Looking at the impact of the French Revolutionary and Napoleonic Wars on the British Isles, Cookson sheds light on the nature of the British state and the extent of its dependence on society's self-organising powers.

The British army between 1783 and 1815 – the army that fought in the French Revolutionary and Napoleonic wars – has received severe criticism and sometimes exaggerated praise from contemporaries and historians alike, and a balanced and perceptive reassessment of it as an institution and a fighting force is overdue. That is why this carefully considered new study by Kevin Linch is of such value. He brings together fresh perspectives on the army in one of its most tumultuous – and famous – eras, exploring the global range of its deployment, the varieties of soldiering it had to undertake, its close ties to the political and social situation of the time, and its complex relationship with British society and culture. In the face of huge demands on its manpower and direct military threats to the British Isles and territories across the globe, the army had to adapt. As Kevin Linch demonstrates, some changes were significant while others were, in the end, minor or temporary. In the process he challenges the ‘Road to Waterloo’ narrative of the army’s steady progress from the nadir of the 1780s and early 1790s, to its strong performances throughout the Peninsular War and its triumph at the Battle of Waterloo. His reassessment shows an army that was just good enough to cope with the demanding campaigns it undertook.

"Controversial, entertaining and alarmingly topical ... a delight to read."Philip Ziegler, Daily Telegraph

Warfare in the modern era has often been described in terms of national armies fighting national wars. This volume challenges the view by examining transnational aspects of military mobilization from the eighteenth century to the present. Truly global in scope, it offers an alternative way of reading the military history of the last 250 years.

The eighteenth and nineteenth centuries was an era of continuity as well as change. Though properly portrayed as the era of 'Protestant Ascendancy' it embraces two phases - the eighteenth century when that ascendancy was at its peak; and the nineteenth century when the Protestant elite sustained a determined rear-guard defence in the face of the emergence of modern Catholic nationalism. Employing a chronology that is not bound by traditional datelines, this volume moves beyond the familiar political narrative to engage with the economy, society, population, emigration, religion, language, state formation, culture, art and architecture, and the Irish abroad. It provides new and original interpretations of a critical phase in the emergence of a modern Ireland that, while focused firmly on the island and its traditions, moves beyond the nationalist narrative of the twentieth century to provide a history of late early modern Ireland for the twenty-first century.

The Girl I Left Behind Me addresses a neglected aspect of the history of the Hanoverian army. From 1685 to the beginning of the Victorian era, army administration attempted to discourage marriage among men in almost all ranks. It fostered a misogynist culture of the bachelor soldier who trifled with feminine hearts and avoided responsibility and commitment. The army's policy was unsuccessful in preventing military marriage. By concentrating on the many soldiers' wives who were unable to win permission to live "on the strength" of the regiment (entitled to half-rations) and travel with their husbands, this title explores the phenomenon of soldiers who persisted in defying the army's anti-marriage initiatives. Using evidence gathered from ballads, novels, court and parish records, letters, memoirs, and War Office papers, Jennine Hurl-Eamon shows that both soldiers and their wives exerted continual pressure on the state through evocative appeals to officers and civilians, fuelled by wives' pride in performing their own military "duty" at home. Respectable, companionate couples of all ranks reflect a subculture within the army that recognized the value in Enlightenment femininity. Looking at military marriages within the telescoping contexts of the state, their regimental and civilian communities, and the couples themselves, The Girl I Left Behind Me reveals the range of masculinities beneath the uniform, the positive influence of wives and sweethearts on soldiers' performance of their duties, and the surprising resilience of partnerships severed by war and army anti-marriage policies.

Providing the first ever statistical study of a professional cohort in the era of the industrial revolution, this prosopographical study of some 450 surgeons who joined the army medical service during the Revolutionary and Napoleonic wars, charts the background, education, military and civilian career, marriage, sons' occupations, wealth at death, and broader social and cultural interests of the members of the cohort. It reveals the role that could be played by the nascent professions in this period in promoting rapid social mobility. The group of medical practitioners selected for this analysis did not come from affluent or professional families but profited from their years in the army to build up a solid and sometimes spectacular fortune, marry into the professions, and place their sons in professional careers. The study contributes to our understanding of Britishness in the period, since the majority of the cohort came from small-town and rural Scotland and Ireland but seldom found their wives in the native country and frequently settled in London and other English cities, where they often became pillars of the community.