This is the definitive book on Pamplona's fiesta and running of the bulls, praised by James Michener and other Pulitzer Prize winners. This chronicle and history has 256 pages and over 130 photographs taken by internationally acclaimed photographers. The volume also essays the American Experience from Hemingway to the present.

Ever since Ernest Hemingway popularized the fiesta de San Fermín with the publication of The Sun Also Rises in 1926, the world has been enthralled with the concept of running with the bulls. For millions, running with the bulls remains on their bucket list, and for Hemingway fans it is a lifelong dream. For Peter N. Milligan, it is a way of life. Part memoir and part travel guide, Bulls Before Breakfast recounts Milligan's many adventures in Pamplona, Spain. In his dozen years of visiting the fiesta de San Fermín, Milligan has run with the bulls over 70 times and accumulated stories both thrilling and terrifying. Bulls Before Breakfast is the definitive guide to Pamplona, its famed fiesta, and the surrounding Kingdom of Navarra. It is also a memoir of two brothers running with the bulls and exploring every corner of the city, the countryside, the mountains, the beaches, and the famed restaurants of the Basque hinterland. The book focuses on local knowledge, and the hidden mysteries of this closed, private culture and community. Milligan has slowly pried open this trove of secrets over the past twelve years, all while refining the art of getting between the horns of a massive, perfect Spanish killing machine, el toro bravo, and running for his life.

The deluxe photo-print edition of the official guide to the Feria of San Fermín, the world famous annual bull-running Fiesta of Pamplona in Spain, with a foreword from the Mayor Of Pamplona, and contributions from John Hemingway, Ernest's grandson, Beatrice Welles, Orson's daughter, the best young foreign runner today, Dennis Clancey (Cpt., ret'd, 101st Airborne Division), the best foreign runner of all time Joe Distler, the Texan rodeo champion Larry Belcher, the most senior photographer of the Pamplona press corp, Jim Hollander, and the most experienced Navarran, Basque and Spanish runners Julen Madina, Miguel Ángel Eguíluz, Jokin Zuasti and Josechu López, all edited and co-authored by former amateur bullfighter and award-winning author Alexander Fiske-Harrison

An adrenaline charged immersion into the city and the festival Hemingway made famous in this lively and informative account of Pamplona, and running with big, horned, dangerous bulls.

'Whether or not the artistic quality of the bullfight outweighs the moral question of the animals' suffering is something that each person must decide for themselves - as they must decide whether the taste of a steak justifies the death of a cow. But if we ignore the possibility that one does outweigh the other, we fall foul of the charge of self-deceit and incoherence in our dealings with animals.' Alexander Fiske-Harrison In a remarkable and controversial book Fiske-Harrison follows the tracks of a whole bullfighting year in Spain. He trains and takes part in the sport himself. He gives us memorable portraits of bull-fighters and bulls, of owners, trainers and fans - of a whole country. Fiske-Harrison offers a fully rounded and involving portrait of an art as performed for centuries and of the arguments that dog it today.

A chance encounter in Spain in 1959 brought young Irish reporter Valerie Danby-Smith face to face with Ernest Hemingway. The interview was awkward and brief, but before it ended something had clicked into place. For the next two years, Valerie devoted her life to Hemingway and his wife, Mary, traveling with them through beloved old haunts in Spain and France and living with them during the tumultuous final months in Cuba. In name a personal secretary, but in reality a confidante and sharer of the great man’s secrets and sorrows, Valerie literally came of age in the company of one of the greatest literary lions of the twentieth century. Five years after his death, Valerie became a Hemingway herself when she married the writer’s estranged son Gregory. Now, at last, she tells the story of the incredible years she spent with this extravagantly talented and tragically doomed family. In prose of brilliant clarity and stinging candor, Valerie evokes the magic and the pathos of Papa Hemingway’s last years. Swept up in the wild revelry that always exploded around Hemingway, Valerie found herself dancing in the streets of Pamplona, cheering bullfighters at Valencia, careening around hairpin turns in Provence, and savoring the panorama of Paris from her attic room in the Ritz. But it was only when Hemingway threatened to commit suicide if she left that she realized how troubled the aging writer was–and how dependent he had become on her. In Cuba, Valerie spent idyllic days and nights typing the final draft of A Moveable Feast, even as Castro’s revolution closed in. After Hemingway shot himself, Valerie returned to Cuba with his widow, Mary, to sort through thousands of manuscript pages and smuggle out priceless works of art. It was at Ernest’s funeral that Valerie, then a researcher for Newsweek, met Hemingway’s son Gregory–and again a chance encounter drastically altered the course of her life. Their twenty-one-year marriage finally unraveled as Valerie helplessly watched her husband succumb to the demons that had plagued him since childhood. From lunches with Orson Welles to midnight serenades by mysterious troubadours, from a rooftop encounter with Castro to numbing hospital vigils, Valerie Hemingway played an intimate, indispensable role in the lives of two generations of Hemingways. This memoir, by turns luminous, enthralling, and devastating, is the account of what she enjoyed, and what she endured, during her astonishing years of living as a Hemingway.

This memoir overflows with hilarious, raunchy, terrifying, and philosophical stories from a decade of running with the bulls in Spain.