William Wyler's The Best Years of Our Lives (1946) tells the story of three veterans returning from World War II and adjusting to civilian life in a manner unusual for classical Hollywood cinema, with melodrama leavened by authentic detail, personal memories and a fierce desire to capture its historical moment. Sarah Kozloff's illuminating study of the film traces the contribution of Wyler (himself injured while serving in the US Air Force), Robert Sherwood's screenplay, Gregg Toland's deep-focus cinematography, Hugo Friedhofer's award-winning score, and the ensemble cast of Myrna Loy, Fredric March, Dana Andrews, Teresa Wright and Harold Russell. The film's poignant message spoke to American audiences reeling from the end of the conflict and the bumpy transition to peace: producer Samuel Goldwyn received hundreds of letters from ex-servicemen about how accurately his production had captured their experiences. Despite winning nine Academy Awards, Best Years was soon engulfed in political conflict from both the right and the left. Disagreements about the film's politics foreshadowed HUAC's anti-Communist investigations and the fracturing of the Hollywood community that culminated in the collapse of the studio system. Sarah Kozloff's discussion of the film's development, production and reception history draws on archival research to shed new light on our understanding of this much-loved movie, and to bring The Best Years of Our Lives back where it belongs: in our collections, in our libraries, and in our hearts.

A rocking, uproarious memoir that tells the story of OzRock as well as one amazing life in music. Fasten your seatbelts for one wild ride! Welcome to the party that never ends. When he was 16 he inveigled his way into a Sydney hotel to hang out with the Rolling Stones. From that day on, Richard Clapton knew he was going to be a rock star. It's now almost 50 years since that fateful day -years filled with a lifetime of incredible experiences, outrageous good times and a catalogue of iconic and timeless songs. Through the glory years of rock'n' roll, in cities as varied as London, Berlin, Sydney, Los Angeles and Paris, Richard forged his own career and built up a significant body of work while living, loving and partying with the biggest names in the Australian and international music world. By his own frank admission, these were years fuelled by prodigious quantities of alcohol and drugs, set against a backdrop of constant recording and touring, of endless partying and wild times. It was to be a rollercoaster ride of euphoric highs and deep, shattering lows. For 40 years, Richard Clapton has been, above all else, a songwriter-a wry observer of human behaviour and an astute commentator on the Australian condition. His best songs- 'Deep Water', 'The Best Years of Our Lives', 'Goodbye Tiger', 'Glory Road', 'Lucky Country', 'Girls on the Avenue', 'Trust Somebody' and 'Capricorn Dancer'-capture the essence of this country and the meaning of our lives like few others. In this extraordinary memoir, Richard employs his songwriter's keen powers of observation, portraiture and storytelling to tell the best story of all: the remarkable one of his own life. Outrageous, funny, insightful and poignant, this is the rock memoir to beat them all. In celebration of 40 years of fabulous music and iconic songs, welcome to The Best Years of Our Lives.

Days of Our Lives A Celebration in Photos Days of our Lives 45 years a celebration in photos is an unprecedented photographic journey behind the scenes of the longest-running scripted program in NBC's history, Days of our Lives. Including both vintage and recent behind-the-scenes photos, this book showcases the beautiful cast, dedicated crew, and familiar sets of a television icon that continues to this day to bring the beloved world of Salem to its loyal viewers. Beginning with rare black-and-white historical photos and including a wealth of new never-before-seen full-color photos, this is a spectacular tour of over 250 pages of the cast, crew, sets, and styling from 1965 to 2010 that create the magic behind the show. Welcome to an unparalleled peek into the TV magic of creating Days of our Lives-a blast fromthe past all the way to the stars of today, with a glimpse of what's to come. "What began as a dream of my parents, Ted and Betty Corday, 45 years ago has become one of the most beloved shows on television. Days of our Livesis not just part of my family; it is also part of America's family. This book is a beautiful and unparalleled photographic celebration of Days of our Lives today." KEN CORDAY EXECUTIVE PRODUCER "What a wonderful celebration of 45 years of hard work, dedication, love, and family. I am honored to be part of television history and excited to share a glimpse of our world with our fans." KRISTIAN ALFONSO "HOPE" "I am so excited that this beautiful book will offer our family of Daysfans a special behind-the-scenes tour. This book is an amazing celebration in photos." ALISON SWEENEY "SAMI"

