“Extraordinary. . . . This is no butterfly-watching stroll through a life.” —Dwight Garner, New York Times David Hare has long been one of Britain’s best-known screenwriters and dramatists. He’s the author of more than thirty acclaimed plays that have appeared on Broadway, in the West End, and at the National Theatre. He wrote the screenplays for the hugely successful films The Hours, Plenty, and The Reader. Most recently, his play Skylight won the 2015 Tony Award for Best Revival on Broadway. Now, in his debut work of autobiography, “Britain’s leading contemporary playwright” (Sunday Times) offers a vibrant and affecting account of becoming a writer amid the enormous flux of postwar England. In his customarily dazzling prose and with great warmth and humor, he takes us from his university days at Cambridge to the swinging 1960s, when he cofounded the influential Portable Theatre in London and took a memorable road trip across America, to his breakthrough successes as a playwright amid the political ferment of the ’70s and the moment when Margaret Thatcher came to power at the end of the decade. Through it all, Hare sets the progress of his own life against the dramatic changes in postwar England, in which faith in hierarchy, religion, empire, and the public good all withered away. Filled with indelible glimpses of such figures as Alfred Hitchcock, Laurence Olivier, Tennessee Williams, Helen Mirren, and Joseph Papp, The Blue Touch Paper is a powerful evocation of a society in transition and a writer in the making.

When, in 2000, the National Theatre published its poll of the hundred best plays of the 20th century, David Hare had written five of them. Yet he was born in 1947 into an anonymous suburban street in Hastings. It is a world he believes to be as completely vanished as Victorian England. Now in his first panoramic work of memoir, ending as Margaret Thatcher comes to power in 1979, David Hare describes his childhood, his Anglo-Catholic education and his painful apprenticeship to the trade of dramatist. He sets the progress of his own life against the history of a time in which faith in hierarchy, deference, religion, the empire and finally politics all withered away. Only belief in private virtue remains. In his customarily dazzling prose and with great warmth and humour, David Hare explores how so radical a shift could have occurred, and how it is reflected in his own lifelong engagement with two disparate art forms - film and theatre. In The Blue Touch Paper David Hare describes a life of trial and error: both how he became a writer and the high price he and those around him paid for that decision.

Addressing an important aspect of social communication for people with Asperger Syndrome, who use direct, precise language and 'take things literally', this dictionary of idiomatic expressions aims to dispel any confusion that arises from the misinterpretation of language. This book provides explanations of over 5,000 idiomatic expressions plus a guide to their politeness level. Each expression is accompanied by a clear explanation of its meaning and when and how it might be used. The expressions are taken from British and American English, with some Australian expressions included as well. Although the book is primarily intended for people with Asperger Syndrome, it will be useful for anyone who finds problems understanding idiomatic and colloquial English. An essential resource and an informative read, this dictionary will assist in a wide range of situations.

A rich collection of essays tracing the relationship between art and sound. In the 1970s David Toop became preoccupied with the possibility that music was no longer bounded by formalities of audience: the clapping, the booing, the short attention span, the demand for instant gratification. Considering sound and listening as foundational practices in themselves leads music into a thrilling new territory: stretched time, wilderness, video monitors, singing sculptures, weather, meditations, vibration and the interior resonance of objects, interspecies communications, instructional texts, silent actions, and performance art. Toop sought to document the originality and unfamiliarity of this work from his perspective as a practitioner and writer. The challenge was to do so without being drawn back into the domain of music while still acknowledging the vitality and hybridity of twentieth-century musics as they moved toward art galleries, museums, and site-specificity. Toop focused on practitioners, whose stories are as compelling as the theoretical and abstract implications of their works. Inflamed Invisible collects more than four decades of David Toop's essays, reviews, interviews, and experimental texts, drawing us into the company of artists and their concerns, not forgetting the quieter, unsung voices. The volume is an offering, an exploration of strata of sound that are the crossing points of sensory, intellectual, and philosophical preoccupations, layers through which objects, thoughts and air itself come alive as the inflamed invisible.

This book is designed for all groups of people for personal devotion, and group bible study. If you are in the ministry, this book will help you through your struggle.

As the church in the West is found to be mostly dead and covered with Laodicean lukewarm vomit, as The Lord, slips the dead things silently over the side of the storm tossed ship into the dark oblivion of the waves of secular humanism and rising Islam, what remains will need to be fortified with steel to live in a quickly changing anti-Christian world of persecution. There is no better prophecy more equipped to speak to such a remnant who shall be so very besieged. Welcome to Habakkuk, 35 of 66, a prophecy for our time. For more information see www.66Bible.com/Habakkuk - Pastor, Rev. Victor Robert Farrell is long time author of 'Night Whispers' and President of The 66 Books Ministry, a 21st Century global city mission, grass-roots, back to the Bible movement, preaching the Gospel in the 66 most influential cities of the 250 nations of the world; that's 16,500 cities, each being preached in, on an annual and an on-going basis! For more info see - www.The66BooksMinistry.com

By the early months of 2012, it was clear that the appointment of Andre Villas-Boas as head coach at Chelsea wasn't delivering the required success. Instead, the club was spiralling towards its worst season of the Roman Abramovich era. On 4 March, Villas-Boas was dismissed, with his former assistant Roberto Di Matteo made interim head coach until the end of the season. Struggling in the league and with their place in the Champions League in peril, it was an appointment designed to make the best of things until a permanent replacement could be sought in the summer. Instead, under Di Matteo's guidance, Chelsea embarked on a run of performances that not only led to an FA Cup triumph, but resurrected their European hopes with improbable victories over Napoli, Benfica and Guardiola's all-conquering Barcelona before, against all odds, winning the Champions League by defeating Bayern Munich in their own stadium. This is the story of a triumph that came out of the blue.