This book provides one of the first comprehensive discussions of contemporary landscape architecture practice across the Asian region. Bringing together established designers, writers, and thinkers with those of the new generation, Jillian Walliss and Heike Rahmann explore what it means to design, do business, and think about nature, space, and urbanism with an Asian sensibility. Through a tripartite structure of Continuum, Interruption, and Speed, The Big Asian Book of Landscape Architecture develops ways for conceiving design around these three characteristics that simultaneously influence an Asian practice. A dynamic structure allows readers to dip into content, rather than progress in a linear manner. Each section begins with a positioning essay, which offer theoretical, cultural, and political contextualisation for the more focused academic writing, shorter reflections, practice interviews, photo essays and design projects which are interwoven in a unique graphic design. Featuring over eighty design projects, The Big Asian Book of Landscape Architecture's significance extends well beyond Asia, offering fresh perspectives for a field that has traditionally been dominated by North American and European influences.

This volume provides an in-depth historical overview of graphic and visual communication styles, techniques, and outputs from key landscape architects over the past century. Representing Landscapes: One Hundred Years of Visual Communication offers a detailed account of how past and present landscape architects and practitioners have harnessed the power of visualization to frame and situate their designs within the larger cultural, social, ecological, and political milieux. The fifth book in the Representing Landscapes series, the presentations contained within each of the 25 chapters of this work are not merely drawings and illustrations but are rather graphic touchstones whose past and current influence shapes how landscape architects think and operate within the profession. This collected volume of essays gathers notable landscape historians, scholars, and designers to offer their insights on how the landscape has been presented and charts the development and use of new technologies and contemporary theory to reveal the conceptual power of the living medium of the larger landscape. Richly detailed with over 220 colour and black and white illustrations from some of the discipline’s best-known landscape architects and designers, this work is a ‘must-have’ for those studying contemporary landscape design or those fascinated by the profession’s history.

The theme is related to “Large Parks on Post-industrial Sites in Contemporary Urban Landscape Conceptions”, which is expounded in the fields of landscape architecture, landscape ecology and urban planning. A worldwide perspective is created so as to conduct cross-cultural research on the theories and practices of large-scale urban parks in North America, Germany and China. Through the scientific approach of ‘critical rationalism’, three design paradigms of large parks in different conceptions of contemporary urban landscapes are formulated based on quantitative and qualitative analysis, which are classified as the organic parks of North American ‘landscape urbanism’, the structural parks of German ‘landscape structuralism’ and the large parks of Chinese ‘urban inventory renewal’. By means of critical thinking in diverse cultural interpretations, the research aims to reveal remarkable similarities and differences between the cultures in the Western world according to their understanding of landscapes (coherent vs. creative), landscape and ecology (representation vs. metaphor), and landscape and life (diversity vs. unpredictability). Through theoretical analysis and case studies, it demonstrates that the international park paradigms characterised by complexity, diversity, sustainability, appropriation and identity can influence various socio-cultural, ecological, and aesthetic developments. Finally, the analytical results of the two park paradigms in Western countries are adopted in the examination of landscape architectural park models and urbanistic theoretical frameworks in China. This monograph is written primarily for scholars, professionals and students in the fields of landscape architecture, urban planning and architecture. The book, involving in-depth analysis about urban parks, green open spaces, green infrastructure and post-industrial landscapes, will have international appeal. It will appeal to readers at different levels. Above all, it may be of interest to professionals who are concerned with the topics urban parks and post-industrial landscapes, as well as Chinese scholars and experts, particularly those looking at China’s urban renewal and the ongoing transformation of post-industrial sites at different scales. This book will have strong implications for relevant urban landscape practices in China. Furthermore, it will be supported by the author’s colleagues from various countries such as Germany, Italy, USA, Canada, Brazil and China. Moreover, students to whom the author teaches courses of Landscape Architecture History and Theory and Landscape Planning and Design at BUCEA, as well as the international students at Collaborative Classes organized by BUCEA, TUM, and POLIMI (Politecnico di Milano, Italy), are encouraged to read this book.

This handbook provides the most comprehensive examination of Asian cities—developed and developing, large and small—and their urban development. Investigating the urban challenges and opportunities of cities from every nation in Asia, the handbook engages not only the global cities like Shanghai, Tokyo, Singapore, Seoul, and Mumbai but also less studied cities like Dili, Malé, Bandar Seri Begawan, Kabul, and Pyongyang. The handbook discusses Asian cities in alignment to the United Nations’ New Urban Agenda and Sustainable Development Goals in order to contribute to global policy debates. In doing so, it critically reflects on the development trajectories of Asian cities and imagines an urban future, in Asia and the world, in the post-sustainable, post-global, and post-pandemic era. Presenting 43 chapters of original, insightful research, this book will be of interest to scholars, practitioners, students, and general readers in the fields of urban development, urban policy and planning, urban studies, and Asian studies.

"Made Wijaya guides readers through fantastically imagined and designed, stylistically diverse outdoor environments exploring various theories of Modernism and its current expressions."--Veranda

In the twenty-first century, infrastructure has undergone a seismic shift from West to East. Once concentrated in Europe and North America, global infrastructure production today is focused squarely on Asia. Infrastructure and the Remaking of Asia investigates the deeper implications of that pivot to the East. Written by leading international infrastructure experts, it demonstrates how new roads, airports, pipelines, and cables are changing Asian economies, societies, and geopolitics—from the Bosporus to Beijing, and from Indonesia to the Arctic. Ten tightly interwoven case studies powerfully illustrate infrastructure’s leading role in three global paradigm shifts: climate change, digitalization, and China’s emergence as a superpower. Combining social science methods with mapping techniques from the design professions, Infrastructure and the Remaking of Asia establishes a dialogue between academic research on infrastructure and the professional insights of those responsible for infrastructure’s planning, production, and operation. By applying that mixed method to transport, energy, telecommunication, and resource extraction projects across Asia, the book synthesizes research on infrastructure from six academic fields, while making those insights accessible to a wider audience of students, professionals, and the general public. For links to the open-access PDF and EPUB editions, chapter downloads, and detailed information, visit the project website: https://infrastructureasia.net/.