In 1809 the dispossessed Friedrich Wilhelm of Brunswick, consumed by his desire for revenge against Napoleon, entered into an agreement with the Austrians to raise a new corps of infantry and cavalry. As a physical expression of this vengeance he decided to clothe his new troops all in black and adopted as his badge the skull and crossbones, resulting in his corps' christening as Die Schwarze Schar (the Black Horde). This book details the pivotal role that the Black Brunswickers played in major battles of the Napoleonic Wars (1799-1815), including Quatre Bras and Waterloo (1815), and outlines the organization, uniforms and equipment of these formidable troops.

Among the Loyalists who were transported to the shores of New Brunswick by the British after their defeat by revolutionary Americans were several hundred African Americans. Like their counterparts who went to what is now Nova Scotia, among this group were formerly enslaved men, women and children who had been granted their freedom in exchange for joining the British side during the revolutionary war. In the colony that soon became New Brunswick, slavery was still legal. Many African American Loyalists had to become indentured labourers to survive in this new situation. Many others took up the opportunity offered them in 1791 to move yet again, this time to Sierra Leone in Africa where many Black Loyalists established a new colony on the coast of Africa where they lived free of slavery. The stories of New Brunswicks Black Loyalists are captured in the brief biographies of eight individuals—men, women and youths—presented by author Stephen Davidson. Through their experiences a picture emerges of the narrow limits to the freedom which the Black Loyalists were able to experience in a predominantly white and highly racist colony.

Down on his luck and hard up for cash, Carl works in the kitchen of a seedy rock 'n' roll joint in ethnically diverse Brunswick. The bouncers and bosses terrify him, he's desperately in love with a much younger Greek waitress, and to make matters worse his mother has come down from Sydney to stay with him. Then a dead body turns up.

While many older American cities struggle to remain vibrant, New Brunswick has transformed itself, adapting to new forms of commerce and a changing population, and enjoying a renaissance that has led many experts to cite this New Jersey city as a model for urban redevelopment. Featuring more than 100 remarkable photographs and many maps, New Brunswick, New Jersey explores the history of the city since the seventeenth century, with an emphasis on the dramatic changes of the past few decades. Using oral histories, archival materials, census data, and surveys, authors David Listokin, Dorothea Berkhout, and James W. Hughes illuminate the decision-making and planning process that led to New Brunswick’s dramatic revitalization, describing the major redevelopment projects that demonstrate the city’s success in capitalizing on funding opportunities. These projects include the momentous decision of Johnson & Johnson to build its world headquarters in the city, the growth of a theater district, the expansion of Rutgers University into the downtown area, and the destruction and rebuilding of public housing. But while the authors highlight the positive effects of the transformation, they also explore the often heated controversies about demolishing older neighborhoods and ask whether new building benefits residents. Shining a light on both the successes and failures in downtown revitalization, they underscore the lessons to be learned for national urban policy, highlighting the value of partnerships, unwavering commitment, and local leadership. Today, New Brunswick’s skyline has been dramatically altered by new office buildings, residential towers, medical complexes, and popular cultural centers. This engaging volume explores the challenges facing urban America, while also providing a specific case study of a city’s quest to raise its economic fortunes and retool its economy to changing needs.

Freedom's Captives offers a compelling, narrative-driven history of the gradual abolition of slavery in the majority-black Colombian Pacific.