Nominated for the Yoto Carnegie Medal for Writing 2023 Dylan was six when The End came, back in 2018; when the electricity went off for good, and the 'normal' 21st-century world he knew disappeared. Now he's 14 and he and his mam have survived in their isolated hilltop house above the village of Nebo in north-west Wales, learning new skills, and returning to old ways of living. Despite their close understanding, the relationship between mother and son changes subtly as Dylan must take on adult responsibilities. And they each have their own secrets, which emerge as, in turn, they jot down their thoughts and memories win a found notebook - the Blue Book of Nebo.

Suppose you knew that, though you yourself would live your life to its natural end, the earth and all its inhabitants would be destroyed thirty days after your death. To what extent would you remain committed to your current projects and plans? Would scientists still search for a cure for cancer? Would couples still want children? In Death and the Afterlife, philosopher Samuel Scheffler poses this thought experiment in order to show that the continued life of the human race after our deaths--the "afterlife" of the title--matters to us to an astonishing and previously neglected degree. Indeed, Scheffler shows that, in certain important respects, the future existence of people who are as yet unborn matters more to us than our own continued existence and the continued existence of those we love. Without the expectation that humanity has a future, many of the things that now matter to us would cease to do so. By contrast, the prospect of our own deaths does little to undermine our confidence in the value of our activities. Despite the terror we may feel when contemplating our deaths, the prospect of humanity's imminent extinction would pose a far greater threat to our ability to lead lives of wholehearted engagement. Scheffler further demonstrates that, although we are not unreasonable to fear death, personal immortality, like the imminent extinction of humanity, would also undermine our confidence in the values we hold dear. His arresting conclusion is that, in order for us to lead value-laden lives, what is necessary is that we ourselves should die and that others should live. Death and the Afterlife concludes with commentary by four distinguished philosophers--Harry Frankfurt, Niko Kolodny, Seana Shiffrin, and Susan Wolf--who discuss Scheffler's ideas with insight and imagination. Scheffler adds a final reply.

Wrth edrych yn ol ar ei bywyd, a'r teulu a'r ffrindiau a fu'n gwmni iddi ar hyd y daith, daw blasau o'r gorffennol i brocio atgofion Pegi. Ond nid yw pob atgof yn felys, ac mae rhai cyfrinachau'n gadael blas chwerw.

Rita may be a baby, but she has the mind (and attitude) of a teenager. She knows she is not a normal toddler but when her parents disappear and a sinister clown and an ice-cream van seem to be hunting her down, even a soft-play centre might not be safe...

Mystery-lover Libby is excited but nervous when she's sent to join her aunt Agatha's extraordinary travelling school in Paris. Just when she is starting to find her feet Aunt Agatha is arrested, accused of a daring jewel robbery. Can Libby and her new best friend Connie find the real thief in time to save her aunt?

LONGLISTED FOR THE 2022 PEN/FAULKNER AWARD FOR FICTION "Claire Oshetsky’s novel is a marvel: its language a joy, its imagination dizzying." —Rumaan Alam, New York Times bestselling author of Leave the World Behind An exhilarating, provocative novel of motherhood in extremis Tiny is pregnant. Her husband is delighted. “You think this baby is going to be like you, but it’s not like you at all,” she warns him. “This baby is an owl-baby.” When Chouette is born small and broken-winged, Tiny works around the clock to meet her daughter’s needs. Left on her own to care for a child who seems more predatory bird than baby, Tiny vows to raise Chouette to be her authentic self. Even in those times when Chouette’s behaviors grow violent and strange, Tiny’s loving commitment to her daughter is unwavering. When she discovers that her husband is on an obsessive and increasingly dangerous quest to find a “cure” for their daughter, Tiny must decide whether Chouette should be raised to fit in or to be herself—and learn what it truly means to be a mother. Arresting, darkly funny, and unsettling, Chouette is a brilliant exploration of ambition, sacrifice, perceptions of ability, and the ferocity of motherly love.

Peggy is eighty and the family are having a birthday party. Her son's gift of a beautifully crafted notebook comes with a request. Peggy's not so keen on telling her own story, but each of her family and neighbours has a story to tell, revealing not just Peggy's life but that of her village, tucked beneath Cader Idris on the southern fringes of Snowdownia.