'The whistling had started on their first night. At first, Layah thought it was bird song - a high thin sound which became a melody, rising and falling. And each night, it returned.' Strange things have been happening to Layah and her younger sister, Izzie, ever since their mother dragged them to a rain-soaked cottage miles from anywhere in the Lake District: there is a peculiar whistling at night, a handful of unusual feathers appear and a sudden, frightening banging at the door. And their mother is behaving very oddly. Layah is mourning the loss of her dear grandmother in Poland - and can almost hear her voice telling her the old myths, legends and fairy tales from that place. And as the holiday takes on a dark twist, Layah begins to wonder if the myths might just be real.

"A delightful board book introducing 12 of the most common woodland birds complete with high-quality sound bar, which conforms to regional safety standards. There are general introductions to the birds plus data profiles, fascinating facts and beautiful photographs. Its sturdy board book format makes it suitable for children aged 3 and upwards but it is actually something for the whole family to treasure and enjoy."--

Is birdsong music? The most frequent answer to this question in the Middle Ages was resoundingly "no." In Sung Birds, Elizabeth Eva Leach traces postmedieval uses of birdsong within Western musical culture. She first explains why such melodious sound was not music for medieval thinkers and then goes on to consider the ontology of music, the significance of comparisons between singers and birds, and the relationship between art and nature as enacted by the musical performance of late-medieval poetry. If birdsong was not music, how should we interpret the musical depiction of birdsong in human music-making? What does it tell us about the singers, their listeners, and the moral status of secular polyphony? Why was it the fourteenth century that saw the beginnings of this practice, continued to this day in the music of Messiaen and others?Leach explores medieval arguments about song, language, and rationality whose basic terms survive undiminished into the present. She considers not only lyrics that have their singers voice the songs or speech of birds but also those that represent other natural, nonmusical, sounds such as human cries or the barks of dogs. The dangerous sweetness of birdsong was invoked in discussions of musical ethics, which, because of the potential slippage between irrational beast and less rational woman in comparisons with rational human masculinity, depict women's singing as less than fully human. Leach's argument comes full circle with the advent of sound recording. This technological revolution-like its medieval equivalent, the invention of the music book-once again made the relationship between music and nature an acute preoccupation of Western culture.

'The whistling had started on their first night. At first, Layah thought it was bird song - a high thin sound which became a melody, rising and falling. And each night, it returned.' Strange things have been happening to Layah and her younger sister, Izzie, ever since their mother dragged them to a rain-soaked cottage miles from anywhere in the Lake District: there is a peculiar whistling at night, a handful of unusual feathers appear and a sudden, frightening banging at the door. And their mother is behaving very oddly. Layah is mourning the loss of her dear grandmother in Poland - and can almost hear her voice telling her the old myths, legends and fairy tales from that place. And as the holiday takes on a dark twist, Layah begins to wonder if the myths might just be real.

Listen to birds sing as you’ve never listened before, as the world-renowned birdsong expert Donald Kroodsma takes you on personal journeys of discovery and intrigue. Read stories of wrens and robins, thrushes and thrashers, warblers and whip-poor-wills, bluebirds and cardinals, and many more bird. Learn how each acquires its songs, how songs vary from bird to bird and place to place, how some birds' singing is especially beautiful or ceaseless or complex, how some do not sing at all, how the often quiet female has the last word, and why. Hear a baby wren and the author’s own daughter babble as each learns its local dialect. Listen to the mockingbird by night and by day and count how many different songs he can sing. Marvel at the exquisite harmony in the duet of a wood thrush as he uses his two voice boxes to accompany himself. Feel the extraordinary energy in the songs just before sunrise as dawn’s first light sweeps across this singing planet. Hear firsthand the unmistakable evidence that there are not one but two species of marsh wrens and two species of winter wrens in North America. Learn not only to hear but to see birds sing in the form of sonagrams, as these visual images dance across the pages while you listen to the accompanying audio. Using your trained ears and eyes, you can begin your own journeys of discovery. Listen anew to birds in your backyard and beyond, exploring the singing minds of birds as they tell all that they know. Join Kroodsma not only in identifying but in identifying with singing birds, connecting with nature’s musicians in a whole new way. Please note: this ebook includes embedded audio files. You will only be able to access these files from a device that supports embedded audio.

Here is a book as joyous and painful, as mysterious and memorable, as childhood itself. I Know Why the Caged Bird Sings captures the longing of lonely children, the brute insult of bigotry, and the wonder of words that can make the world right. Maya Angelou’s debut memoir is a modern American classic beloved worldwide. Sent by their mother to live with their devout, self-sufficient grandmother in a small Southern town, Maya and her brother, Bailey, endure the ache of abandonment and the prejudice of the local “powhitetrash.” At eight years old and back at her mother’s side in St. Louis, Maya is attacked by a man many times her age—and has to live with the consequences for a lifetime. Years later, in San Francisco, Maya learns that love for herself, the kindness of others, her own strong spirit, and the ideas of great authors (“I met and fell in love with William Shakespeare”) will allow her to be free instead of imprisoned. Poetic and powerful, I Know Why the Caged Bird Sings will touch hearts and change minds for as long as people read. “I Know Why the Caged Bird Sings liberates the reader into life simply because Maya Angelou confronts her own life with such a moving wonder, such a luminous dignity.”—James Baldwin From the Paperback edition.

"In this elegant narrative, celebrated naturalist Ted Floyd guides you through a year of becoming a better birder. Choosing 200 top avian species to teach key lessons, Floyd introduces a new, holistic approach to bird watching and shows how to use the tools of the 21st century to appreciate the natural world we inhabit together whether city, country or suburbs." -- From book jacket.