A collection of Scottish folk songs and ballads, beautifully rendered by Robert Ford on the harp. This book is a must-read for anyone interested in the traditional music of Scotland. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

While Bob Dylan is known first and foremost as an exceptional composer, he also remains a master interpreter of the songs of others. During a career which now spans more than 45 years, Dylan has covered, in concert or on record, more than 500 songs from the pens of others. Set out in an encyclopaedia style format, this book includes details of every song Dylan has covered. Each song is listed alphabetically, providing a history of the origins of the songs and explanations of how Dylan came to record or perform them. This exhaustive work is the first to cover the topic.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Muses Threnodie: Or, Mirthful Mournings On The Death Of Mr Gall. Containing Variety Of Pleasant Poetical Descriptions, Moral Instructions, Historical Narrations, And Divine Observations, With The Most Remarkable Antiquities Of Scotland, Especially Of Perth, Volumes 1-2; The Muses Threnodie: Or, Mirthful Mournings On The Death Of Mr Gall. Containing Variety Of Pleasant Poetical Descriptions, Moral Instructions, Historical Narrations, And Divine Observations, With The Most Remarkable Antiquities Of Scotland, Especially Of Perth; Henry Adamson Henry Adamson James Cant Printed by G. Johnston for the editor and R. Morison bookseller, 1774 Gowrie Conspiracy, 1600; Perth (Scotland)