Reading The Bumpy Road promotes self-examination and encourages transformation. Everyone lives a personal "hero's journey." The Bumpy Road shows how culture clash is a muse for creative transformation. It tells the story of childhood followed by adolescent confusion. A boy struggles to become a man by buying into institutions that did not work for him--a marriage to a woman, whose entire self-concept was tied to "the relationship," and as a science student in academia where success is about publish or perish: lies, back-stabbing, and the old boys' club. The 60's culture came and personal chaos ensued. Relying on mental institutions to correct the evils of the aforementioned institutions created new problems instead. But the human spirit is resilient. The Bumpy Road details how the habit of going to the hospital for help was broken, and a new artistic identity replaced the old one. Primed for seizing cultural diversity opportunities, new struggles and successes were encountered in Mexico.

An exploration of the fast food industry in the United States, from its roots to its long-term consequences.

Miles discusses his life and music from playing trumpet in high school to the new instruments and sounds from the Caribbean.

"Overcoming the negative effects of self-help dogma on our personal journey, and using self-awareness to understand our patterns of mental self-talk, behaviour, and emotion."--

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.

In the years between the world wars, Manhattan's Fourteenth Street-Union Square district became a center for commercial, cultural, and political activities, and hence a sensitive barometer of the dramatic social changes of the period. It was here that four urban realist painters--Kenneth Hayes Miller, Reginald Marsh, Raphael Soyer, and Isabel Bishop--placed their images of modern "new women." Bargain stores, cheap movie theaters, pinball arcades, and radical political organizations were the backdrop for the women shoppers, office and store workers, and consumers of mass culture portrayed by these artists. Ellen Wiley Todd deftly interprets the painters' complex images as they were refracted through the gender ideology of the period. This is a work of skillful interdisciplinary scholarship, combining recent insights from feminist art history, gender studies, and social and cultural theory. Drawing on a range of visual and verbal representations as well as biographical and critical texts, Todd balances the historical context surrounding the painters with nuanced analyses of how each artist's image of womanhood contributed to the continual redefining of the "new woman's" relationships to men, family, work, feminism, and sexuality.

What's it like to start a revolution? How do you build the biggest tech company in the world? And why do you walk away from it all? Paul Allen co-founded Microsoft. Together he and Bill Gates turned an idea - writing software - into a company and then an entire industry. This is the story of how it came about: two young mavericks who turned technology on its head, the bitter battles as each tried to stamp his vision on the future and the ruthless brilliance and fierce commitment.