Khartoum, according to one theory, takes its name from the Beja word hartooma, meaning meeting place . Geographically, culturally and historically, the Sudanese capital is certainly that: a meeting place of the Blue and White Niles, a confluence of Arabic and African histories, and a destination point for countless refugees displaced by Sudan s long, troubled history of forced migration. In the pages of this book the first major anthology of Sudanese stories to be translated into English the city also stands as a meeting place for ideas: where the promise and glamour of the big city meets its tough social realities; where traces of a colonial past are still visible in day-to-day life; where the dreams of a young boy, playing in his fathers shop, act out a future that may one day be his. Diverse literary styles also come together here: the political satire of Ahmed al-Malik; the surrealist poetics of Bushra al-Fadil; the social realism of the first postcolonial authors; and the lyrical abstraction of the new Iksir generation. As with any great city, it is from these complex tensions that the best stories begin. "An exciting, long-awaited collection showcasing some of Sudan's finest writers. There is urgency behind the deceptively languorous voices and a piercing vitality to the shorter forms. These writers lay claim over the contradictions and fusions of the capital city - Nile and drought, urbanization and village ties, what is African and what is Arab." - Leila Aboulela

In the first half of the twentieth century, a pioneering generation of young women exited their homes and entered public space, marking a new era for women's civic participation in northern Sudan. A provocative new public presence, women's civic engagement was at its core a bodily experience. Amid the socio-political upheavals of imperial rule, female students, medical workers, and activists used a careful choreography of body movements and fashion to adapt to imperial mores, claim opportunities for political agency, and shape a new standard of modern, mobile womanhood. Khartoum at Night is the first English-language history of these women's lives, examining how their experiences of the British Empire from 1900–1956 were expressed on and through their bodies. Central to this story is the tobe: a popular, modest form of dress that wrapped around a woman's head and body. Marie Grace Brown shows how northern Sudanese women manipulated the tucks, folds, and social messages of the tobe to deftly negotiate the competing pulls of modernization and cultural authenticity that defined much of the imperial experience. Her analysis weaves together the threads of women's education and activism, medical midwifery, urban life, consumption, and new behaviors of dress and beauty to reconstruct the worlds of politics and pleasure in which early-twentieth-century Sudanese women lived.

_______________ 'A wonderfully subtle exploration of place, identity and memory' - PD Smith, Guardian 'A highly readable and authoritative celebration of a little-understood country and its capital city' - Geographical 'A travelogue and memoir to rank alongside anything by Chatwin or Thubron' - Jim Crace 'A most absorbing and rewarding book' - Michael Palin _______________ A moving portrait, part history, part memoir, of Sudan – once the largest, most diverse country in Africa – and its self-destruction In 1956, Sudan gained independence from Britain. On the brink of a promising future, it instead descended into civil war and conflict. When the 1989 coup brought a hard-line Islamist regime to power, Jamal Mahjoub's family were among those who fled. Almost twenty years later, he returned. Rediscovering the city in which his formative years were spent, Mahjoub encounters people and places he left behind. The capital contains the key to understanding Sudan's divided, contradictory nature and while exploring Khartoum's present – its changing identity and shifting moods; its wealthy elite and neglected poor – Mahjoub also delves into the country's troubled history. His search for answers evolves into a thoughtful meditation on the meaning of identity, both personal and national. A Line in the River combines lyrical and evocative memoir with a nuanced exploration of a country's complex history, politics and religion. The result is both captivating and revelatory.

A “well-researched” account of the nineteenth-century Sudanese cleric who led a bloody holy war, from a New York Times-bestselling author (Publishers Weekly). Before bin Laden, al-Zarqawi, or Ayatollah Khomeini, there was the Mahdi—the “Expected One”—who raised the Arabs in pan-tribal revolt against infidels and apostates in Sudan. Born on the Nile in 1844, Muhammed Ahmed grew into a devout, charismatic young man, whose visage was said to have always featured the placid hint of a smile. He developed a ferocious resentment, however, against the corrupt Ottoman Turks, their Egyptian lackeys, and finally, the Europeans who he felt held the Arab people in subjugation. In 1880, he raised the banner of holy war, and thousands of warriors flocked to his side. The Egyptians dispatched a punitive expedition to the Sudan, but the Mahdist forces destroyed it. In 1883, Col. William Hicks gathered a larger army of nearly ten thousand men. Trapped by the tribesmen in a gorge at El Obeid, it was massacred to a man. Three months later, another British-led force met disaster at El Teb. This was followed by the infamous conflict at Khartoum, during which a treacherous native—or patriot, depending upon one’s point of view—let the Madhist forces into the city, resulting in the horrifying death of Gen. Charles “Chinese” Gordon at the hands of jihadists. In today’s world, the Mahdi’s words have been repeated almost verbatim by the jihadists who have attacked New York, Washington, Madrid, and London, and continue to wage war from the Hindu Kush to the Mediterranean. Along with Saladin, the Mahdi stands as an Islamic icon who launched his own successful crusade against the West. This deeply researched work reminds us that the “clash of civilizations” that supposedly came upon us in September 2001 in fact began much earlier, and “lays important tracks into the study of terror, fundamentalism and the early clash between Islam and Christianity” (Publishers Weekly).

Focusing on Greater Khartoum following South Sudanese independence in 2011, In-Betweenness in Greater Khartoum explores the impact on society of major political events in areas that are neither urban nor rural, public nor private. This volume uses these in-between spaces as a lens to analyze how these events, in combination with other processes, such as globalization and economic neo-liberalization, impact communities across the region. Drawing on original fieldwork and empirical data, the authors uncover the reshaping of new categories of people that reinforce old dichotomies and in doing so underscore a common Sudanese identity.

A coffee seller waits all day for one of his customers to ask him how he is, until eventually he just tells the city itself... A teenager is ordered off a bus at a checkpoint and told he must kiss a complete stranger if he wants the bus to be let through... A woman pilgrimages to the Cave of the Prophets, to pray for rain for her tiny patch of land, knowing it will take more than water to save it... Unlike most other Palestinian cities, Ramallah is a relatively new town, a de facto capital of the West Bank allowed to thrive after the Oslo Peace Accords, but just as quickly hemmed in and suffocated by the Occupation as the Accords have failed. Perched along the top of a mountainous ridge, it plays host to many contradictions: traditional Palestinian architecture jostling against aspirational developments and cultural initiatives, a thriving nightlife in one district, with much more conservative, religious attitudes in the next. Most striking however – as these stories show – is the quiet dignity, resilience and humour of its people; citizens who take their lives into their hands every time they travel from one place to the next, who continue to live through countless sieges, and yet still find the time, and resourcefulness, to create.