A top-selling organ music book. Edited and arranged by E. Power Biggs (1906-1977). Includes a biographical sketch of the very influential Mr. Biggs. Titles: Adagio (for the Glass Harmonica or Musical Glasses) (W. A. Mozart) * All Glory Be to God on High (Festival Prelude for Organ) (J. S. Bach) * Andante (from Concerto No. 3 in B-flat) (W. Felton) * Prelude on Ave Verum Corpus (W. A. Mozart) * A Christmas Pastorale (from The Christmas Concerto) (G. Valentini) * The Cuckoo (L. C. d'Aquin) * The Emperor's Fanfare (from Sixth Double Concerto) (A. Soler) * The Faithful Shepherd (Pastorale) (G. F. Handel) * The Fifers (F. Dandrieu) * Firework Music (Suite from the Music for the Royal Fireworks) (G. F. Handel) * Fugue in C Major (The "Fanfare" Fugue) (J. S. Bach) * God's Time Is the Best (Sinfonia to Cantata No. 106) (J. S. Bach) * I Stand at the Threshold (Sinfonia to Cantata No. 156) (J. S. Bach) * Jesu, Joy of Man's Desiring (from Cantata No. 147) (J. S. Bach) * The Musical Clocks (from a Suite of Twelve Pieces) (F. J. Haydn) * Offertoire for Easter (On the Melody "O Filii et Filiae") (F. Dandrieu) * Sheep May Safely Graze (In G) (from Cantata No. 208 -- The "Birthday Cantata") (J. S. Bach) * The Shepherds at the Manger (from the Piano Suite "The Christmas Tree") (F. Liszt) * Sinfonia, Chorale and Variation (from the Easter Cantata -- No. 4 -- "Christ Lay in Death's Dark Prison") (J. S. Bach) * Slow Movement (from Concerto in D Minor) (A. Vivaldi/J. S. Bach) * A Solemn Prelude (from Cantata No. 21 -- "Sighing, Weeping, Sorrow, Need") (J. S. Bach) * The Trophy (F. Couperin). "Minuet Finale from Firework Music," "Overture from Firework Music," and "Rejoicing from Firework Music" are Federation Festivals 2016-2020 selections.

A top-selling organ music book. Edited and arranged by E. Power Biggs (1906-1977). Includes a biographical sketch of the very influential Mr. Biggs. Titles: * Adagio for the Glass Harmonica or Musical Glasses (W.A. Mozart) * All Glory Be To God On High (Festival Prelude for Organ) (J.S. Bach) * Andante from Concerto No. 3 in B-flat * Prelude on Ave Verum Corpus (W.A. Mozart) * A Christmas Pastorale from The Christmas Concerto (G. Valentini) * The Cuckoo (L.C. d’Aquin) * The Emperor’s Fanfare from Sixth Double Concerto (A. Soler) * The Faithful Shepherd (Pastorale) (George Frideric Handel)* The Fifers (F. Dandrieu) * Firework Music (Suite from the Music for the Royal Fireworks) (George Frideric Handel) * Fugue in C Major, The "Fanfare" Fugue (J.S. Bach) * God’s Time is the Best (Sinfonia to Cantata No. 106) (J.S. Bach) * I Stand at the Threshold (Sinfonia to Cantata No. 156) (J.S. Bach) * Jesu, Joy of Man’s Desiring (from Cantata No. 147) (J.S. Bach) * The Musical Clocks (from a Suite of Twelve Pieces) ( F.J. Haydn) * Offertoire for Easter (On the Melody "O Filii et Filiae") (F. Dandrieu) * Sheep May Safely Graze (In G) (From Cantata No. 208 -- The "Birthday Cantata") (J.S. Bach) * The Shepherds At The Manger (From the Piano Suite "The Christmas Tree) (F. Liszt) * Sinfonia, Chorale and Variation (From the Easter Cantata -- No. 4 -- "Christ Lay in Death’s Dark Prison) (J.S. Bach) * Slow Movement from Concerto in D Minor (A. Vivaldi/J.S. Bach) * A Solemn Prelude (From Cantata No. 21 -- "Sighing, Weeping, Sorrow, Need) (J.S. Bach) * The Trophy (F. Couperin)

This arrangement of Bach's timeless "Jesu, Joy of Man's Desiring" is perfect for students at the late intermediate level. It has been carefully crafted for two pianos, eight hands by Mack Wilberg---composer, arranger, conductor, choral clinician, and director of the Mormon Tabernacle Choir.

(Organ Folio). A baker's dozen of John Williams' masterful themes for Star Wars movies in grand arrangements for organ: Across the Stars (Love Theme from Attack of the Clones ) * Cantina Band * Duel of the Fates * Farewell and the Trip * The Imperial March (Darth Vader's Theme) * Luke and Leia * March of the Resistance * May the Force Be with You * Princess Leia's Theme * Rey's Theme * Star Wars (Main Theme) * The Throne Room (And End Title) * Yoda's Theme.

Influenced by Robert and Clara Schumann and Joseph Joachim, Johannes Brahms not only learned to play the organ at the beginning of his career, but also wrote significant compositions for the instrument as a result of his early counterpoint study. He composed for the organ only sporadically or as part of larger choral and instrumental works in his subsequent career. During the final year of his life, however, he returned to pure organ composition with a set of chorale preludes--though many of these are thought to have been revisions of earlier works. Today, the organ works of Johannes Brahms are recognized as beautifully-crafted compositions by church and concert organists across the world and have become a much-cherished component of the repertoire. Until now, however, most scholarly accounts of Brahms's life and work treat his works for the organ as a minor footnote in his development as a composer. Precisely because the collection of organ works is not extensive, the pieces--composed at different times during Brahms's lifetime--help to map his path as a composer, pinpointing various stages in his artistic development. In this volume, Barbara Owen offers the first in-depth study of this corpus, considering Brahms's organ works in relation to his background, methods, and overall artistic development, his contacts with organs and organists, the influence of his predecessors and contemporaries, and analyses of each specific work and its place in Brahms's career. Her expert history and analysis of Brahms's individual organ works and their interpretation also investigates contemporary practices relative to the performance of these pieces. The book's three valuable appendices present a guide to editions of Brahms's organ works, a discussion of the organ in Brahms's world that highlights some organs the composer would have heard, and a listing of the organ transcriptions of Brahms's work. Blending unique insights into composition and performance practice, this book will be read eagerly by performers, students, and scholars of the organ, Brahms, and the music of the Nineteenth Century.