Vols. for - edited by Elizabeth Kolbert.

The New York Times–bestselling author of Packing for Mars presents fascinating essays by Jonathan Lethem, Jaron Lanier, Malcom Gladwell and others. Good science writing, as Mary Roach explains in her introduction, is a cure for ignorance and fallacy. But great science writing adds honey—in the form of engaging characters, stories, and wit—to make the medicine go down. This anthology reveals the essential humanity in our endless quest for knowledge and understanding. From a study of avian mating habits with unintended political implications to a sober exploration of the panic surrounding artificial intelligence, The Best Science and Nature Writing 2011 offers food for thought in a variety of flavors. The Best Science and Nature Writing 2011 includes entries by Deborah Blum, Burkhard Bilger, Ian Frazier, David H. Freedman, Atul Gawande, Stephen Hawking, Christopher Ketcham, Jill Sisson Quinn, Oliver Sachs, and others.

From the latest breakthroughs in medical research and information technologies to new discoveries about the diversity of life on earth, science is becoming both more specialized and more relevant. Consequently, the need for writers who can clarify these breakthroughs and discoveries for the general public has become acute. In Ideas into Words, Elise Hancock, a professional writer and editor with thirty years of experience, provides both novice and seasoned science writers with the practical advice and canny insights they need to take their craft to the next level. Rich with real-life examples and anecdotes, this book covers the essentials of science writing: finding story ideas, learning the science, opening and shaping a piece, polishing drafts, overcoming blocks, and conducting interviews with scientists and other experts who may not be accustomed to making their ideas understandable to lay readers. Hancock's wisdom will prove useful to anyone pursuing nonfiction writing as a career. She devotes an entire chapter to habits and attitudes that writers should cultivate, another to structure, and a third to the art of revision. Some of her advice is surprising (she cautions against s

Bestselling author and staff writer for "The New Yorker" Groopman edits this year's volume of the finest science and nature writing. Contributors include Walter Kirn, Ron Rosenbaum, Jeffrey Toobin, and Oliver Sacks.

Vols. for - edited by Elizabeth Kolbert.

This anthology collects some of the year’s best science and nature writing—from climate change to killer beetles, an exposé of nail salons, and more. As guest editor Amy Stewart says in her introduction, “science writers get into the game with all kinds of noble, high-minded ambitions. We want to educate. To enlighten…But at the end of the day, we’re all writers. We’re just like novelists, memoirists, and poets. We’re entertainers.” The writers in this anthology pull off that wonderful feat of turning hard research into page-turning narrative. From a Pulitzer Prize–winning essay on the earthquake that could decimate the Pacific Northwest to the astonishing work of investigative journalism that transformed the nail salon industry, this is a collection of hard-hitting and beautifully composed writing on the wonders, dangers, and oddities of scientific innovation and our natural world. The Best American Science and Nature Writing 2016 includes Kathryn Schulz, Sarah Maslin Nir, Charles C. Mann, Oliver Sacks, Elizabeth Kolbert, Gretel Ehrlich, and others.

Vols. for - edited by Elizabeth Kolbert.