What happens when two New Yorkers (one an ex–drag queen) do the unthinkable: start over, have a herd of kids, and get a little dirty? Find out in this riotous and moving true tale of goats, mud, and a centuries-old mansion in rustic upstate New York—the new memoir by Josh Kilmer-Purcell, author of the New York Times bestseller I Am Not Myself These Days. A happy series of accidents and a doughnut-laden escape upstate take Josh and his partner, Brent, to the doorstep of the magnificent (and fabulously for sale) Beekman Mansion. One hour and one tour later, they have begun their transformation from uptight urbanites into the two-hundred-year-old-mansion-owning Beekman Boys. Suddenly, Josh—a full-time New Yorker with a successful advertising career—and Brent are weekend farmers, surrounded by nature's bounty and an eclectic cast: roosters who double as a wedding cover band; Bubby, the bionic cat; and a herd of eighty-eight goats, courtesy of their new caretaker, Farmer John. And soon, a fledgling business, born of a gift of handmade goat-milk soap, blossoms into a brand, Beekman 1802. The Bucolic Plague is tart and sweet, touching and laugh out loud funny, a story about approaching middle age, being in a long-term relationship, realizing the city no longer feeds you in the same way it used to, and finding new depths of love and commitment wherever you live.

Josh Kilmer-Purcell lived a double life. By day, he was a successful young advertising executive. By night, he would trade in his corporate uniform for high heels and sequins, and perform in downtown New York nightclubs as a drag queen called Acquadisiac before returning to the uptown penthouse he shared with his crack-addicted male escort boyfriend. In this powerfully written, emotional rollercoaster of a memoir, Kilmer-Purcell blends the glittering and highly dramatic world of nightclubs, drugs and drag with a soulful and ironic perspective on his own journey through love and life. Told with a raw and honest voice that conveys hard truths with unflinching courage, I Am Not Myself These Days is a stunningly witty and ultimately deeply moving tour de force by a remarkable talent.

Meg Little Reilly places a young couple in harm’s way—both literally and emotionally—as they face a cataclysmic storm that threatens to decimate their Vermont town, and the Eastern Seaboard in her penetrating debut novel, WE ARE UNPREPARED. Ash and Pia move from hipster Brooklyn to rustic Vermont in search of a more authentic life. But just months after settling in, the forecast of a superstorm disrupts their dream. Fear of an impending disaster splits their tight-knit community and exposes the cracks in their marriage. Where Isole was once a place of old farm families, rednecks and transplants, it now divides into paranoid preppers, religious fanatics and government tools, each at odds about what course to take. WE ARE UNPREPARED is an emotional journey, a terrifying glimpse into the human costs of our changing earth and, ultimately, a cautionary tale of survival and the human

“A balls-out joyride through eighties pop culture that enlightens as much as it exhilarates.” —Armistead Maupin, New York Times bestselling author of Michael Tolliver Lives From the critically acclaimed author of I Am Not Myself These Days comes the very odd adventures of a starry-eyed young man from the Midwest seeking fame and fortune in the flamboyant surreality of New York, Los Angeles . . . and everywhere in between. Jayson Blocher is tired of worshiping pop culture; he wants to be part of it. So he's off, accompanied by an ever-changing cast of quirky extended family members, on an extremely bumpy journey from rural Wisconsin to a New York escort agency for Broadway chorus boys, to a Hollywood sitcom set. Somewhere out there his destiny awaits—along with the discovery of first love, some unusual coincidences, a kidnapping mystery . . . and the sobering truth that being America's sweetheart can leave a very sour aftertaste.

Strictly off limits to the public, Plum Island is home to virginal beaches, cliffs, forests, ponds -- and the deadliest germs that have ever roamed the planet. Lab 257 blows the lid off the stunning true nature and checkered history of Plum Island. It shows that the seemingly bucolic island in the shadow of New York City is a ticking biological time bomb that none of us can safely ignore. Based on declassified government documents, in-depth interviews, and access to Plum Island itself, this is an eye-opening, suspenseful account of a federal government germ laboratory gone terribly wrong. For the first time, Lab 257 takes you deep inside this secret world and presents startling revelations on virus outbreaks, biological meltdowns, infected workers, the periodic flushing of contaminated raw sewage into area waters, and the insidious connections between Plum Island, Lyme disease, and the deadly West Nile virus. The book also probes what's in store for Plum Island's new owner, the Department of Homeland Security, in this age of bioterrorism. Lab 257 is a call to action for those concerned with protecting present and future generations from preventable biological catastrophes.

NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY VULTURE AND ONE OF THE BEST BOOKS OF THE YEAR BY NPR • Against the Country is a gift for fans of Southern Gothic and metafiction alike. Set in the Virginia pines, and overrun with failed parents, racist sex offenders, cast-off priests, and suicidal chickens, this novel challenges literary convention even as it attacks our national myth—that the rural naturally engenders good, while the urban breeds an inevitable sin. In a voice both perfectly American and utterly new, Ben Metcalf introduces the reader to Goochland County, Virginia—a land of stubborn soil, voracious insects, lackluster farms, and horrifying trees—and details one family’s pitiful struggle to survive there. Eventually it becomes clear that Goochland is not merely the author’s setting; it is a growing, throbbing menace that warps and scars every one of his characters’ lives. Equal parts fiery criticism and icy farce, Against the Country is the most hilarious sermon one is likely to hear on the subject of our native soil, and the starkest celebration of the language our land produced. The result is a literary tour de force that raises the question: Was there ever a narrator, in all our literature, so precise, so far-reaching, so eloquently misanthropic, as the one encountered here? Praise for Against the Country “Iconoclastic . . . Against the Country has obvious affinities to Southern Gothic, both in its voice and in the delight it takes in rural ignorance and grotesqueries. . . . [A] country cousin of David Foster Wallace.”—The New York Times Book Review “Exceptional in its verbal brilliance and conscientiousness, Against the Country involves us in a family’s anguished and hilarious struggle against the strange dooms that seem peculiar to white rural America. This is a savage and gladdening novel.”—Joseph O’Neill, author of Netherland and The Dog “Metcalf’s unnamed narrator dazzles with his Puritan deadpan and capacious intellect, not to mention his double-barreled blasts of dark humor and wicked satire. . . . There are so many brilliant turns of phrase in Against the Country that it’s hard to choose favorites, but Metcalf is at his sharpest and most seductive when his antihero does more than blast and blame, when he steps outside his sermons to say something real. . . . Every note in every solo is sounded with exquisite perfection.”—Slate “Faulknerian . . . eccentric, magnificent Southern Gothic metafiction.”—Vanity Fair “Ben Metcalf is a brilliant writer, and Against the Country is an ingenious and hilarious novel, a glittering, bitter celebration of how the lousiness of life can be redeemed in the hands (and mouth) of a top-shelf teller of life’s stories.”—Sam Lipsyte, author of The Ask and The Fun Parts “A daring conglomeration of every trick, swindle and gimmick possible using only ink and paper, a pulpwood imagination machine so finely and expertly wrought that it can take on Jefferson, Thoreau, the church, patriotism, race relations, sexual identity, J. D. Salinger, the myth of America and a thousand other targets . . . [Against the Country] is absolutely and completely worth all investment of time and effort, because it is an undeniably beautiful object, sharp as a new razor.”—NPR “One of the more necessary—and most eloquent—expressions of a distinctly American, provincial rage in some years.”—Flavorwire

A New York Times bestseller, The End of Normal is the explosive and heartbreaking memoir from the widow of Mark Madoff and the daughter-in-law of Bernard Madoff. When the news of Bernard Madoff’s Ponzi scheme broke, no one was more shocked than the members of his own family. Before then, Madoff’s son, Mark, and daughter- in-law, Stephanie, had built an idyllic life. Yet, while Mark’s thriving business was entirely separate from his father’s now notorious fund, he and Stephanie found themselves in the eye of the storm—and grappling with their own sense of betrayal. Mark refused to see or speak to his parents, and on the second anniversary of his father’s arrest, he hanged himself. Left to raise her children as a single mother, Stephanie tells the real story of her marriage to Mark, of being a part of the Madoff family, and of life for two years following her father-in-law’s arrest and incarceration. The End of Normal is a searing inside look at one of the most controversial stories of our time, and an extraordinary memoir of surviving personal tragedy amid public scandal.