Since publishing A Woman’s World in 1995, Travelers’ Tales has been the recognized leader in women’s travel literature, and with the launch of the annual series The Best Travel Writing in 2004, the obvious next step was an annual collection of the best women’s travel writing of the year. This title is the seventh in an annual series—The Best Women’s Travel Writing—that presents inspiring and uplifting adventures from women who have traveled to the ends of the earth to discover new places, peoples, and facets of themselves. The common threads are a woman’s perspective and compelling storytelling to make the reader laugh, weep, wish she were there, or be glad she wasn’t. In The Best Women's Travel Writing 2011, readers Have lunch with a mobster in Japan and drinks with an IRA member in Ireland Learn the secrets of flamenco in Spain and the magic of samba in Brazil Deliver a trophy for best testicles in a small town in rural Serbia Fall in love while riding a camel through the Syrian Desert Ski a first descent of over 5,000 feet in Northern India Discover the joy of getting naked in South Korea Leave it all behind to slop pigs on a farm in Ecuador...and much more.

Since publishing the original edition of A Woman’s World in 1995, Travelers’ Tales has been the recognized national leader in women’s travel literature, and with the launch of the annual series The Best Travel Writing in 2004, the obvious next step was an annual collection of the best women’s travel writing of the year. This title is the tenth in that series—The Best Women’s Travel Writing—presenting stimulating, inspiring, and uplifting adventures from women who have traveled to the ends of the earth to discover new places, peoples, and facets of themselves. The common threads connecting these stories are a female perspective and fresh, compelling storytelling to make the reader laugh, weep, wish she were there, or be glad she wasn’t. The points of view and perspectives are global, and themes are as eclectic as in all of our books, including stories that encompass spiritual growth, hilarity and misadventure, high adventure, romance, solo journeys, stories of service to humanity, family travel, and encounters with exotic cuisine.

This 12th volume in the popular series presents the best travel writing by women for women that's been done in the past few years. Adventures range from a trip into a new neighborhood to expeditions to the far corners of the globe, always with the inner journey close at hand to give perspective and meaning. The voices are diverse, intimate, and engaging, as are the stories.

In The Best Women’s Travel Writing, Volume 10: True Stories from Around the World, thirty celebrated and emerging writers invite you to ride shotgun as they travel the globe to discover new places, people, and facets of themselves. The essays are as diverse as the destinations, the common thread being fresh, compelling storytelling that will make you laugh, weep, wish you were there, or thank your lucky stars you weren’t. The Best Women’s Travel Writing speaks to the reasons why we travel—and how travel changes our lives. In The Best Women’s Travel Writing, Volume 10: True Stories from Around the World, you’ll: Study the ancient art of belly dancing in Egypt Go day-drinking with a sea captain in Croatia Scuba dive through an underground cave in Mexico Run from massive exploding balloons in Burma Embed with the military in Afghanistan Experience a different kind of time in Argentina Go dogsledding in Finland Confront heartache, pain, and a deadly creature in Indonesia Negotiate with smugglers in Mongolia Marry a stranger at Burning Man ... and much, much more.

This is the fifth volume in the series launched in 2004 to celebrate the world's best travel writing, much of it never before published, from Novel Prize winners to up-and-coming new writers. The stories provide a perspective and depth of understanding that can only come from people who have actually been there.

This anthology aims to challenge stereotypes of women travellers. Rather than simply presenting writings by Victorian women who travelled bravely around the world disregarding social convention and danger, the editors present a range of writing and possible ways of being a woman traveller. As well as the 'eccentric' woman traveller, the editors have included writings by those who might be seen as failed travellers, cautious and conventional travellers and those who did not conform to the adventurous heroine stereotype. Because travelling as a woman and writing as a woman presents the author with a number of textual problems which must be negotiated, Foster and Mills have chosen to include writings which confronted these problems and which resolved them (or did not resolve them) in different ways.These textual problems include the depiction of other women, the representation of spatial relations, the negotiations undertaken in relation to the adventure heroine narrative and character and the position taken by the author in relation to the representation of knowledge. These issues are all crucial in relation to travel writing by women , and the women, whose writing has been collected together in this anthology have made bold decisions in relation to them.

From cross-dressing pirates to servants and slaves, women have played vital and often surprising roles in the navigation and cultural mapping of Caribbean territory. Yet these experiences rarely surface in the increasing body of critical literature on women s travel writing, which has focused on European or American women traveling to exotic locales as imperial subjects. This stellar collection of essays offers a contestatory discourse that embraces the forms of travelogue, autobiography, and ethnography as vehicles for women s rewriting of "flawed" or incomplete accounts of Caribbean cultures. This study considers writing by Caribbean women, such as the slave narrative of Mary Prince and the autobiography of Jamaican nurse Mary Seacole, and works by women whose travels to the Caribbean had enormous impacts on their own lives, such as Aphra Behn and Zora Neale Hurston. Ranging across cultural, historical, literary, and class dimensions of travel writing, these essays give voice to women writers who have been silenced, ignored, or marginalized.