Excerpt from The Belgian Galleries: Being a History of the Flemish School of Painting, Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in Bruges, Antwerp, Ghent, Brussels and Other Belgian Cities In the following pages, I have endeavoured to give a concise description of the works of art in the Belgian galleries as well as some of the most famous masterpieces to be found in cathedrals, churches and other religious foundations. The visitor to the galleries of Antwerp, Brussels and Bruges will immediately notice that the great majority of the pictures are by native artists, only a few foreign works, principally by Italian and French masters, being met with. Dutch pictures, of course, are found in considerable numbers; but the Dutch School is so closely allied with the Flemish that it is difficult to distinguish them till the time of Rubens. Even the Little Masters of Belgium and Holland closely resemble one another in character, especially the painters Of genre and still-life. Sir Joshua Reynolds thought it more reasonable to class the pictures according to their size rather than the birthplaces of the artists, the style and manner of many of the Dutch and Flemish painters being identical. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from The Belgian Galleries: Being a History of the Flemish School of Painting, Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in Bruges, Antwerp, Ghent, Brussels and Other Belgian Cities Floris. - Fall of the Rebel Angels Musee Royal des beaux-arts, Antwerp A. Van dyck.-portrait of a Little Girl (with Dogs by Jan Pyt) Musee Royal des beaux-arts, Antwerp. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.