The storms of autumn arrive, and the storms of their lives continue. The ladies decide to study Shakespeares The Tempest, wrongly thinking that a comedy will be easier than another of the big tragedies. Finding a suitable filmed version is difficult; reading the text is even more difficult. They struggle, seeing in this late play parts that mirror their own experiences. Claire and Henry struggle in their late-life marriage with the debris and assumptions from their earlier marriages. Annie fights against the physical constraints that come with her aging as Bill wrestles with what he will do after retirement. Katherine is haunted by her past and her brush with cancer and has trouble accepting that Mark is in her life for the duration. Frannie now has grandchildren and a measure of happiness because she has faced the demons of her upbringing. The new members of the book club, Sally and Clarissa, have their own issues as their long-standing friendship shatters. Clarissa is rejuvenated by one new passion and one old passion. All this occurs and is illuminated by their reading of the glorious music and the strange plots of The Tempest.

As the ladies study A Midsummer Night’s Dream, they discover yet again the complexities of Shakespeare’s play. They discover that under the glorious poetry, A Midsummer Night’s Dream has a complicated structure. The plot, what there is of it is about lovers: lovers being parted by tyrannical fathers, lovers being won in combat, lovers being wooed, lovers moaning about unrequited love, fairy lovers squabbling and disturbing all life around them. Then there are the famous mechanicals who are a counterpoint to the over-the-top love stories. Penelope a very old lady has been invited into the book club. She inadvertently stirs up an old hurt and her own past comes back to haunt and entertain her. Clarissa, known as the kid, for she is merely in her mid-fifties, is conflicted about Steve who has returned to her. What is his place in her heretofore simple life? Hovering over them are Shakespeare’s imaginary characters who challenges their intellects, as well as their emotions. They, as always, wrestle with their own love stories, late life marriages, as they struggle to make sense of this beloved play.

Sigrid, a Healer, after enduring rapes and beatings in her captivity cannot bear to be touched, until an Egyptian soldier wins her trust. This volume again meditates on the nature of heroism, how myths are made, and how this small tribe survives and attracts the talented in the midst of the tumult of their time.

Penelope asks for help from the lawyer she once knew. He is retired, but his nephew takes care of her. She pays a call to the old gentleman in his aerie above Lake Shore Drive. Thus, this tale of a love deferred commences in all its humor, realism, sweet moments of recounting the drama of their long lives and finally, acceptance of their fates.

Part 10 of the Late Bronze Age Stores has the kin near the great trade route in what today is Northern Lebanon. Times are desperate. Predators attack from both sea and land. Trygve of the Northerners has to decide about joining with the Kin. The leaders of the Kin have to decide about joining with Trygve and his people. Dalil, the storyteller, has returned to the Kin after many years of roaming. The two groups learn each other’s languages and stories, as they prepare for what may be another great migration.

Part Nine of the Late Bronze Age Stories has the brothers, Diripi and Arudara, returning to the kin in the season of storms acquire a mysterious passenger. Diripi knowing himself to belong on the sea wonders if loneliness is his fate. Arudara, a gifted artist as well as a sailor and trader, needs to spend time on his art. Maeve, from the north country, is conflicted by her haunting past and her present duty. At the close of the bronze age all is in flux, trade routes are destroyed, empires are being dismembered, danger and bloodshed is everywhere, trust is dangerous. How does the kin survive in these hard times? How can Diripi, Arudara and Maeve make a living and live their lives?

Part Eight of the Late Bronze Age Stories has Nahid, driven by prophetic dreams, leaving the hills above the Great Green Sea. With Bakiri and his band of protectors, he sets out for Egypt, Bakiri’s home, and then to Amarna, where their ancestor Thutmose created his greatest work. Amarna was dismantled when the heretic pharaoh Akhenaten died, but Nahid is sure that a treasure still exists for him to find. Bakiri’s daughter, Rabiah, and Nahid fall in love, and they meld his jewelry and her linen garments. He has found his mate, and perhaps the treasure he was meant to find. She insists on being a part of the trip to Amarna. In the course of finding the treasure, Rabiah is put in great danger, and they have to flee Amarna to save Rabiah. Nahid further matures into a wise and protective mate to Rabiah. All are astonished at the secrets revealed by their quick journey to Amarna. The artists will forever have the images of the great art they have witnessed, in their minds and hearts.