This book pays tribute to 14 women who donated millions of dollars to causes close to their hearts. Iris Nowell is the author of five books. Writing her 1996 book, Women Who Give Away Millions, has given her a solid foundation of philanthropy, the not-for-profit sector, and the wealthy. She has also written a memoir of Canadian artist Harold Town, and a biography of artist, filmmaker, and impassioned feminist, Joyce Wieland.

Financial magician, flamboyant politician, minister in both world wars, press baron, serial philanderer, Winston Churchill's boon companion in the dark days of 1940-41 and in his later years, Max Beaverbrook was without a doubt one of the most colourful characters of the first half of the twentieth century. Born and brought up in the Scottish Presbyterian fastness of northeast Canada, he escaped to make his fortune in Canadian financial markets. By 1910, when he migrated to Britain at the age of thirty-one, he was already a multimillionaire. With a seat in the House of Commons and then a peerage, he came to know all the senior figures in both British and Canadian politics. In acquiring the Daily Express, he not only built it into a news empire but used its considerable influence to campaign for his own pet causes. As Charles Williams's sweeping biography shows, Beaverbrook was loved and loathed in equal measure. Nevertheless, Williams brings to life a rounded character, with all its flaws and virtues. Above all, it is a story of eighty years of entrepreneurism, political dogfights, wars, sex and grand living, all set in the rich tapestry of the dramatic years of the twentieth century.

The shocking true story behind A Very British Scandal, starring Claire Foy and Paul Bettany Margaret, Duchess of Argyll's life was one of complexity and controversy. Born Ethel Margaret Whigham, the only child of a Scottish self-made millionaire and a beautiful high-society woman, her childhood was rich and splendid – but empty. She was a daddy's girl with an absent father, living with a jealous mother who sought to remind Margaret of her every shortcoming. As she grew up, her name was a byword for class and beauty; she was the debutante of her coming-out year, and her marriage to Charles Sweeny literally stopped traffic. But it was not to last: Margaret needed more. What followed was a story of tragedy, scandal and heartbreak as Margaret swung from lover to lover, society to society. This culminated in her notorious divorce case of 1963, where her soon-to-be-ex-husband produced his pie`ce de résistance: a Polaroid of her in a compromising position with two other men. In The Grit in the Pearl, Lyndsy Spence takes a look at a woman who was ahead of her time. Using previously unpublished sources and personal transcripts, this is the story of a fragile woman who was to come up against the very highest echelons of English high society – and lose.

This book is an historical survey of women’s sport from 1850-1960. It looks at some of the more recent methodological approaches to writing sports history and raises questions about how the history of women’s sport has so far been shaped by academic writers. Questions explored in this text include: What are the fresh perspectives and newly available sources for the historian of women’s sport? How do these take forward established debates on women’s place in sporting culture and what novel approaches do they suggest? How can our appreciation of fashion, travel, food and medical history be advanced by looking at women’s involvement in sport? How can we use some of the current ideas and methodologies in the recent literature on the history and sociology of sport in order to look afresh at women’s participation? Jean Williams’s original research on these topics and more will be a useful resource for scholars in the fields of sports, women’s studies, history and sociology.

The plot could have been inspired by Evelyn Waugh's Vile Bodies, but unlike Waugh's novel – which parodies the era of the 'Bright Young Things' – The Mistress of Mayfair is a real-life story of scandal, greed, corruption and promiscuity at the heart of 1920s and '30s high society, focusing on the wily, willful socialite Doris Delevingne and her doomed relationship with the gossip columnist Valentine Browne, Viscount Castlerosse. Marrying each other in pursuit of the finer things in life, their unlikely union was tempestuous from the off, rocked by affairs (with a whole host of society figures, including Cecil Beaton, Diana Mitford and Winston Churchill, amongst others) on both sides, and degenerated into one of London's bitterest, and most talked about, divorce battles. In this compelling new book, Lyndsy Spence follows the rise and fall of their relationship, exploring their decadent society lives in revelatory detail and offering new insight into some of the mid twentieth century's most prominent figures.