Acclaimed both in Pakistan and in Britain, Aamer Husseinýs first collection of stories, Mirror to the Sun, was chosen by Shena Mackay as one of her Books of the Year 1993. In his long awaited second collectionýwhich includes the experimental sequence ýSkiesýýhe continues and deepens his oblique, subversive portrayal of the preoccupations of our time: betrayal, bereaving, exile, belonging and the writerýs role. In ýThe Blue Directioný a teenaged boyýs life uncannily begins to resemble the role he plays in a school operetta; in ýThe Lost Cantos of the Silken Tigerý a poet revenges herself on her faithless lover by turning their romance into a biblical legend; and in ýThis Other Saltý a writer torn between two loves, looks for his lost worlds in the gap between memory, mourning and desire. Combining satire, legend, poetry, history and memoir, the linked stories of The Blue Direction reveal an author of uncommon talent at the height of his craft.

These are the scenarios of just some of the stories in this generous new collection by Can Xue. Although rooted in the folk traditions of Chinese literature and the real conflicts of contemporary Chinese life, Can Xue's stories exist in a separate space and time where dreams and reality coalesce: tenderness quickly turns to violence, strange diseases are caught, and quaint landscapes become phantasmagorical.

In this collection of suspenseful tales in which fantasies, murderous dreams and half-forgotten worlds are exposed, Daphne du Maurier explores the boundaries of reality and imagination. Her characters are caught at those moments when the delicate link between reason and emotion has been stretched to the breaking point. Often chilling, sometimes poignant, these stories display the full range of Daphne du Maurier's considerable talent. "The appeal of romance and the clash of highly-charged emotions."-New York Herald-Tribune

Six tales — "Cinderella," "The Bronze Ring," "Felicia and the Pot of Pinks," "The White Cat," "The Story of Pretty Goldilocks," and "Snow-white and Rose-red"—will delight young and old. 23 illustrations.

Examines the body's largest organ, including its qualities, the history of its conditions and diseases, and the impact of its color and irregularity.

A 2019 Theodore Seuss Geisel Award Honoree NPR Best Books of the Year, New York Times Notable Children's Book, Boston Globe Best Book of the Year Join the dynamic, yet opposite duo as they learn to appreciate differences among friends: Fox and Chick don't always agree, but Fox and Chick are always friends. With sly humor and companionable warmth, Sergio Ruzzier deftly captures the adventures of these seemingly opposite friends. With spare text and airy images, this early chapter book is also accessible to a picture book audience. • Book teaches a lesson about accepting and cherishing our differences through sweet and funny characters as they embark on silly adventures • Luminous watercolor images showcased in comic-book panel form will entice emerging readers, keeping them engaged and wanting more • Sergio Ruzzier is a Sendak Fellow whose work has been lauded by the Society of Illustrators, Communication Arts, and the Society of Publication Designers "A subtle lesson, couched in humor: We can be friends with people who aren't just like us." — The New York Times • Great family and classroom read-aloud book • Books for kids ages 5-8 • Books for early and emergent readers

The book opens with the annual spring dispatch, by the Seattle-based Filipino union, of thousands of Filipino workers to the Alaska salmon canneries. We meet characters who reappear throughout the stories: Vince, the tough but charming union foreman and "big shot" father to Buddy, our American-born narrator; Chris, the battle-scarred union president targeted by McCarthyism; Rico, the spirited young king of the neighborhood who will fall victim to Vietnam; Stephanie, the beautiful mestiza who marrie up; and many others who age and change in ironic counterpint to persistent themes of loyalty, fierce ethnic pride, and a willingness to struggle against hostile forces in society. There are wry twists of humor and surprising turns of plot; a long-lost love is renewed; a long-hidden family secret is revealed. We encounter the inevitable aging and passing of the Manong generation, but we sense as well the arrival of its vision. Babies are born. The migrant fisheries worker gets a nine-to-five job, and his children go to college. The conclusion builds to a quiet power that is essentially elegiac; an era closes, but the voices of the older generation are shouldered by the younger, to keep the history to retell the stories, and to pay homage.