He wanted power; she wanted revenge. The magnificent novel by the internationally bestselling author of The Other Side of Midnight and Morning, Noon and Night.

WINNER OF CBC CANADA READS WINNER OF THE STEPHEN LEACOCK MEDAL FOR HUMOUR Here’s the set up: A burnt-out politcal aide quits just before an election—but is forced to run a hopeless campaign on the way out. He makes a deal with a crusty old Scot, Angus McLintock—an engineering professor who will do anything, anything, to avoid teaching English to engineers—to let his name stand in the election. No need to campaign, certain to lose, and so on. Then a great scandal blows away his opponent, and to their horror, Angus is elected. He decides to see what good an honest M.P. who doesn’t care about being re-elected can do in Parliament. The results are hilarious—and with chess, a hovercraft, and the love of a good woman thrown in, this very funny book has something for everyone.

Robyn's family has always struggled to make enough money to survive. Robyn's grandmother leaves them an apple orchard in B.C., Robyn thinks things will be different, but Robyn's father still can't pay the bills. He asks Robyn for her own hard-earned money, and encourages her to drop out of school to work in the orchard. Robyn desperately wants to go to university, but to make a better life for herself, she'll have to leave her family behind.

After a relationship ends badly, Arden recruits Gabe to give her lessons in being adventurous in the bedroom, lessons Arden thinks should be hypothetical while Gabe has other ideas.

The Best Laid Plans includes an accessible group of essays that will meet the needs of students and scholars in film and media studies by offering new insights into an important and neglected area in genre criticism.

This deeply funny satire continues the story of Honest Angus McLintock, an amateur politician who dares to do the unthinkable: tell the truth. Just when Daniel Addison thinks he can escape his job as a political aide, Angus McLintock, the no-hope candidate he helped into Parliament, throws icy cold water over his plans. Angus has just brought down the government with a deciding vote. Now the crusty Scot wants Daniel to manage his next campaign. Soon Daniel is helping Angus fight an uphill battle against "Flamethrower" Fox, a Conservative notorious for his dirty tactics. Together they decide to take "The High Road" and—against all odds—turn the race into a nail-biter with hilarious ups and downs, cookie-throwing seniors, and even a Watergate-style break-in. But that's only the beginning. Add a political storm in the capital and a side-splitting visit from the U.S. President and his alcoholic wife, and Terry Fallis's second novel is a wildly entertaining read full of deft political satire and laugh-out-loud comedy.

We see it all the time: organizations strive to persuade the public to change beliefs or behavior through expensive, expansive media campaigns. Designers painstakingly craft clear, resonant, and culturally sensitive messaging that will motivate people to buy a product, support a cause, vote for a candidate, or take active steps to improve their health. But once these campaigns leave the controlled environments of focus groups, advertising agencies, and stakeholder meetings to circulate, the public interprets and distorts the campaigns in ways their designers never intended or dreamed. In Best Laid Plans, Terence E. McDonnell explains why these attempts at mass persuasion often fail so badly. McDonnell argues that these well-designed campaigns are undergoing “cultural entropy”: the process through which the intended meanings and uses of cultural objects fracture into alternative meanings, new practices, failed interactions, and blatant disregard. Using AIDS media campaigns in Accra, Ghana, as its central case study, the book walks readers through best-practice, evidence-based media campaigns that fall totally flat. Female condoms are turned into bracelets, AIDS posters become home decorations, red ribbons fade into pink under the sun—to name a few failures. These damaging cultural misfires are not random. Rather, McDonnell makes the case that these disruptions are patterned, widespread, and inevitable—indicative of a broader process of cultural entropy.