At a meeting in East London, art dealer Catherine Lacy is shown six paintings from a previously undiscovered artist, Aristide Bertrand, who moved in the same circles as Van Gogh. She is enormously excited, but her husband, security expert Tim Lacy, is less than thrilled when the agent concerned is fished out of the Thames. Despite the danger, and swayed by the potential importance of this discovery, Lacy finally agrees that their new associate, Emma Kerr, should go to Provence - with veteran George Martin to keep an eye on her. Within days, Emma is abducted, and Lacy himself must go looking for her. But each time he gets a step closer to finding Emma, a new mystery comes to light, and finally he is faced with a terrifying new foe: the Camargue Brotherhood, who are prepared to protect Bertrand's work at any cost...

Raymond Chandler called it “The Simple Art of Murder, ” but It never has been simple to write mysteries. This volume explores the crimes in novels that are rooted in the worlds of art, architecture, and antiquities.

When the Master of St Mary's House, Cambridge, hires Tim Lacy to retrieve a collection of eighteenth-century documents willed to it by a wealthy past member of the college, he omits to mention that these manuscripts have a possible connection with the suicide of the late Dean and that there are those who remain determined to ensure that the documents never reach the College library. Supposedly penned by a scandal-mongering member of the notorious Hellfire Club, these papers, if genuine, could be of enormous historical significance and monetary value. And their significance is not lost on Lacy when an academic friend who has been helping him on the case is murdered. When it emerges that the Hellfire Club has repercussions into the highest circles of the current day, Lacy must fight to reveal a dark, long-kept secret before anyone else pays with their life...

One of the most fabulous treasures of the Renaissance, the Borgia Chalice, carries with it a dark aura - for legend has it that the notorious Rodrigo Borgia, Pope Alexander VI, could use this cup to poison his enemies, yet drink from it himself without harm. Security expert Tim Lacy has no superstitious fear of the chalice's supposed powers, and nor do the six people who drink from it after Lacy buys it for a client. But within the hour, four of those people are dead, all of them art critics who had mercilessly attacked the chalice's late owner, Gregor Santori, as a fraud. Yet Santori's son and daughter, who also drank from the cup, are unaffected. Is it possible that this is revenge from beyond the grave? Lacy sets out to unearth the truth in Rome, where revelations of sordid Vatican politics have remarkable contemporary echoes. Before long Lacy finds himself racing between the art establishments of two continents in pursuit of a criminal more ruthless than he could ever have known...

A haunting in St. Thomas's College, Cambridge bitterly divides the college, and the Cambridge branch of the Psychic Investigation Unit is invited to carry out an experiment to settle the unrest. But when the main opponent of the plan, Professor Hawkridge, insists on being present for the nocturnal investigation and suddenly drops dead that very night the press has a field day and the college needs answers Sir Joseph Zuylestein, the College Master, asks Dr. Nathaniel Gye if he can make some discreet enquiries with a view to closing the whole sorry business. But when they receive some disturbing anonymous letters that seem to prove the undergraduate, whose unquiet spirit supposedly haunts St.Thomas's, did not commit suicide ten years earlier, but was murdered, the case suddenly becomes altogether more serious...