Virginia Woolf's playful exploration of a satirical »Oxbridge« became one of the world's most groundbreaking writings on women, writing, fiction, and gender. A Room of One's Own [1929] can be read as one or as six different essays, narrated from an intimate first-person perspective. Actual history blends with narrative and memoir. But perhaps most revolutionary was its address: the book is written by a woman for women. Male readers are compelled to read through women's eyes in a total inversion of the traditional male gaze. VIRGINIA WOOLF [1882–1941] was an English author. With novels like Jacob’s Room [1922], Mrs Dalloway [1925], To the Lighthouse [1927], and Orlando [1928], she became a leading figure of modernism and is considered one of the most important English-language authors of the 20th century. As a thinker, with essays like A Room of One’s Own [1929], Woolf has influenced the women’s movement in many countries.

She's back! When arch-snob Emmeline Lucas (known universally as Lucia) makes some money on the stockmarket, the wheels are set in motion for a new adventure - and this time, her ambitions are larger than ever. But eternal rival Elizabeth Mapp-Flint is determined to outshine Lucia and she's got royalty on her side. The much-loved Mapp and Lucia series takes a new turn as the two legendary protagonists travel to the continent to lock horns in an idyllic Italian setting. Can Mapp upstage Lucia on foreign soil so far from Tilling? What is Georgie's new valet up to? And will Lucia's financial speculation lead to rags or more riches? 'Lucia On Holiday' is a new addition to the Mapp and Lucia canon, based on the immortal characters first created by E.F. Benson. Perfect reading for followers of Benson's original novels and sure to be equally loved by new fans, this is a pitch-perfect and deliciously enjoyable social satire of an England long gone but not forgotten.

This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.

The complete text of Faulkner’s third novel, published for the first time in 1973, appeared with his reluctant consent in a much cut version in 1929 as Sartoris.

The brainchild of children's book mogul Edward Stratemeyer, Nancy Drew was brought to life by two women. In a century- spanning story Rehak traces their roles--and Nancy's--in forging the modern American woman.