An iridescent jewel of a novel that proves love is the mother of invention In the early 1800s, a young Italian contessa, Carolina Fantoni, realizes she is going blind shortly before she marries the town's most sought-after bachelor. Her parents don't believe her, nor does her fiancé. The only one who understands is the eccentric local inventor and her longtime companion, Turri. When her eyesight dims forever, Carolina can no longer see her beloved lake or the rich hues of her own dresses. But as darkness erases her world, she discovers one place she can still see-in her dreams. Carolina creates a vivid dreaming life, in which she can not only see, but also fly, exploring lands she had never known. Desperate to communicate with Carolina, Turri invents a peculiar machine for her: the world's first typewriter. His gift ignites a passionate love affair that will change both of their lives forever. Based on the true story of a nineteenth-century inventor and his innovative contraption, The Blind Contessa's New Machine is an enchanting confection of love and the triumph of the imagination.

A YA novel set in a seaside New England town in the 1920s, where twelve-year-old Clare discovers a mysterious glass house and falls in love with Jack, the ghost of a boy who can't remember how he died.

Performing Miracles. Facing Wild Lions. Confronting Demons. Transforming the World. From Augustine to Mother Teresa, officially canonized as St. Teresa of Calcutta, discover seventy of the best-known and best-loved saints and read their riveting stories. Meet Joan of Arc, whose transcendent faith compelled her to lead an army when the king’s courage failed. Francis of Assisi, whose gentleness tamed a man-eating wolf. Valentine, a bishop in the time of ancient Rome, who spoke so often of Christ’s love that his saint’s day, February 12, has been associated with courtly love since the Middle Ages. St. Thomas Aquinas, the great teacher. Peter Claver, who cared for hundreds of thousands of people on slave ships after their voyage as captives. And Bernadette, whose vision of Mary instructed her to dig the spring that became the healing waters of Lourdes. Each saint is illustrated in a dramatic and stylized full-color portrait, and included in every entry are the saint’s dates, location, emblems, feast days, and patronage. Taken together, these stories create a rich, inspiring, and entertaining history of faith and courage. For kids age 10 and up. A perfect gift for Confirmation.

People who don't have embarrassing stories are untrustworthy. Or at the very least, they aren't telling the truth. -- Suzanne Guillette By your own definition, you are very, very trustworthy. After all, you are the kind of person who spills pasta sauce down the shirt of a famous writer you're trying to impress. You are the girl who, when taking a new mentor out for a fancy lunch, forgets to bring cash -- or a backup credit card. You are almost thirty, an unemployed writer, recently un-engaged from your fiancŽ of several years, and in all your naivetŽ can't foresee that mixing the personal and the professional will bring you mortifyingly disastrous results. You are Suzanne Guillette, the author of Much to Your Chagrin, a smart, hilarious memoir of how chronicling the humiliations of others helped her come to understand and accept herself. Guillette was twenty-nine and the proud owner of a freshly inked MFA when she began to work on her first book -- a collection of embarrassing moments gathered from family, friends, coworkers, and strangers on the street. Stories poured in about every possible type of gaffe, from wardrobe malfunctions (widespread) to romantic misunderstandings (ditto), and from office faux pas (common) to bodily fluid mishaps (distressingly common). Everyone Guillette talked to was enthusiastic about her clever project -- and no one more so than Jack, the wry, handsome literary agent who Guillette thought might just be her soul mate. But as time marched on, Guillette began to see that the tales she'd been gathering were nothing compared to her own moments of shame. Like her increasingly frequent need to sneak out of work (at a health agency, natch) for a "quick smoke" to settle her nerves. Or her stubborn ability to ignore the reality that her fairy-tale romance with Jack was imploding in a truly spectacular fashion. When Guillette accepted that the story she was meant to tell was not others' but her own, Much to Your Chagrin was born. Told in a unique and captivating voice, punctuated by the embarrassing stories she collected, Much to Your Chagrin follows one woman's discovery of what it's like to finally feel comfortable in your own skin (even while accidentally exposing yourself to your elderly neighbors). Raw, honest, and brilliantly funny, it is an extremely personal memoir about the lengths to which we human beings sometimes go to conceal the parts of ourselves that we are least willing to admit are true. Forget the stuff we keep from the world -- it's what we hide from ourselves that is of greatest consequence. What is your most embarrassing moment?

In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”

HIGHER INSTITUTE OF VILLAINOUS EDUCATION Otto Malpense may only be thirteen years old, but so far he has managed to run the orphanage where he lives, and he has come up with a plan clever enough to trick the most powerful man in the country. He is the perfect candidate to become the world's next supervillain. That is why he ends up at H.I.V.E., handpicked to become a member of the incoming class. The students have been kidnapped and brought to a secluded island inside a seemingly active volcano, where the school has resided for decades. All the kids are elite; they are the most athletic, the most technically advanced, and the smartest in the country. Inside the cavernous marble rooms, floodlit hangars, and steel doors, the students are enrolled in Villainy Studies and Stealth and Evasion 101. But what Otto soon comes to realize is that this is a six-year program, and leaving is not an option. With the help of his new friends: an athletic martial-arts expert; a world-famous, beautiful diamond thief; and a spunky computer genius -- the only other people who seem to want to leave -- can Otto achieve what has never been done before and break out of H.I.V.E.?

The year is 1982, just two years before that made famous by Orwell. An exiled Soviet writer discovers that a German travel agency is booking flights through a time warp to a variety of tempting sites and dates in the future. Moscow? The year 2042? How can he resist? Afterword by the Author. Translated by Richard Lourie.