the same: women don't know what to do with feminism. Or rather, they don't know what to do with themselves. It's a strange, unsettling play, not least because the strong women characters are at a loss with each other and with themselves. Without a man to center around, they disintegrate into cattiness and then madness. Fefu is probably deranged to begin with. She 'pretends' to shoot her husband with a gun that may or may not be loaded. She likes men better than women and in fact finds women 'loathsome.' Fefu and her friends are a group of society women, circa 1935. They're bored and affected in the manner of wealthy women who have too much free time. The play begins with plans for a charity benefit being planned at Fefu's New England estate. During the second part, four different scenes play simultaneously in four different rooms. The audience is led around to each in no particular order. In the final act, the women turn giggly, then bitchy, and then everything takes a tragic turn. Though not a realistic play neither is it strictly allegorical...at the heart of the play [is] 'a provocative statement about women to this day.' Fornes's self-loathing, self-doubting women only gradually come to understand the glossy surface and the dark underbelly that is the dual reality of their lives. It's thought-provoking but challenging, not for those who enjoy escapism in their theatre." Jenny Sandman, CurtainUp"