An interdisciplinary study of the Asaba massacre, re-examining Nigerian history and enriching the understanding of post-conflict trauma and memory construction.

The Great Benin Empire was an empire kingdom in West Africa known for its great wealth, intricately planned cities, and beautiful bronze sculptures. It was one of the oldest and most highly developed empires in West Africa from the 13th century until the end of the 19th century. It attracted visitors from far away lands who came to trade and also marvel at its great wall. This story is told from the point of view of Osasu, a young Edo boy who lived in the Benin empire and enjoys the comfort and protection of the Great Wall of Benin that was built by his ancestors. Follow young Osasu, as he navigates life at the height of the ancient Benin civilization, the arrival of strange visitors, and the fall of the Great Benin Empire. A must-read for every child and teen interested in untold histories. (Note: This can be emphasized and highlighted) Apart from the entertainment value, readers will benefit from exploring important nuggets of African history and culture as they immerse themselves in this beautiful African story.

Walk into any European museum today and you will see the curated spoils of Empire. They sit behind plate glass: dignified, tastefully lit. Accompanying pieces of card offer a name, date and place of origin. They do not mention that the objectsare all stolen. Few artefacts embody this history of rapacious and extractive colonialism better than the Benin Bronzes - a collection of thousands of brass plaques and carved ivory tusks depicting the history of the Royal Court of the Obas of BeninCity, Nigeria. Pillaged during a British naval attack in 1897, the loot was passed on to Queen Victoria, the British Museum and countless private collections. The story of the Benin Bronzes sits at the heart of a heated debate about cultural restitution, repatriation and the decolonisation of museums. In The Brutish Museums, Dan Hicks makes a powerful case for the urgent return of such objects, as part of a wider project of addressing the outstanding debt of colonialism.