This catalog is published in conjunction with an exhibition organized and presented by the Rubin Museum of Art, New York, March 2 through July 30, 2012, and curated by Karl Debreczeny.

One-of-a-kind cultural critic and New York Times bestselling author Chuck Klosterman “offers up great facts, interesting cultural insights, and thought-provoking moral calculations in this look at our love affair with the anti-hero” (New York magazine). Chuck Klosterman, “The Ethicist” for The New York Times Magazine, has walked into the darkness. In I Wear the Black Hat, he questions the modern understanding of villainy. When we classify someone as a bad person, what are we really saying, and why are we so obsessed with saying it? How does the culture of malevolence operate? What was so Machiavellian about Machiavelli? Why don’t we see Bernhard Goetz the same way we see Batman? Who is more worthy of our vitriol—Bill Clinton or Don Henley? What was O.J. Simpson’s second-worst decision? And why is Klosterman still haunted by some kid he knew for one week in 1985? Masterfully blending cultural analysis with self-interrogation and imaginative hypotheticals, I Wear the Black Hat delivers perceptive observations on the complexity of the antihero (seemingly the only kind of hero America still creates). As the Los Angeles Times notes: “By underscoring the contradictory, often knee-jerk ways we encounter the heroes and villains of our culture, Klosterman illustrates the passionate but incomplete computations that have come to define American culture—and maybe even American morality.” I Wear the Black Hat is a rare example of serious criticism that’s instantly accessible and really, really funny.

Book on African Amrican filmmaking. includes six screenplays by Afro-American screenwriters

The Tenth Karmapa (1604&– 1674) lived through dramatic changes in Tibet, including the rise to political supremacy of the Fifth Dalai Lama and the Gelug sect following a Mongol invasion. Regarded as a remarkable bodhisattva and artist, the Karmapa has largely escaped the close attention of modern scholars.In this book, Shamar Rinpoche, the Fourteenth Shamarpa, introduces the Tenth Karmapa through his translations of the Karmapa' s autobiographical writings and an eighteenth century biography of him. As a direct lineage-descendant from the Sixth Shamarpa— the Karmapa' s guru— the Shamar Rinpoche shares his unique knowledge and experience through extensive annotations and a historical overview of Tibet from the thirteenth through seventeenth century.The text of A Golden Swan in Turbulent Waters: The Life and Times of the Tenth Karmapa Choying Dorje is complemented by maps and color illustrations depicting places where the Karmapa lived and his prolific artistic work, with some object images being published for the first time.

Folder contains the printed script cut and pasted on blank leaves, with extensive manuscript annotations, cues, stage directions and sketches of stage lay-outs.

"This catalog is published in conjunction with the exhibition Faith and Empire: Art and Politics in Tibetan Buddhism, organized and presented by the Rubin Museum of Art, New York, February 1-July 15, 2019, and curated by Karl Debreczeny, Senior Curator, Collections and Research, with the assistance of Lizzie Doorly"--Colophon.