After a woman is found dead in an isolated cemetery, Inspector Thomas Lynley and his former partner, Barbara Havers, find that the roots of the crime trace to a long-ago act of violence that has poisoned subsequent generations.

"Tanizaki Jun'ichiro is read to examine historiographical representation and to consider the possibilities of the parodic as a fundamentally perverse, queer practice. Finally, a study of selected essays by Sue Golding points a way to think toward the necessary conjunction of the ethical, the political, and the perverse; in order, that is to say, to think toward a politics of inconsolable perversity."--BOOK JACKET.

A look inside the world of forensics examines the use of human cadavers in a wide range of endeavors, including research into new surgical procedures, space exploration, and a Tennessee human decay research facility.

The authors challenge theories that put the body at the centre of identity, going 'beyond the body' to highlight the persistence of self-identity even when the body itself has been disposed of or is missing.

In 1846, Edgar Allen Poe wrote that 'the death of a beautiful woman is, unquestionably, the most poetic topic in the world'. The conjuction of death, art and femininity forms a rich and disturbing strata of Western culture, explored here in fascinating detail by Elisabeth Bronfen. Her examples range from Carmen to Little Nell, from Wuthering Heights to Vertigo, from Snow White to Frankenstein. The text is richly illustrated throughout with thirty-seven paintings and photographs. The argument that this book presents is that narrative and visual representations of death can be read as symptoms of our culture and because the feminine body is culturally constructed as the superlative site of "other" and "not me", culture uses art to dream the deaths of beautiful women.