Shows the best photos of the year in news events and special topics.

Ormond Gigli had an illustrious career as a photojournalist over the course of some 40 years and took many magnificent photographs-but one photograph has eclipsed all the others. It was a photograph he conceived for himself, without an editorial assignment. It is the incomparable "Girls in the Windows" of 1960. Girls in the Windows: And Other Stories is the first book to survey the work of Ormond Gigli and escorts the viewer behind the façade of that incredible photograph-to understand its genesis and to celebrate its remarkable achievement-in addition to creating a portal into the rest of Gigli's brilliant career. This beautifully illustrated volume showcases Gigli's celebrity and fashion photographs, and includes his innovative work in the worlds of theater, film, and dance, as well as his little-known travel photography and photojournalism. Gigli, a master of photo art direction, orchestrated his photo shoots like an accomplished film director, and his portraits are intimate and revealing as a result, his set work inventive and at times even playful. His engagement with his subjects was unparalleled, among whom are included Sophia Loren, Gina Lollobrigida, Anna Moffo, Anita Ekberg, Marcel Duchamp, Willem de Kooning, John F. Kennedy, Halston, Marlene Dietrich, Leslie Caron, Judy Garland, Liza Minnelli, Barbra Streisand, Laurence Olivier, Alan Bates, Richard Burton, Louis Armstrong, Miles Davis, and many more. Many of these images have not been widely seen since they were first published decades ago. In addition to the photographs, Gigli contributes his personal account of the making of many of the pictures, evoking long-ago encounters that resulted in such timeless images. This handsome volume highlights a significant body of work, captures a vital aspect of the great age of photojournalism, and places in context an iconic image of the postwar era at the height of its prosperity and on the verge of transformation.

Looks at the influence of journalistic photography on the world, from its beginnings in 1839 to the present, and discusses how it both reflected and changed American civilization and history

Volumes for 1977- include photographs selected from entries submitted to the 34th- annual Pictures of the Year Competition.

Digital Photojournalism is dedicated to instruction and theory of digital processes and tools for the study of photojournalism. Currently, the best-selling photojournalism textbooks provide only a chapter or two on digital issues and technology; Digital Photojournalism is an entire book on the subject. Co-authored by a photojournalism professor at the University of North Texas and an Assistant Managing Editor of Visuals for The Dallas Morning News, the book merges two worlds of photojournalism - the academic and the professional - and incorporates the information essential to both. The book covers current practices in the professional field such as transmitting and archiving - information that those interested in photojournalism will need to know as they pursue careers in the field. Legal and ethical issues are also discussed. For interested beginners in digital photojournalism.

DVD-ROM contains: Four documentaries featuring photojournalists at work.

Delving into the complexities of contemporary reportage, this book draws from moral philosophy and histories of photojournalism to understand the emergence of this distinct practice and discuss its evolution in a digital era. In arguing that the digitization of photography obliges us to radically challenge some of the traditional conceptions of press photography, this book addresses the historic opposition between artistic and journalistic photographs, showing and challenging how this has subtly inspired support for a forensic approach to photojournalism ethics. The book situates this debate within questions of relativism over what is ‘moral’, and normative debates over what is ‘journalistic’, alongside technical debates as to what is ‘possible’, to underpin a discussion of photojournalism as an ethical, moral, and societally important journalistic practice. Including detailed comparative analyses of codes of ethics, examination of controversial cases, and a study of photojournalism ethics as applied in different newsrooms, the book examines how ethical principles are applied by the global news media and explores the potential for constructive dialogue between different voices interested in pursuing the best version of photojournalism. A targeted, comprehensive and engaging book, this is a valuable resource for academics, researchers and students of photojournalism, as well as philosophy, communications and media studies more broadly.