A collection of the best of The Harvard Lampoon --the spawning ground for Hollywood's elite comedy writers and New Yorker humorists--revealing the hidden gems from their 140-year history. Since its inception in 1876, The Harvard Lampoon has become a farm system for Hollywood's best and most revered comedy writers. Lampoon alumni can be found behind the scenes of sitcoms and late-night shows, including Saturday Night Live , The Simpsons , The Office , 30 Rock , The Mindy Project , and many others. The Best of the Harvard Lampoon is the first anthology of The Lampoon 's extensive archives, featuring luminaries who have gone on to shape the comedy and literary landscape along with some of the best cartoons, illustrations, and satirical advertisements from over the years. Contributors include B.J. Novak, Henry Beard, Andy Borowitz, George Plimpton, Conan O'Brien, John Updike, Patricia Marx, and many others, with an introduction by New York Times bestselling author Simon Rich.

"... here is your chance to laugh and marvel at the work of one of America's finest artists and cartoonists. With a miraculous technique he captured not only the flavor of light America of the 1930's and early 1940's, but also a good deal of eternal man."--Back cover.

It’s the best of the worst: 293 of the funniest cartoons rejected by The New Yorker but luckily for us, now in paperback and available to enjoy. The Rejection Collection brings together some of The New Yorker’s brightest talents—Roz Chast, Gahan Wilson, Sam Gross, Jack Zeigler, David Sipress, and more—and reveals their other side. Their dark side. Their juvenile side. Their sick side. Their naughty side. Their outrageous side. And what a treat. Ventriloquist dummy cartoons. Operating room cartoons. Bring your daughter to work day cartoons (the stripper, the prison guard on death row). Lots of couples in bed, quite a few coffins, wise-cracking animals—an obsessive’s plumbing of the weird, the scary, the off-the-wall, and done so without restraint. Every week The New Yorker receives 500 cartoon submissions, and rejects a great majority—mostly, of course, for not being funny enough. There’s no question why these were rejected, and it’s not for lack of laughs. One can almost hear Eustace Tilley sniffing, We are not amused.

Since its establishment in 1965, Business Economics has been an essential resource for those who use economics in the workplace. Its consistent intent has been to distinguish itself from academic journals by focusing on what is useful to practitioners of economics in their everyday work, and it has risen to become the leading forum for debating solutions to critical business problems, analyzing key business and economic issues, and sharing of best-practice models, tools, and hands-on techniques. In celebration of the journal's anniversary, The Best of "Business Economics" brings together forty of the best articles from half a century of publication: those that pushed boundaries, challenged conventional wisdom, and redefined the way practitioners and academics approached their work. Much of the insight afforded in this collection on the uses and limitations of economics are as fresh and useful today as when they were published. Featuring award-winning articles and the world's premier economists, this collection is an essential addition to any economics library.

This book is the first full-length annotated bibliography of the works of humorist Robert Benchley. It contains chapters on his books, essays, newspaper writings, dramatic criticism, plus a filmography and a discography. Also included is a chapter on secondary sources about his life. When humorist Robert Benchley died in 1945 at the age of 56, he left behind a large body of little-known material. Some of this material was collected into book form during and after Benchley's lifetime, but much of it remains uncollected. This annotated bibliography brings together in one volume citations to most of Benchley's collected and uncollected works. The volume contains chapters on Benchley's books, essays, newspaper writings, dramatic criticism, secondary sources about him, a filmography, and a discography. The books chapter contains all of Benchley's major books and lists the contents of each. The chapters on his essays and newspaper writings detail his work for such publications as the New Yorker, Life, Liberty, Vanity Fair, the New York Tribune, New York World, and the Chicago Tribune. The dramatic criticism chapter contains all his theater reviews, for Life and the New Yorker, with the titles of the reviewed plays and the authors for each. Entries are numbered, cross-referenced, and indexed to assist the reader.