One of the world's oldest recorded folktales tells the story of a handsome young man and the older woman in whose house he resides. Overcome by her feelings for him, the woman attempts to seduce him. When he turns her down she is enraged, and to her husband she accuses the young man of attacking her. The husband, seemingly convinced of his wife's innocence, has the young man punished. But it is precisely that punishment that leads to the hero's vindication and eventual rise to power and prominence. In the West we know this tale--classified in folklore as the Potiphar's Wife motif--from its vivid narration in the Hebrew Bible. But as Shalom Goldman demonstrates in this book, the Bible's is only one telling of a story that appears in the scriptures and folklore of many peoples and cultures, in many different eras, including ancient Egypt, classical Greece, and ancient Mesopotamia, as well as post-Biblical Jewish literature, the Qur'an, and Inuit culture. Goldman compares and contrasts the treatment of this motif especially in the literature and lore of the ancient Near East, Biblical Israel, and early Islam, at the same time touching on gender issues--the status of women in Middle Eastern societies and the varying constructions of male-female relationships--and the vexed question of "originality" in the narratives of the monotheistic traditions.

This is the first book to specifically address how to write feature articles for women. It appeals to both active writers and journalists and those who are just beginning.

The "wiles of women" are a timeless literary theme, treated from ancient Egyptian narratives to 21st-century TV series. The theme reaches its greatest flowering in the Islamic world, beginning with the Qur'an and inspiring entire literary traditions in Arabic, Persian, and Turkish. The Wiles of Women as a Literary Genre is the first study devoted to the Turkish branch of the tradition. The book consists of three parts: (a) a narrative analysis that helps to define the stories as a literary genre, (b) a cultural analysis exploring the worldview beneath the stories, and (c) transliterations and English translations of 17 previously unavailable stories in Ottoman and Azeri Turkish. The genre is colorful and heterogeneous, with different stories viewing the wiles of women as evil and dangerous, as frivolous and amusing, or as thoughtful and instructive. Still, women are depicted by all stories as intrinsically and incorrigibly guileful. The same does not hold for men, who are granted moral agency and the capacity to learn from their mistakes. The outcome is a world that serves as a testing ground for men, with women as obstacles or at best mediators between men and a virtuous life. But in spite of this rigid frame, many stories employ humor and ambiguity-for instance by casting men in guileful roles-to grant a more nuanced view of social and gender relations.

"Here, finally, is some writing with a genuine purchase on things of worth. The collection of pithy short stories, filled with a sad wonder, tells of contemporary Egyptians . . . timorously rebelling against the conformism of life along the Nile." —Observer ". . . Bakr emerges as a fine observer of her country's times, with a vision which remains, for all its engagement, quirky and distinctively personal." — Times Literary Supplement Set among the poor of contemporary Cairo, these thirteen stories and one short novella tell of women struggling to provide themselves with the basic necessities of life. They explore the limits of self-awareness, the pressures to conform, and some of the strange paths to escape that women resort to in a conservative society shot through with social and sexual prejudice and preconceptions.

The Long March, a year-long retreat made by the Chinese Communist Red Army escaping from destruction by the Nationalist forces, is a central turning point in the history of modern China. Thirty women marched with the top leaders, including Mao Zedong and Deng Xioping, during the 6,000-mile trek, and 3,000 women were among the ranks. This book, one of the few to focus on the women, tells their story through the biographies of three key players. Just 17 when they became lovers, Mao's second wife, He Zizhen, bore his children along the way and was forced to leave them behind; Kang Kequing, wife of Zhu De, endured the same hardships as the men, shouldered arms, and fought alongside her male comrades; Commander Wang Quanyuan was captured with her battalion by enemy cavalry that forced the women to become concubines. Drawing on interviews and published and unpublished sources, this book details their experiences on the March and subsequent lives in Communist China.

Whether they're beginners or seasoned shooters, women need to know some subtle (and not so subtle) differences to excel in—and enjoy—the shotgun sports. Ladies are not built like men. They don’t think like men. Women don’t react, move, or process life like men. And they don’t shoot like men. Firearms writer and shooter Laurie Bogart Wiles now offers a comprehensive guide to shotgunning targeted at the female shooter and covering target shooting, trap, skeet, five stand, FITASC, and wingshooting. Shotgun Sports for Women includes: Gun safety and gun respect The mental game and motivation Basic groundwork and practicing Gun fit for women’s body types Traveling with firearms Shooting clubs for women And much more! Women can pick up tips on improving their stance or learn the basics in Shooter's Bible Guide to Shotgun Sports for Women. Also included are a detailed directory of shooting schools and instructors, youth programs, suggested reading, gunmakers, manufacturers of shooting attire and accessories, and an extensive glossary. Armed with the extensive knowledge and experience of Laurie Bogart Wiles, this handy guidebook is a great way for women to learn about shotgunning from a fellow woman.

Princess Hyacinth is bored and unhappy sitting in her palace every day because, unless she is weighed down by specially-made clothes, she will float away, but her days are made brighter when kite-flying Boy stops to say hello.