"This exhibition catalogue presents a fresh and visually breath-taking new look at the art of the late Stuart period in Britain (1660-1714). From the Restoration of Charles II in 1660 to the death of Queen Anne in 1714, the late Stuart period was a time of great change for Britain, and a rich, sophisticated, but largely overlooked era of art history. This exhibition book, created to accompany Tate Britain's 2020 exhibition British Baroque: Power & Illusion, explores how art and architecture were used by the crown, the church, and the aristocracy to project images of status in an age when the power of the monarchy was being questioned. Featuring the work of the leading painters of the day -- including Peter Lely, Godfrey Kneller, and James Thornhill -- it celebrates ambitious grand-scale portraits, the persuasive illusion of mural painting, the brilliant woodcarving of Grinling Gibbons, and the magnificent architecture of the great buildings of the age by Christopher Wren, Nicholas Hawksmoor, and John Vanbrugh"--Publisher's description.

Focusing on the Baroque period, this book gives readers the tools they need to grasp the architectural language and building forms of this style. Part of a new, accessibly written, and generously illustrated series on architecture through the ages, this book features Baroque's most important architects, buildings and cities, interior and exterior photographs, detailed images, drawings, and plans. The book offers a general introduction to Baroque, discusses the characteristics of the style, and the commonly used techniques and materials. Originating in the late sixteenth century and continuing to the early 1900s, Baroque swept the globe, from Europe to South America. The period is distinguished by complex architectural shapes designed to heighten emotion and dramatise experience. Buildings from this period are celebrated for their grandeur, intricate embellishments, and gilded statuary. Renowned Baroque architects include Gian Lorenzo Bernini, Francesco Borromini, and Guariono Guarini. AUTHOR: Claudia Zanlungo is a curator and writer on architecture. She lives in Berlin. 200 colour images REDUCED FROM $35.00

The Female Baroque in Early Modern English Literary Culture is a contribution to the revival of early modern women's writings and cultural production in English that began in the 1980s. Its originality is twofold: it links women's writing in English with the wider context of Baroque culture, and it introduces the issue of gender into discussion of the Baroque. The title comes from Julia Kristeva's study of Teresa of Avila, that 'the secrets of Baroque civilization are female'. The book is built on a schema of recurring Baroque characteristics -- narrativity, hyperbole, melancholia, kitsch, and plateauing, pointing less to surface manifestations and more to underlying ideological tensions. The crucial concept of the book is developed in detail. Particular attention is given to Gertrude More, Mary Ward, Aemilia Lanyer, The Ferrar/Collet women, Mary Wroth, the Cavendish sisters, Hester Pulter, Anne Hutchinson, and finally Margaret Cavendish and Aphra Behn, whose lives and writings point to the developing cultural transition to the Enlightenment.

This second edition of Historical Dictionary of Baroque Art and Architecture contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on famous artists, sculptors, architects, patrons, and other historical figures, and events.

"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.

Enter a world of vivid colors, elaborate gesture, and theatrical shadows. This essential introduction to Baroque painting dives deep into the mythological, religious, and genre scenes of Caravaggio, Carracci, Velázquez, Rubens, and beyond to explore how both northern and southern European schools became enraptured by a style of emotion, energy, ...

This is a nonchronological introduction to Baroque, one of the great periods of European art. John Martin's descriptions of the essential characteristics of the Baroque help one to gain an understanding of the style. His illustrations are informative and he has clearly looked with a fresh eye at the works of art themselves. In addition to the more than 200 illustrations, the volume contains an appendix of translated documents.