Icons of Life tells the engrossing and provocative story of an early twentieth-century undertaking, the Carnegie Institution of Washington's project to collect thousands of embryos for scientific study. Lynn M. Morgan blends social analysis, sleuthing, and humor to trace the history of specimen collecting. In the process, she illuminates how a hundred-year-old scientific endeavor continues to be felt in today's fraught arena of maternal and fetal politics. Until the embryo collecting project-which she follows from the Johns Hopkins anatomy department, through Baltimore foundling homes, and all the way to China-most people had no idea what human embryos looked like. But by the 1950s, modern citizens saw in embryos an image of "ourselves unborn," and embryology had developed a biologically based story about how we came to be. Morgan explains how dead specimens paradoxically became icons of life, how embryos were generated as social artifacts separate from pregnant women, and how a fetus thwarted Gertrude Stein's medical career. By resurrecting a nearly forgotten scientific project, Morgan sheds light on the roots of a modern origin story and raises the still controversial issue of how we decide what embryos mean.

Africa does not give up its secrets easily. Buried there lie answers about the origins of humankind and the dawn of civilisation. Through a century of archaeological investigation, scientists have transformed our understanding of the beginnings of human life, although vital clues still remain hidden. In Born in Africa, Martin Meredith follows the trail of discoveries about our human origins made by scientists over the last hundred years, as well as describing the history of scholarship in this incredibly exciting field. He relates the intense rivalries, personal feuds and fierce controversies that shaped the study and perception of Africa, and recounts the feats of skill and endurance that have illuminated thousands of years of human evolution. The results have been momentous. Scientists have identified more than twenty species of extinct humans and firmly established Africa as the birthplace not only of humankind, but also of our own species: homo sapiens, the modern human. Scientific study has revealed how early technology, language ability and artistic endeavour all originated in Africa, and scientists have shown how, in an exodus sixty thousand years ago, small groups of Africans left their birthplace to populate the rest of the world. We all have an African legacy, and in this fascinating and informative book Martin Meredith leads us back to the place where we have rediscovered our common human heritage.

The Origins of Human Society traces the development of human culture from its origins over 2 million years ago to the emergence of literate civilization. In addition to a global coverage of prehistoric life, the book pays specific attention to the origins and dispersal of anatomically-modern humans, the development of symbolic expression, the transition from mobile foraging bands to sedentary households, early agriculture and its consequences, the emergence of social differentiation and hereditary ranking, and the prehistoric roots of ancient states and empires. The Blackwell History of the World Series The goal of this ambitious series is to provide an accessible source of knowledge about the entire human past, for every curious person in every part of the world. It will comprise some two dozen volumes, of which some provide synoptic views of the history of particular regions while others consider the world as a whole during a particular period of time. The volumes are narrative in form, giving balanced attention to social and cultural history (in the broadest sense) as well as to institutional development and political change. Each provides a systematic account of a very large subject, but they are also both imaginative and interpretative. The Series is intended to be accessible to the widest possible readership, and the accessibility of its volumes is matched by the style of presentation and production.

Human beings may share 98 percent of their genetic makeup with their nonhuman primate cousins, but they have distinctive life histories. When and why did these uniquely human patterns evolve? To answer that question, this volume brings together specialists in hunter-gatherer behavioral ecology and demography, human growth, development, and nutrition, paleodemography, human paleontology, primatology, and the genomics of aging. The contributors identify and explain the peculiar features of human life histories, such as the rate and timing of processes that directly influence survival and reproduction. Drawing on new evidence from paleoanthropology, they question existing arguments that link human's extended childhood dependency and long 'post-reproductive'lives to brain development, learning, and distinctively human social structures. The volume reviews alternative explanations for the distinctiveness of human life history and incorporates multiple lines of evidence in order to test them.

Experts from different disciplines present new insights into the subject of ritual homicide in various regions of the ancient world.

A RADIO 4 BOOK OF THE WEEK 'Full of delightful nuggets' Guardian online 'Entertaining, informative and philosphical ... An essential read' All About History 'Extraordinary range ... All the world and more is here' Evening Standard 165 million years ago saw the birth of rhythm. 66 million years ago came the first melody. 40 thousand years ago Homo sapiens created the first musical instrument. Today music fills our lives. How we have created, performed and listened to music throughout history has defined what our species is and how we understand who we are. Yet it is an overlooked part of our origin story. The Musical Human takes us on an exhilarating journey across the ages – from Bach to BTS and back – to explore the vibrant relationship between music and the human species. With insights from a wealth of disciplines, world-leading musicologist Michael Spitzer renders a global history of music on the widest possible canvas, from global history to our everyday lives, from insects to apes, humans to artificial intelligence. 'Michael Spitzer has pulled off the impossible: a Guns, Germs and Steel for music' Daniel Levitin 'A thrilling exploration of what music has meant and means to humankind' Ian Bostridge