London. 1926. One war is over, another is beginning, and murder is sealed with a kiss.... At midnight she was ravishing: a tall redhead wearing emeralds and a low-cut dress. An hour later, in her room at the Ritz, she was dead, the jewels torn from her bludgeoned body. Thus begins Barbara Cleverly’s ingenious novel, another masterpiece of suspense from the CWA Golden Dagger Award—winning author. With the help of a former comrade-at-arms and a society girl turned constable, Scotland Yard Inspector Joe Sandilands enters into the private world of Dame Beatrice Jagow-Joliffe–a hive of state secrets and sexual extravagance. But as The Dame’s affairs are exposed, the case takes a sudden, strange turn. Because what Sandilands is about to discover are deceptions that go far beyond salacious scandal to betrayals that strike at the heart of a nation . . . and the ruthless heart of a killer.

1926, and Joe Sandilands is back from India, enjoying the frantic pleasures of Jazz Age London. Yet, there is a darkness behind all that postwar gaiety. A woman has been discovered bludgeoned to death in her suite at the Ritz. A broken window and missing emerald necklace suggest that it is a burglary gone wrong. But the corpse is that of a much-respected member of the British establishment, Dame Beatrice Joliffe, one of the founders of the Wrens, and so Scotland Yard send Joe to conduct a swift enquiry. Her companion, an ex-chorus girl, falls from Waterloo Bridge at twilight. Two of the Dame's clique of eager young Wrens commit suicide. All these deaths make Joe suspect that Beatrice has been killed by someone close to her but suddenly he finds that the case is closed and he is asked by his superiors to surrender his files. Against the background of the looming General Strike, and pressure from unseen governmental presences he struggles on, picking his way through the political panic and rebelling against authority, through to a shattering solution to the killings.

While working on a bee project for her advanced biology class, quiet high school senior Dana reflects on her relationship with gorgeous best friend Avra and Avra's boyfriend Emil, whom Dana secretly loves.

Twenty years ago, a darkness rose up out of the blistering heat of the Arizona desert and descended upon the Walker family of Tucson. A personified evil, a serial killer named Andrew Carlisle, brought blood and terror into their world, nearly murdering Diana Ladd Walker and her young son, Davy. Now much has changed. The family has grown larger. There's Lani, the beloved adopted daughter—a beautiful Native American teenager "kissed by the bees" and destined, according to Tohono 0'othham lore, to become a woman of great spiritual power. And now that the psychopath Carlisle has died in prison, Brandon and Diana Walker believe that their long nightmare is finally over. They are wrong. The monster is dead, but his malevolence lives on . . . in another.

A winner of the Costa Book Award, "beautiful and moving poetry for the real world" (The Guardian) The Bees is Carol Ann Duffy's first collection of new poems as British poet laureate, and the much anticipated successor to the T. S. Eliot Prize–winning Rapture. After the intimate focus of the earlier book, The Bees finds Duffy using her full poetic range: there are drinking songs, love poems, poems to the weather, and poems of political anger. There are elegies, too, for beloved friends and—most movingly—for the poet's mother. As Duffy's voice rises in this collection, her music intensifies, and every poem patterns itself into song. Woven into and weaving through the book is its presiding spirit: the bee. Sometimes the bee is Duffy's subject, sometimes it strays into the poem or hovers at its edge—and the reader soon begins to anticipate its appearance. In the end, Duffy's point is clear: the bee symbolizes what we have left of grace in the world, and what is most precious and necessary for us to protect. The Bees is Duffy's clearest affirmation yet of her belief in the poem as "secular prayer," as the means by which we remind ourselves of what is most worthy of our attention and concern, our passion and our praise.