Daily Warrior is made up of 365 inspirational daily entries―one for every day of the year. Whether you are facing indecision, frustration, or adversity, Daily Warrior has something to raise you up, and remind you of your own strength and potential. It will help you to realize that you are true warriors. Whether you read an entry every morning, every night, or simply at some point in between when you're struggling, within these pages you will find the encouragement to overcome whatever ails you, confronts you, or drags you down.

For some inexplicable reason, a modern university student, whose soul had been transported to the world of the 'Coiling Dragon', had replaced Linley as the main character of the 'Coiling Dragon' world. He also wanted to see how the main character would take advantage of his transmigration and walk step by step towards the peak of the strong. Although this book is the same person as "Pan Long", but it doesn't matter if you haven't read the original book, it won't affect your reading.

What happens in a tradition that links citizenship with soldiering when women become citizens? Citizen Soldiers and Manly Warriors: Military Service and Gender in the Civic Republican Tradition provides an in-depth analysis of the theory and practice of the citizen-soldier in historical context. Using a postmodern feminist lens, Snyder reveals that within the citizen-soldier tradition, citizenship and masculinity are simultaneously constituted through engagement in civic and martial practices. Seeking to sever the connection between masculinity and citizenship, Snyder calls for women to make 'gender trouble' by engaging in the practices traditionally constitutive of masculine republican citizenship. However, in order to reconstitute the Citizen-Soldier traditionDthe only tradition we have that holds the military up to democratic standardsDwe must not only 'trouble' but also reconfigure our understandings of gender and citizenship. Thus gender parity in the American military is not enough. We must also change the type of masculinity produced by the military, reintroduce the military to its civic purposes, expand the 'citizenship of civic practices' to include other non-martial forms of service, and give citizens a greater role in political decision making.

It was a time when gods walked the earth, when armies fought not for bits of land, but for the very existence of humanity. On such a battlefield, five formidable warriors stood against an evil greater than any the earth had ever seen. But evil is not an honorable foe. Betrayed by someone they trusted, the warriors were cursed, one by one, tossed into the maelstrom of time, imprisoned in stone, their freedom resting on nearly impossible conditions. Until . . . Kato Amadi . . . born of darkest sorcery, unstoppable on the battlefield, his magic is as deadly as his blade. But not even magic could save him from vicious betrayal. Trapped for millennia in darkness and silence, he is freed at last, only to find himself in the middle of a battle against the very beasts of hell he was created to destroy. Grace Van Allen is a scholar of ancient languages who toils in the dim recesses of a museum basement with only a beautiful stone warrior to keep her company. But when Grace calls upon her silent warrior to help her translate an obscure new language, she breaks the ancient curse holding him prisoner . . . and frees three deadly demons to rampage through her city. Tracking demons is what Kato was born to do, but he'll need Grace's help. And when they discover that Kato's enemy is still alive and still plotting against him, their hunt takes a dangerous turn, one that might just prove fatal for both of them . . . D. B. Reynolds is the RT and EPIC Award-Winning author of the Vampires in America series of paranormal romance, and an Emmy-nominated television sound editor. D. B. currently lives in a flammable canyon near the Malibu coast, and when she's not writing her own books, she can usually be found reading someone else's.

"Disobedient Aesthetics examines emergent forms of creative civil disobedience that have arisen in response to digital tools of surveillance and control. Analyzing activities that defy-by hacking, subverting, or otherwise thwarting efforts to use the interface of our bodies and networked technologies-Disobedient Aesthetics theorizes the rhetorical and aesthetic character of such disobedient acts and the possibilities, limitations, and risks they pose for democratic participation. In recent decades, new tools of surveillance and control have become ubiquitous, among them security cameras, data mining in social media spaces, and biometric scanning. As such, we all now dwell in spaces of public, everyday life that entangle networked levers of control with the facticity of having bodies, DNA, or even faces in public. Each chapter probes a different aspect of our embodied experience as sites of data exploitation. The first chapter examines tactical interventions into the thermal vision systems used on military drones. Human body heat itself is transformed into a media object and a source of data for lethal drone systems. In the following chapter, we encounter extraordinarily sophisticated facial recognition platforms that are turning our very faces into actionable data mines. The next chapter examines two kinds of on-demand DNA analysis, at-home testing, like that used by 23andMe, and a related police practice, to show what's at stake when the hunger for personal data dives all the way into our genetic makeup. The next chapter considers how surveillance and control has come to change urban governance, and with it the physical space of publicness itself. Data-driven governance, paired with home "sharing" platforms like AirBNB apply even more pressure on populations, and have engendered new predictive forms of policing and new architectural forms, such as anti-homeless spikes in public spaces. The final chapter examines several different creative, critical, and collective efforts to democratize access to the technical knowledge needed to intervene in the control systems addressed in the prior chapters. A concluding epilogue revisits current theories and manifestations of "control," and offers an alternative reading of Gilles Deleuze's oft-cited thesis on control societies-namely, that with control, it is not a matter of escaping it, but a matter of "finding new weapons" to undermine its functions. All of the projects and activities surveyed here do indeed attempt that, but the epilogue meditates on an alternative to finding new "weapons," in the search for new "tactics." Ultimately, Disobedient Aesthetics theorizes control and the possibilities of creative, disobedient intervention into it, as at once an aesthetic and rhetorical phenomenon, with the creative disruptions of control surveyed here standing as potent models for productive paths for democratizing technology now"--