From its launch in 2005 to its final issue in 2014, "Subterranean" magazine published stories by the leading lights of science fiction and fantasy literature. From Hugo and Nebula winners to Pulitzer and Booker Prize finalists to "New York Times" bestsellers, this anthology collects 30 pieces of "Subterranean's" best, representing diverse, breathtaking short fiction from today's modern masters. In "Last Breath" Joe Hill spins the tale of a man who collects the breaths of the dying for his haunting museum. Catherynne M. Valente's "White Lines on a Green Field" chronicles what might happen if Coyote became a small town high school quarterback. Karen Joy Fowler's "Younger Women" finds a woman confronting her daughter's new boyfriend, who happens to be a vampire. Visit the Twilight Zone via George R.R. Martin in the script "The Toys of Caliban." In Ted Chiang's "The Truth of Fact, the Truth of Feeling" the narratives of a journalist and a young man are told in contrast, both impacted by technology and literacy. And in Kelley Armstrong's "The Screams of Dragons" a boy is declared a changeling and things only get stranger from there. Other pieces visit far-flung space and intimate sick rooms, the futuristic pyramids of the rich and a jungle where a man-eating tiger stalks a village. "The Best of Subterranean," edited by William Schafer, is a must-have anthology that brings together more than 700 pages of stories as varied and distinguished as their authors, and which are utterly unforgettable.

Beneath the ice at the bottom of the Earth is a magnificent subterranean labyrinth, a place of breathtaking wonders—and terrors beyond imagining. A team of specialists led by archaeologist Ashley Carter has been hand-picked to explore this secret place and to uncover the riches it holds. But they are not the first to venture here—and those they follow did not return. There are mysteries here older than time, and revelations that could change the world. But there are also things that should not be disturbed—and a devastating truth that could doom Ashley and the expedition: they are not alone. With all the trademark elements that have made James Rollins a bestselling author around the world—pulse-pounding adventure, scientific intrigue, nail-biting suspense—Subterranean deserves a place in every thriller lover's collection. Even if you've read it before, you won't want to put this classic Rollins down.

In Subterranean Twin Cities, geologist, historian, and urban speleologist Greg Brick takes us on an adventurous, educational, and-thankfully-sanitary journey beneath the streets and into the myriad tunnels, caves, and industrial spaces that make up the Twin Cities' fascinating and surprisingly vast underground landscape. In this groundbreaking tour, the first of its kind of the Twin Cities, Brick mines the stories that lie below the city surface.

Tonsell-by-the-Stream, a sleepy little village outside of London, is suddenly swallowed down into the earth through the hellish machinations of an ancient, ominous force. At the behest of an extraordinary supernatural agent -- and in exchange for the life of his best friend -- down-and-out and amoral occultist John Constantine must venture deep into underground shadows to investigate this cataclysmic occurrence. But unbeknownst to Constantine, something beyond his worst nightmares awaits below -- the deadly and phantasmagorical realm of the Sunless . . . a terrifying world where the Gloomlord rules over all with a sadistic and merciless hand, and Tonsell-by-the-Stream was only his first target on the surface world. . . .

"Illustrations in the limited edition by J.K. Potter."

“I am Moscow’s underground son, the result of one too many nights on the town,” says Mbobo, the precocious twelve-year-old narrator of Hamid Ismailov’s The Underground. Born from a Siberian woman and an African athlete competing in the 1980 Moscow Olympics, Mbobo navigates the complexities of being a fatherless, mixed-raced boy in the Soviet Union in the years before its collapse, guided only by the Moscow subway system. Named one of the "ten best Russian novels of the 21st Century" (Continent Magazine), The Underground is Ismailov’s haunting tour of the Soviet capital, on the surface and beneath. Though deeply engaged with great Russian authors of the past—Dostoyevsky, Nabokov, and, above all, Pushkin—Ismailov is an emerging master of Russian writing that reflects the country’s diversity today. Reviews "Hamid Ismailov has the capacity of Salman Rushdie at his best to show the grotesque realization of history on the ground." —Literary Review "The dream of grandeur is more than justified by the artfulness of The Underground, which...create[s] the motifs of blackness, subterranean movement, and isolation that are the novel’s strongest effects." —Transitions Online Hamid Ismailov is an Uzbek journalist, writer, and translator who was forced to flee Uzbekistan in 1992 for the United Kingdom, where he now works for the BBC World Service. His works are still banned in Uzbekistan. His writing has been published in Uzbek, Russian, French, English, and other languages. He is the author of novels including Sobranie Utonchyonnyh, Le Vagabond Flamboyant, Two Lost to Life, The Railway, The Underground, A Poet and Bin-Laden and The Dead Lake; poetry collections including Sad (Garden) and Pustynya (Desert); and books of visual poetry Post Faustum and Kniga Otsutstvi. Carol Ermakova studied German and Russian language and literature and holds an MA in translation from Bath University. She first visited Russia in 1991. More recently, Ermakova spent two years in Moscow working as a teacher and translator. Carol currently lives in the North Pennines and works as a freelance translator.

"The Best of Elizabeth Bear contains 27 stories and novellas, many never before collected, that encompass an astonishing range of themes, settings, ideas and emotions. The collection opens with "Covenant," a tale of serial murder unlike any you have ever read, and closes with the extraordinary "Erase, Erase, Erase." The latter is a surrealist tour de force in which the unnamed narrator, a former cult member, reflects on her life, her nebulous but guilty past, and her constantly diminishing sense of self. In between these bookends are more than two dozen carefully crafted tales that never fail to resonate beyond the final page"--