MACKINLAY KANTOR Pulitzer Prize-winning author of Andersonville GLORY FOR ME A Novel in Verse By MacKinlay Kantor BASIS FOR THE MOVIE THE BEST YEARS OF OUR LIVES It is seldom in time of war that an au­thor, no matter how emotionally aware of what it all means, can write a book which expresses the feeling that moti­vates fighting men. Why did it happen this way, why is it ending this way— what are we now that it is done with, now that we are home? Indeed, are we home, or are we in a boarding-house of confusion and wretchedly defeated purposes and understandings? MacKinlay Kantor is one of Amer­ica's best-known novelists. It might be said that if any author could write that book Kantor would be the one for the job, but it takes more than mere professional writing skill to achieve such a major accomplishment. It takes awareness born of action and danger and keenly felt knowledge. Such knowl­edge MacKinlay Kantor has found, and in his novel of war and its men, Glory for Me, he has wholly expressed it. Well above the draft age, and physi­cally unacceptable to the armed forces, Kantor intensely felt the need to join his younger fellows in some way; in some way he had to be a part of the danger, the horror, the glory of this war. He found his opportunity as a war correspondent. As such, based in Eng­land, he flew in combat with the U. S. Air Forces and the R.A.F. over enemy territory into flak and fire. As such he learned to know the fighting men whose constant companion, friend and fellow-in-war he was for many months. For the equivalent of a leave Kantor came back to the United States, and what filled his mind and his heart and his thoughts had to find expression in a book, which is Glory for Me. Glory for Me is a simple novel—about three service men, honorably dis­charged for medical causes, who re­turn home to the same town where in peacetime they had not known one an­other. Now they know one another, and through them we know them and their town and our country and war and peace and man. Glory for Me is a national epic, told in language of the common man, in language of the poet: told as only an American could tell it.

Now a Netflix original documentary series, also written by Mark Harris: the extraordinary wartime experience of five of Hollywood's most important directors, all of whom put their stamp on World War II and were changed by it forever Here is the remarkable, untold story of how five major Hollywood directors—John Ford, George Stevens, John Huston, William Wyler, and Frank Capra—changed World War II, and how, in turn, the war changed them. In a move unheard of at the time, the U.S. government farmed out its war propaganda effort to Hollywood, allowing these directors the freedom to film in combat zones as never before. They were on the scene at almost every major moment of America’s war, shaping the public’s collective consciousness of what we’ve now come to call the good fight. The product of five years of scrupulous archival research, Five Came Back provides a revelatory new understanding of Hollywood’s role in the war through the life and work of these five men who chose to go, and who came back. “Five Came Back . . . is one of the great works of film history of the decade.” --Slate “A tough-minded, information-packed and irresistibly readable work of movie-minded cultural criticism. Like the best World War II films, it highlights marquee names in a familiar plot to explore some serious issues: the human cost of military service, the hypnotic power of cinema and the tension between artistic integrity and the exigencies of war.” --The New York Times

The instant New York Times bestseller and publishing phenomenon: Marina Keegan’s posthumous collection of award-winning essays and stories “sparkles with talent, humanity, and youth” (O, The Oprah Magazine). Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York Fringe Festival and a job waiting for her at The New Yorker. Tragically, five days after graduation, Marina died in a car crash. Marina left behind a rich, deeply expansive trove of writing that, like her title essay, captures the hope, uncertainty, and possibility of her generation. Her short story “Cold Pastoral” was published on NewYorker.com. Her essay “Even Artichokes Have Doubts” was excerpted in the Financial Times, and her book was the focus of a Nicholas Kristof column in The New York Times. Millions of her contemporaries have responded to her work on social media. As Marina wrote: “We can still do anything. We can change our minds. We can start over…We’re so young. We can’t, we MUST not lose this sense of possibility because in the end, it’s all we have.” The Opposite of Loneliness is an unforgettable collection of Marina’s essays and stories that articulates the universal struggle all of us face as we figure out what we aspire to be and how we can harness our talents to impact the world. “How do you mourn the loss of a fiery talent that was barely a tendril before it was snuffed out? Answer: Read this book. A clear-eyed observer of human nature, Keegan could take a clever idea...and make it something beautiful” (People).

In this paperbound reprint of a 1999 work, Danly (composer and film music historian) tells the story of Hugo Friedhofer, who began his career as a film composer at the start of the sound era and was a major contributor to the artistic development of this genre of music. The chapters consist of an introduction by television producer and author Tony Thomas, a portrait of Friedhofer by Danly, an oral history drawn from an American Film Institute interview, his correspondence with film music critic Page Cook, a memoir by his friend, music journalist Gene Lees, and the memorial speech delivered by film composer David Raskin. Several b & w photographs are included. Annotation copyrighted by Book News, Inc., Portland, OR