"Marcia Nuziale" da "Sogno di una notte di mezza estate" di Felix Mendelssohn , trascrizione per Quintetto di Clarinetti (livello intermedio) di Enrico Zullino. Partitura + Parti (6): Clarinetto piccolo Mib, Clarinetti soprano in Sib 1-3 e Clarinetto Basso, inclusa parte alternativa per Clarinetto Contralto Mib (sostituzione Clarinetto 3). ______________________________ "Wedding March" from "A Midsummer Night's Dream" by Felix Mendelssohn , transcription for Clarinet Quintet (intermediate level) by Enrico Zullino. Score + Parts (6): Eb piccolo Clarinet, Bb Clarinets 1-3 and Bass Clarinet, included alternative part for Eb Alto (instead Clarinet 3). Audio demo available on www.glissato.it -

To Broadway, To Life! The Musical Theater of Bock and Harnick is the first complete book about these creative figures, of one of Broadway's most important songwriting teams. The book draws from personal interviews with Bock and Harnick themselves to offer an in-depth exploration their shows, including Fiddler on the Roof, She Loves Me, and Fiorello!, and their greater place in musical theater history.

Erich Wolfgang Korngold (1897-1957) was the last compositional prodigy to emerge from the Austro-German tradition of Mozart and Mendelssohn. He was lauded in his youth by everyone from Mahler to Puccini and his auspicious career in the early 1900s spanned chamber music, opera, and musical theater. Today, he is best known for his Hollywood film scores, composed between 1935 and 1947.

This memoir provides a personal account of the life and career of Frederic H. Cowen, a notable British composer and conductor of the late 19th and early 20th centuries, highlighting his friendships and collaborations with other artists. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.