HANNIBAL THE CONQUEROR is the greatest military strategist to ever come out of Africa! And come out of Africa he did...with sword swinging! Hannibal is the only general ever to INVADE the mighty ROMAN EMPIRE and come away smiling! Now see how and why: • The 99 "TRUTHS" that make up HANNIBAL's BLACK ART OF WAR have been compared to the classic writings of history's other great WARRIORS & STRATEGISTS: SUN TZU (The Art of War), Japan's Samurai swordmaster Miyamoto Musashi (A Book of Five Rings), and MACHIAVELLI (The Prince). • Down through the ages Hannibal's victories have helped inspire the conquest and cunning of other African heroes and conquerors from KING ANTAR; QUEEN CLEOPATRA of Egypt; PRINCE JUGURTHA, slave revolt leader NAT TURNER, and African Emperors SHAKA ZULU and HAILE SALLASIE! • Still today, HANNIBAL'S 99 TRUTHS continue to inspire the wit and wisdom and winning strategies of MODERN-DAY MOVERS & SHAKERS, ENTREPRENEURS, SPORTS STARS & ENTERTAINERS: from Malcolm X and Muhammad Ali, to modern-day generals like Colin Powell. •Here in his "99 TRUTHS" are revealed Hannibal's thoughts and strategies on: How to MAKE YOURSELF STRONGER & SMARTER ***** How to GATHER & USE INTELLIGENCE ***** The Truth about ENEMIES & AMBITION ***** The truth about PEACE...and How to Make WAR! ***** The Truth about HONOR and When and How to take REVENGE! ***** The Truth about the Nature of People ***** The Truth about Nature of The Gods ***** The importance of FAMILY & FRIENDS (Why it's important to have a good "POSSE"!) ***** Finding LOVE...and not letting DEATH find YOU!

Sun Tzu's The Art of War is still one of the world's most influential treatises on strategic thought. Applicable everywhere from the boardroom to the bedroom, from the playing field to the battlefield, its wisdom has never been more highly regarded. Now available in its complete form, including the Chinese characters and English text, this essential examination of the art of strategic thinking features extensive commentary and an insightful historical introduction written by Lionel Giles, its original translator. This new edition includes an all-new introduction by the scholar of ancient Chinese literature, John Minford.

An account of the decade-long conflict between humankind and hordes of the predatory undead is told from the perspective of dozens of survivors who describe in their own words the epic human battle for survival, in a novel that is the basis for the June 2013 film starring Brad Pitt. Reissue. Movie Tie-In.

Many of war's lethal failures are attributable to ignorance caused by a dearth of contemporary, accessible theory to inform warfighting, strategy, and policy. To remedy this problem, Colonel Geoffrey F. Weiss offers an ambitious new survey of war's nature, character, and future in the tradition of Sun Tzu and Clausewitz. He begins by melding philosophical and military concepts to reveal war's origins and to analyze war theory's foundational ideas. Then, leveraging science, philosophy, and the wisdom of war's master theorists, Colonel Weiss presents a genuinely original framework and lexicon that characterizes and clarifies the relationships between humanity, politics, strategy, and combat; explains how and why war changes form; offers a methodology for forecasting future war; and ponders the permanence of war as a human activity. The New Art of War is an indispensable guide for understanding human conflict that will change how we think and communicate about war.

An informed modern plan for post-2020 American foreign policy that avoids the opposing dangers of retrenchment and overextension Russia and China are both believed to have "grand strategies"--detailed sets of national security goals backed by means, and plans, to pursue them. In the United States, policy makers have tried to articulate similar concepts but have failed to reach a widespread consensus since the Cold War ended. While the United States has been the world's prominent superpower for over a generation, much American thinking has oscillated between the extremes of isolationist agendas versus interventionist and overly assertive ones. Drawing on historical precedents and weighing issues such as Russia's resurgence, China's great rise, North Korea's nuclear machinations, and Middle East turmoil, Michael O'Hanlon presents a well-researched, ethically sound, and politically viable vision for American national security policy. He also proposes complementing the Pentagon's set of "4+1" pre-existing threats with a new "4+1" biological, nuclear, digital, climatic, and internal dangers.

'Benjamin Duterrau and his National picture project are at the core of this publication because he was the colonial artist most interested in Tasmania's Aboriginal people, and the only artist who chose to depict, on a substantial scale, their conciliation or pacification by George Augustus Robinson', writes Tim Bonyhady and Greg Lehman in their introduction to The National Picture: The Art of Tasmania's Black War. The fresh research presented by Bonyhady and Lehman in this insightful new book from the National Gallery of Australia will no doubt tantalise art lovers and historians alike. It will also appeal to anyone interested in Australia's colonial past and in the ongoing interrogation of the historical record by Aboriginal artists and activists. Bonyhady and Lehman's introduction continues: 'For Tasmanian Aboriginal people today, Duterrau's paintings provide a tantalising and rare visual record of the unique culture practice of their ancestors. Robinson's journals offer written descriptions of activities, such as spear-making and throwing, kangaroo hunting and ceremonial dance, accompanied by only a scattering of small, often crude sketches, which are vitally important firsthand observations'. This publication serves to conjure up and interrogate Tasmania's colonial past. Colonial representations of Tasmanian Aboriginal people are among the most remarkable and contentious expressions of Australian colonial art. The National Picture sheds new light on the under-examined figures in this difficult narrative: colonial artist Benjamin Duterrau, the controversial George Augustus Robinson and the Tasmanian Aboriginal people upon whose land the British settled.