The profusion of research on film history means that there are now few Hollywood filmmakers in the category of Neglected Master; John M Stahl (1886–1950) has been stuck in it for far too long. His strong association with melodrama and the womans film is a key to this neglect; those mainstays of popular cinema are no longer the object of critical scorn or indifference, but Stahl has until now hardly benefited from this welcome change in attitude. His remarkable silent melodramas were either lost, or buried in archives, while his major sound films such as Imitation of Life and Magnificent Obsession, equally successful in their time, have been overshadowed by the glamour of the 1950s remakes by Douglas Sirk. Sirk is a far from neglected figure; Stahls much longer Hollywood career deserves attention and celebration in its own right, as this book definitively shows. Drawing on a wide range of film and document archives, scholars from three continents come together to cover Stahls work, as director and also producer, from its beginnings during World War I to his death, as a still active filmmaker, in 1950. Between them they make a strong case for Stahl as an important figure in cinema history, and as author of many films that still have the power to move their audiences.

 Call Home the Heart (1932) is the story of Ishma Waycaster, a poor woman who, pregnant for the third time and discouraged by the endless struggle of rural life in the Great Smoky Mountains, flees to a mill town, where she becomes involved in union organizing and a bloody strike (modeled on the Gastonia strike of 1929). Burke (1869-1968) provides a remarkably honest portrayal of the conflicts between Ishma's sexual and emotional needs and her intellectual and political loyalties, and of the racial issues raised by the strike.

A lovely schoolteacher faces the frontier with the firm resolve to never marry a rowdy adventurer of the West. Canadian West book 1.

Half-starved, sickly and pale, the beautiful Lalitha lives in the shadow of her stepsister, the glamorous Lady Sophie Studley, darling of London's Beau Monde. Because only Lalitha knows the dark secrets upon which her stepmother, Lady Studley, has built a new life for herself and her daughter. Worked like a slave and frequently thrashed with her stepmother's cane, she feels that should one of these beatings go too far her death would merely come as a relief. The conniving mother and daughter's latest deceit involves Sophie's latest two suitors. Betrothed to Julius Verton, Sophie is dismayed to find that he has no money of his own, at least until his uncle, the Duke of Yelverton, dies. With typical callousness she plans to abandon Julius and elope with the immensely wealthy Lord Rothwyn, a friend of the Prince Regent. But she does not love him, only his riches and his position in Society. "Oh, well," she says, "perhaps his Lordship will not live long. Then I shall be a rich widow and will be able to marry Julius when he is the Duke of Yelverton after all!" But when news arrives that Julius' uncle is on his deathbed everything changes. Sophie sends Lalitha to meet Lord Rothwyn at the Church to tell him that he is being jilted. And from the moment the dashing Lord mistakes her for Sophie and seizes her in a passionate kiss, her heart is lost and her life is changed forever -

This young adult novel by Sheba Karim, author of Skunk Girl, is a funny and affecting coming-of-age story for fans of Jenny Han, Megan McCafferty, and Sara Farizan. A Kirkus Best Book of 2017! Shabnam Qureshi is facing a summer of loneliness and boredom until she meets Jamie, who scores her a job at his aunt’s pie shack. Shabnam quickly finds herself in love, while her former best friend, Farah, who Shabnam has begun to reconnect with, finds Jamie worrying. In her quest to figure out who she really is and what she really wants, Shabnam looks for help in an unexpected place—her family, and her father’s beloved Urdu poetry. That Thing We Call a Heart is a funny and fresh story about the importance of love—in all its forms.

In 2001, The Voice of the Heart began a steady journey into the lives of those looking for more. Since its initial release, The Voice of the Heart has been handed one friend to another and has helped thousands of people begin to speak the truth of their story and to live more fully from the heart. Answer the call to full living.

The profusion of research on film history means that there are now few Hollywood filmmakers in the category of Neglected Master; John M Stahl (1886–1950) has been stuck in it for far too long. His strong association with melodrama and the womans film is a key to this neglect; those mainstays of popular cinema are no longer the object of critical scorn or indifference, but Stahl has until now hardly benefited from this welcome change in attitude. His remarkable silent melodramas were either lost, or buried in archives, while his major sound films such as Imitation of Life and Magnificent Obsession, equally successful in their time, have been overshadowed by the glamour of the 1950s remakes by Douglas Sirk. Sirk is a far from neglected figure; Stahls much longer Hollywood career deserves attention and celebration in its own right, as this book definitively shows. Drawing on a wide range of film and document archives, scholars from three continents come together to cover Stahls work, as director and also producer, from its beginnings during World War I to his death, as a still active filmmaker, in 1950. Between them they make a strong case for Stahl as an important figure in cinema history, and as author of many films that still have the power to move their audiences.