"In a counterfactual world resembling the 1930s, the state of Khazaria, an isolated nation of warriors Jews, is under attack by the Germanii. Esther, the precocious daughter of Khazaria's chief policy advisor, sets out on a quest to ensure the survival of her homeland"--

Widely praised as a seminal contribution to the study of the Old Testament when it first appeared, Michael V. Fox's Character and Ideology in the Book of Esther is now available in a second edition, complete with an up-to-date critical review of recent Esther scholarship. Fox's commentary, based on his own translation of the Hebrew text, captures the meaning and artistry of Esther's inspiring story. After laying out the background information essential for properly reading Esther, Fox offers commentary on the text that clearly unpacks its message and relevance. Fox also looks in depth at each character in the story of Esther, showing how they were carefully shaped by the book's author to teach readers a new view of how to live as Jews in foreign lands.

The proceedings of a symposium entitled Esther 2000 held in Lincoln and Omaha, Nebraska in April 2000, the book contains a collection of essays that engages all aspects of the biblical book of Esther. From questions of textual criticism to the history of rabbinic interpretation to speculation on the modern form of commentary, this collection is sure to contain something for everyone interested in the book of Esther. Contributors include such well-known Esther scholars as Michael Fox, David Clines, and Carey Moore.

Although the book of Esther contains no direct references to God, his fingerprints can be found all over it. In God Behind the Scenes, Wayne K. Barkhuizen helps us trace the unseen hand of God throughout the Esther narrative, while pointing out how the book is still relevant today. As we walk through the book, we’ll see how God was indeed active in preserving the people through whom the Messiah, Jesus Christ, would one day come.

A GOOD MORNING AMERICA BOOK CLUB PICK A BELLETRIST BOOK CLUB PICK For fans of The Hours and Fates and Furies, a bold, kaleidoscopic novel intertwining the lives of three women across three centuries as their stories of sex, power, and desire finally converge in the present day. Lily is a mother and a daughter. And a second wife. And a writer, maybe? Or she was going to be, before she had children. Now, in her rented Brooklyn apartment she’s grappling with her sexual and intellectual desires, while also trying to manage her roles as a mother and a wife in 2016. Vivian Barr seems to be the perfect political wife, dedicated to helping her charismatic and ambitious husband find success in Watergate-era Washington D.C. But one night he demands a humiliating favor, and her refusal to obey changes the course of her life—along with the lives of others. Esther is a fiercely independent young woman in ancient Persia, where she and her uncle’s tribe live a tenuous existence outside the palace walls. When an innocent mistake results in devastating consequences for her people, she is offered up as a sacrifice to please the King, in the hopes that she will save them all. In Anna Solomon's The Book of V., these three characters' riveting stories overlap and ultimately collide, illuminating how women’s lives have and have not changed over thousands of years.

This book situates the book of Esther in the intellectual history of Ancient Judaism and provides a new understanding of its purpose.

The Books of Esther applies form-critical tools to the Septuagint and non-Septuagint ('Lucianic') Greek texts of Esther. Differences in vocabulary, content and style show that the Greek books of Esther are independent traditions stemming from, and aimed at, two distinct religious communities. The 'Lucianic' version appears more personal, orthodox, nationalistic and Jewish; its audience is Palestinian and it intends to foster communal identity. The Septuagint version breathes a more matter-of-fact, reportorial, Hellenistic style, with an eye to tolerance of heretics and audience entertainment. The Masoretic version became canonized because it is the most multivalent of the Esthers, appealing to both religious and secular elements of Judaism.